Jacob van Doort (-1629) was a painter of Flemish or Dutch extraction active in portrait miniatures from 1606 to his death in 1629. [1] He did much of his work for the courts of Denmark and Sweden, in particular the court of Christian IV of Denmark.
His own life is not well known. [2] [3] He was possibly the son of Peter van der Doort of Antwerp and the brother of Abraham van Doordt. He may have been born in Hamburg and made a few trips to England. For most of his career he worked in Northern Europe. [4] He died in Stockholm.
JeanFouquet (ca.1420–1481) was a French painter and miniaturist. A master of panel painting and manuscript illumination, and the apparent inventor of the portrait miniature, he is considered one of the most important painters from the period between the late Gothic and early Renaissance. He was the first French artist to travel to Italy and experience first-hand the early Italian Renaissance.
A portrait miniature is a miniature portrait painting, usually executed in gouache, watercolor, or enamel. Portrait miniatures developed out of the techniques of the miniatures in illuminated manuscripts, and were popular among 16th-century elites, mainly in England and France, and spread across the rest of Europe from the middle of the 18th century, remaining highly popular until the development of daguerreotypes and photography in the mid-19th century. They were usually intimate gifts given within the family, or by hopeful males in courtship, but some rulers, such as James I of England, gave large numbers as diplomatic or political gifts. They were especially likely to be painted when a family member was going to be absent for significant periods, whether a husband or son going to war or emigrating, or a daughter getting married.
Eglon van der Neer was a Dutch painter of historical scenes, portraits and elegant, fashionable people, and later of landscapes.
Jacob Hoefnagel, was a Flemish painter, printmaker, miniaturist, draftsman, art dealer, diplomat, merchant and politician. He was the son of the Flemish painter and miniaturist Joris Hoefnagel (1542–1601) who was a court painter to the dukes of Bavaria and Emperor Rudolf II in Prague. Jacob Hoefnagel himself became a court painter to Rudolf II and to the Swedish court. He is noted for his illustrations of natural history subjects as well as his portraits, topographical views, emblems and mythological works, which continue his father's style.
Marcus Gheeraerts was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and van Dyck" He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee. He introduced a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the late 1610s.
Events from the year 1675 in art.
Abraham van der Doort was a Dutch artist. As Keeper of Charles I's art collections, he was the first Surveyor of the King's Pictures.
The artists of the Tudor court are the painters and limners engaged by the monarchs of England's Tudor dynasty and their courtiers between 1485 and 1603, from the reign of Henry VII to the death of Elizabeth I.
Sir Peter Paul Rubens was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands. He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.
Prince Ulrik of Denmark was a son of King Christian IV of Denmark and his consort Queen Anne Catherine of Brandenburg. As the fourth-born son, he bore the merely titular rank of Duke of Holstein and Schleswig, Stormarn and Ditmarsh; however, he had no share in the royal-ducal condominial rule of Holstein and Schleswig, wielded by the heads of the houses of Oldenburg (royal) and its cadet branch Holstein-Gottorp (ducal). In 1624 Ulrik was appointed administrator of the Prince-Bishopric of Schwerin as Ulrich III. However, in 1628 Wallenstein's conquest of the prince-bishopric de facto deposed him. His father had to renounce all his family claims to prince-bishoprics in 1629. When in 1631 Swedish forces reconquered the prince-bishopric Ulrik failed to reascend as administrator.
Christian Horneman was a Danish miniature and pastels painter, mainly known for portraits. He was the father of the composer Emil Horneman and grandfather of C. F. E. Horneman, also a composer.
Cornelius Høyer was a Danish painter, mainly known for his work in miniatures. Within his special trade, he was among the virtuosos of his day and won an international reputation.
Balthasar Denner was a German painter, highly regarded as a portraitist. He painted mostly half-length and head-and-shoulders portraits and a few group portraits of families in interiors. Usually Denner concentrated on the face; clothes and paraphernalia were done by other painters or later his daughter. His chief peculiarity consisted in the fineness of his mechanical finish, which extended to depicting even the almost invisible furze of hair growing on smooth skin. He is particularly noted for his heads of old men and women.
Vigilius Eriksen was a Danish painter. He was the royal portraitist to Christian VI of Denmark.
Jacob van Oost or Jacob van Oost the Elder (1603–1671) was a Flemish painter of history paintings and portraits. He was the most important painter of Bruges in the 17th century through his portraits of members of the local bourgeois and his many altarpieces made in the spirit of the Counter Reformation. He also created genre paintings of musicians and card players for the open market.
Andreas Møller was a Danish portrait painter and pioneer of miniature painting who worked at many European courts.
The Fondation Custodia is an art collection in the 7th arrondissement of Paris, focusing on European Old Master works, including works by Dutch, Flemish, Italian and French artists. It was founded in 1947 by the collector and art historian Frits Lugt and his wife Jacoba Lugt-Klever to house their collection of drawings, prints and paintings. Located at 121 rue de Lille, it occupies the Hôtel Turgot, an 18th-century mansion.
Marie Duchatel or Marie Du Chastel was a Flemish painter and miniaturist. She had an international career which brought her to work at the courts of Denmark and East Frisia. She married the Dutch painter Eglon van der Neer with him she also travelled abroad. She is mainly known for her portraits.
Sir Robert Anstruther of Anstruther (1578-1645), was a Scottish-British courtier and diplomat.