Gallery
Apparition of St. Michael on Castel Sant'Angelo
Trinità dei Monti (Rome) - Chapel of Saint Michael
Santuario Madonna di Loreto
Jacopo Siculo, also known as Giacomo Santoro da Giuliana (1490-1544) was an Italian painter of the Renaissance, mainly active in Umbria.
He was born in Sicily. By 1519, he was in Rome working under Baldassarre Peruzzi. He likely abandoned Rome after the Sack of Rome in 1527, and settled in Spoleto, where he married one of the daughters of Giovanni di Pietro (lo Spagna).
He painted frescoes (ca. 1535) for the Chapel of the Assumption in the Spoleto Cathedral. He also painted a fresco altarpiece for the Spinelli Chapel in the church of Santa Maria de Loreto in Spoleto. For the church in Brizio, outside of Spoleto, he painted an altarpied and frescoes in the presbytery (1541-2). In Bettona, he painted a Virgin in Glory with Saints altarpiece (1547), now in the Pinacoteca Civica. In Norcia, he painted an altarpiece for the Franciscan Convent of the Annunziata, depicting the Coronation of the Virgin (1541) and other panels, now in the city museum. [1]
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Luca Signorelli was an Italian Renaissance painter who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescoes of the Last Judgment (1499–1503) in Orvieto Cathedral are considered his masterpiece.
Lorenzo Lotto was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Pintoricchio or Pinturicchio whose birth name was Bernardino di Betto, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature. He also used it to sign some of his 15th and 16th-century artworks.
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Benozzo Gozzoli was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence. The chapel's fresco cycle reveals a new Renaissance interest in nature with its realistic depiction of landscapes and vivid human portraits. Gozzoli is considered one of the most prolific fresco painters of his generation. While he was mainly active in Tuscany, he also worked in Umbria and Rome.
Lo Spagna, "the Spaniard" in Italian, was a painter of the High Renaissance, active in central Italy. His name was Giovanni di Pietro, but he was known as Lo Spagna because he was born in Spain. After Raphael, he was a main pupil and follower of the Umbrian painter Perugino, whose style his paintings develop. He should not be confused with Pietro di Giovanni D'Ambrogio of Siena.
The Church of the Gesù is the mother church of the Society of Jesus (Jesuits), a Catholic religious order. Officially named Chiesa del Santissimo Nome di Gesù all'Argentina, its facade is "the first truly baroque façade", introducing the baroque style into architecture. The church served as a model for innumerable Jesuit churches all over the world, especially in the Americas. Its paintings in the nave, crossing, and side chapels became models for Jesuit churches throughout Italy and Europe, as well as those of other orders. The Church of the Gesù is located in the Piazza del Gesù in Rome.
Pellegrino Tibaldi, also known as Pellegrino di Tibaldo de Pellegrini, was an Italian mannerist architect, sculptor, and mural painter.
Giovanni Lanfranco was an Italian painter of the Baroque period.
Ridolfo di Domenico Bigordi, better known as Ridolfo Ghirlandaio was an Italian Renaissance painter active mainly in Florence. He was the son of Domenico Ghirlandaio.
Santa Maria in Vallicella, also called Chiesa Nuova, is a church in Rome, Italy, which today faces onto the main thoroughfare of the Corso Vittorio Emanuele and the corner of Via della Chiesa Nuova. It is the principal church of the Oratorians, a religious congregation of secular priests, founded by St Philip Neri in 1561 at a time in the 16th century when the Counter Reformation saw the emergence of a number of new religious organisations such as the Society of Jesus (Jesuits), the Theatines and the Barnabites.
Sant'Onofrio al Gianicolo is a titular church in Trastevere, Rome. It is the official church of the papal order of knighthood Order of the Holy Sepulchre. A side chapel is dedicated to the Order and a former grand master, Nicola Canali is entombed there. It is dedicated to Saint Onuphrius and located on the Janiculum.
Giovanni Marracci (1637–1704) was an Italian Baroque painter who after training with Pietro da Cortona in Rome, worked in his home region of Lucca where he painted many altarpieces.
Felice Damiani or Felice da Gubbio (1530-1608) was an Italian painter of the late-Renaissance or Mannerism period.
Cesare Mariani was an Italian painter and architect of the late-19th century, active in Rome and Ascoli Piceno.
Tommaso Barnabei, also known as Maso Papacello, was an Italian painter of the Renaissance.
Santa Maria di Nazareth is a Roman Catholic Carmelite church in Venice, northern Italy. It is also called Church of the Scalzi being the seat in the city of the Discalced Carmelites religious order. Located in the sestiere of Cannaregio, near Venezia Santa Lucia railway station, it was built in the mid 17th century to the designs of Baldassarre Longhena and completed in the last decades of that century.
Dono Doni, also known as Adone Doni or Dono dei Doni (1505-1575) was an Italian painter of the Renaissance period active mainly in Umbria.
Orazio Orazi was an Italian priest and painter. He is best known for his depictions of sacred subjects for churches in the Province of Macerata.
Liborio Coccetti was an Italian painter.
