The Assembly of the Gods 1575-76. Oil on copper, 31 x 22 cm. Private collection
Jacopo Zucchi (c. 1541- c. 1590) was a Florentine painter of the Mannerist style, active in Florence and Rome.
His training began in the studio of Giorgio Vasari, and he participated in the decoration of the Studiolo and the Salone dei Cinquecento in the Palazzo Vecchio. Moving to Rome in the early 1570s, he worked for Cardinal Ferdinando de' Medici in his Palazzo Firenze (1574), for whom he also probably produced the oil on panel paintings The Golden Age and The Silver Age (both c.1576-1581, both now in the Uffizi). He also helped decorate, along with his brother Francesco, the apse and dome of Santo Spirito in Sassia with a fresco of the Pentecost. He painted the grand salon of the former Rucellai (now Ruspoli) palace in Rome with mythologic genealogies. Two canvases, representing the Ascension and Resurrection, are housed in the church of San Lorenzo Martire in San Lorenzo Nuovo (Italy). His brother Francesco Zucchi became a noted mosaicist and died in 1621.[1]
Sources
Freedberg, Sydney J. (1993). Pelican History of Art (ed.). Painting in Italy, 1500-1600. Penguin Books Ltd. pp.650–51.
The Pazzi were a noble Florentine family. Their main trade during the fifteenth century was banking. In the aftermath of the Pazzi conspiracy in 1478, members of the family were banished from Florence and their property was confiscated; the family name and coat-of-arms were permanently suppressed by order of the Signoria.
The Pazzi conspiracy was a plot by members of the Pazzi family and others to displace the Medici family as rulers of Renaissance Florence.
GiacomoBarozzida Vignola, often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era.
Giovanni Lanfranco was an Italian painter of the Baroque period.
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna.
Francesco Barberini was an Italian Catholic Cardinal. The nephew of Pope Urban VIII, he benefited immensely from the nepotism practiced by his uncle. He was given various roles within the Vatican administration but his personal cultural interests, particularly in literature and the arts, meant that he became a highly significant patron. His secretary was the antiquarian Cassiano dal Pozzo who was also a discerning patron of the arts. Francesco was the elder brother of Cardinal Antonio Barberini and Taddeo Barberini who became Prince of Palestrina.
Palazzo dei Diamanti is a Renaissance palace located on Corso Ercole I d'Este 21 in Ferrara, region of Emilia Romagna, Italy. The main floor of the Palace houses the Pinacoteca Nazionale di Ferrara.
Jacopo di Cione was an Italian Gothic period painter in the Republic of Florence.
Pietro Dandini was an Italian painter of the Baroque period, active mainly in Florence.
Niccolò di Pietro Gerini was an Italian painter of the late Gothic period, active mainly in his native Florence although he also carried out commissions in Pisa and Prato. He was not an innovative painter but relied on traditional compositions in which he placed his figures in a stiff and dramatic movement.
Antonio Viviani (1560–1620) was an Italian painter of the late Renaissance and early Baroque.
Francesco Manno was an Italian painter and architect of the Neoclassical style.
The Pucci family has been a prominent noble family in Florence over the course of many centuries. A recent notable member of this family was Emilio Pucci, an Italian fashion designer who founded a clothing company after World War II.
Francesco Podesti was an Italian painter, active in a Romantic style. Together with Francesco Hayez and Giuseppe Bezzuoli, he is considered one of the greatest Italian painters of the first half of the 19th century. He was prolific in his large canvases on historical subjects. He is best known for his fresco work, including those in the Hall of the Immacolata in the Vatican Museum.
Roberto Bompiani was an Italian painter and sculptor.
Plautilla Bricci was a 17th-century Roman architect, painter and sculptor; she was the only female architect of her day. Her most famous work is Villa Benedetti near the Porta San Pancrazio, Rome. She also designed the third chapel on the left aisle in the Church of San Luigi dei Francesi, Rome, dedicated to St. Louis, having also painted the altarpiece in this chapel.
The Casino Mediceo di San Marco is a late-Renaissance or Mannerist style palace located on Via Cavour number 57 and via San Gallo in Florence, region of Tuscany, Italy.
Medici is a historical drama television series created by Frank Spotnitz and Nicholas Meyer. The series was produced by Italian companies Lux Vide and Rai Fiction, in collaboration with Frank Spotnitz's Big Light Productions.
Pietro Gagliardi was an Italian painter and architect, who decorated many churches and palaces in Rome and throughout Italy.
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