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Jacqueline Goldfinger | |
|---|---|
| Born | Jacqueline Elizabeth Pardue Tallahassee, Florida U.S. |
| Language | English |
| Education |
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| Genre | Playwriting, Libretto, poetry, non-fiction |
| Children | 3 |
| Website | |
| www | |
Jacqueline Goldfinger is an American playwright and librettist best known for her award winning plays Babel and The Arsonists. She wrote the popular book, Playwriting with Purpose: A Guide and Workbook for Playwrights.
Goldfinger began her career in fringe theater creating site-specific work with the San Diego Playwrights Collective and touring a one-act version of The Terrible Girls to the New York International Fringe Festival. [1]
Her full-length original plays include:
Her full-length adaptations include:
Her libretti include:
Her works have been developed and produced at the John F. Kennedy Center for the Performing Arts, BBC 3 Radio (UK), Perseverance Theatre, Hangar Theatre, Contemporary American Theatre Festival, Voces8 (UK), Disquiet (Portugal), Gate Theatre (New Zealand), New Georges, Oberlin Opera, St. Martin in the Fields (UK), McCarter Theatre, Hangar Theatre, Theatre Exile, Unicorn Theatre, Resonance Works, Capitol Stage, Azuka Theatre, Wilma Theatre, Arden Theatre, The National Theater (UK), Philadelphia Theatre Company, People's Light and Theatre Company, Amuse Singers, Vortex Rep, Women's Theatre Festival, NYC International Fringe, and others. She's been a dramaturg for theatre companies including La Jolla Playhouse, Old Globe (San Diego), Philadelphia Theater Company, Native Voices, and the Arden Theater. She's taught at University of California, Davis, University of California, San Diego, and University of Pennsylvania.
Winnie Holzman is an American playwright, screenwriter, actor, and producer. She is best known for writing the book of the Tony Award winning Broadway musical Wicked, and for co-writing the screenplays for the two films based on the musical, Wicked and Wicked: For Good. She also created the television series My So-Called Life. Holzman's other television work includes the series Thirtysomething and Once and Again. Her other stage work includes short plays and the full-length drama, Choice.
Lisa D'Amour is a playwright, performer, and former Carnival Queen from New Orleans. D'Amour is an alumna of New Dramatists. Her play Detroit was a finalist for the Pulitzer Prize for Drama.
Toy theater, also called paper theater and model theater, is a form of miniature theater dating back to the early 19th century in Europe. Toy theaters were often printed on paperboard sheets and sold as kits at the concession stand of an opera house, playhouse, or vaudeville theater. Toy theatres were assembled at home and performed for family members and guests, sometimes with live musical accompaniment. Toy theatre saw a drastic decline in popularity with a shift towards realism on the European stage in the late 19th century, and again with the arrival of television after World War II. Toy theatre has seen a resurgence in recent years among many puppeteers, authors and filmmakers and there are numerous international toy theatre festivals throughout the Americas and Europe.
Will Power is an American playwright, rapper, actor, and educator.
Sheila Callaghan is a playwright and screenwriter who emerged from the RAT movement of the 1990s. She has been profiled by American Theater Magazine, "The Brooklyn Rail", Theatermania, and The Village Voice. Her work has been published in American Theatre magazine.
William Missouri Downs is an American comedy writer, playwright, screenwriter, stage director, and author.
Brian Hill is a Canadian/American director and playwright living in New York City.
Melissa James Gibson is a Canadian-born playwright based in New York.
Kelly Stuart is an American playwright.
Elizabeth Wong is a contemporary American playwright, television writer, librettist, theatrical director, college professor, social essayist, and a writer of plays for young audiences. Her critically acclaimed plays include China Doll is a fictional tale of the actress, Anna May Wong; and Letters to A Student Revolutionary, a story of two friends during the Tiananmen Square protests of 1989. Wong has written for television on All American Girl, starring Margaret Cho. She is a visiting lecturer at the College of Creative Studies, University of California, Santa Barbara, where her papers are archived, an adjunct professor at the University of Southern California, USC School of Theater, and an associate professor at Boston Conservatory at Berklee. She holds a Master of Fine Arts degree from New York University Tisch School of the Arts, Dramatic Writing Program (1991) and a Bachelor of Arts degree in English and Broadcast Journalism from the University of Southern California (1980). She studied playwriting with Tina Howe, Maria Irene Fornes and Mac Wellman.
Jon Victor Jory is a theatrical director instrumental in the development of Actors Theatre of Louisville; he is also widely rumored to be the writer behind the pseudonym Jane Martin.
Craig Pospisil is an American playwright, musical bookwriter and filmmaker. He has written nine full-length plays and musicals, mostly comedies, and more than 40 short plays and musicals.
Melissa Dunphy is an Australian-American composer best known for her vocal, political, and theatrical music. Born in Australia and raised in an immigrant family, Dunphy herself immigrated to the United States in 2003 and has since become an award‐winning and acclaimed composer.
PlayPenn is a new play development conference located in Philadelphia, Pennsylvania. Che'Rae Adams is the Artistic Director, along with Associate Artistic Directors, Susan Dalian and Santiago Iacinti. PlayPenn works with playwrights to develop new plays in a collaborative and supportive workshop environment.
Jen Silverman is an American playwright, TV writer, poet, and novelist.
Audrey Cefaly is an American playwright.
Janet Allard is an American playwright and theatre educator. Allard was born and raised in Hawaii. She currently teaches in the Theatre Department at the University of North Carolina at Greensboro. Allard's plays have been produced at The Guthrie Lab, The Kennedy Center, Mixed Blood Theatre Company, Playwrights Horizons, Yale Repertory Theatre, The Yale Cabaret, The Women's Project and Productions, Perseverance Theatre, The House Of Candles, and Access Theater in New York City, as well as internationally in Ireland, England, Greece, and New Zealand. She has twice been awarded a Jerome Fellowship by The Playwrights' Center in Minneapolis and has been a MacDowell Colony Fellow and a Fulbright Fellow.
Karen Hartman is a Senior Artist in Residence at University of Washington School of Drama in Seattle. She completed her bachelor's degree in Literature at Yale University and received Master of Fine Arts in Playwriting from Yale School of Drama. Hartman held the Playwright Center's McKnight Residency and Commission for a nationally recognized playwright in 2014 and 2015.
Michael (Mike) Lew is a Chinese-American playwright most renown for his works Teenage Dick, and Tiger Style!. He acquired his B.A. at Yale University in 2003, double majoring in Theatre (directing) and English (writing), then proceeded to get his artist diploma in playwriting at the Juilliard school in 2003. He is the co-director of Ma-Yi Writers Lab, the largest theatre company in the United States that aims to help Asian American writers produce and develop plays, and is on a 3-year fellowship at Ma-Yi through the Mellon Foundation.
Chelsea Marcantel is an American playwright and director. She has written over thirty plays. She won the American Theatre Critics Association's M. Elizabeth Osborn New Play Award in 2018 for her play Airness, and a Richard Rodgers Award for Musical Theatre from the American Academy of Arts and Letters for her musical The Monster.