Jacques Firmin Beauvarlet, a celebrated engraver, was born at Abbeville in 1731. He went to Paris when young, and was instructed in the art by Charles Dupuis and Laurent Cars. His first manner was bold and free, and his plates in that style are preferred by some to the more finished and highly-wrought prints that he afterwards produced, although it must be confessed that the latter are executed with great neatness and delicacy. Beauvarlet married, in 1761, Catherine Jeanne Françoise Deschamps, a young lady who possessed some skill in engraving, but who died in 1769 at the age of thirty-one. He married again in 1770, but became for a second time a widower in 1779. Eight years later, in 1787, he married Marie Catherine Riollet, who, like his first wife, was an engraver. She was born in Paris in 1755, and is said to have died in 1788. Beauvarlet himself died in Paris in 1797.
A catalogue of his works was published at Abbeville in 1860 by l'Abbé Dairaine.
Louis-Jean-François Lagrenée was a French rococo painter and student of Carle van Loo. He won the Grand Prix de Rome for painting in 1749 and was elected a member of the Académie royale de peinture et de sculpture in 1755. His younger brother Jean-Jacques Lagrenée was also a painter.
Carlo Antonio Porporati was an Italian engraver and painter.
Giuseppe Canale (1725–1802) was an Italian designer and engraver. He was born in Rome, the son of Antonio Canale. He was instructed in engraving by Jacob Frey, and also frequented the school of the Cavalière Marco Benefial. In 1751 he was invited to Dresden to assist in engraving plates for the pictures in their Gallery, and was appointed engraver to the Court. He completed the following prints:
Vincenzio Vangelisti was an Italian engraver. He was born at Florence. He visited Paris when young, where he became a pupil of Ignazio Hugford and Johann Georg Wille. Emperor Leopold II of Austria invited him in 1766 to Milan, where he became professor in the Brera Academy, and in 1790 first director of the School of Engraving instituted by that prince. He committed suicide, after having defaced his remaining copper plates. Among engravers, who studied under him, were Giuseppe Longhi, who succeeded him as professor, and Faustino and Pietro Anderloni.
Jean Jacques Flipart was a French engraver.
Jean Audran (1667–1756) was a French engraver and printmaker. The brother of Benoit, and the third son of Germain Audran, he was born at Lyons in 1667. After learning the rudiments of the art under his father, he was placed under the care of his uncle, the famous Gérard Audran, in Paris. Before he was twenty years of age he displayed uncommon ability, and became a very celebrated engraver. In 1706 he was made engraver to the king, with a pension and apartments at the Gobelins. The hand of a great master is discernible in all his plates; and without having attained the extraordinary perfection of Gérard Audran, his claim to excellence is very considerable. He died in 1756. His principal prints are:
Jean-Jacques Avril "the elder" (1744–1831) was a French artist, reproductive engraver, printmaker born in Paris who made about 540 engravings, some of large dimensions. He was a pupil of Johann Georg Wille. He died in Paris in 1831.
Laurent Cars was a French designer and engraver.
Louis-Jacques Cathelin (1738–1804) was a French engraver.
Charles-Michel-Ange Challe was a painter, draftsman and French architect.
Jacques Chéreau was a portrait engraver, printmaker and publisher of optical prints in a neighborhood of printmakers at the Rue Saint-Jacques variously given on prints as "au Grand St. Remy," "au Coq," or "au dessus de la Fontaine St. Severin", in Paris, France.
Jean Daullé was a French engraver.
Hubert Drouais was a French painter, portraitist and miniaturist.
Étienne Fessard, a French engraver, was born in Paris in 1714. He was a pupil of Edme Jeaurat, and proved an artist of sufficient merit to be accepted for candidacy (agréé) at the Académie royale de peinture et de sculpture (1753). A protegé of le comte de Caylus, whom he may have assisted in the development of skill in etching, Fessard received the appointment Engraver of the King's Library in 1756, with responsibility for the engravings of the royal collection of paintings and drawings, as a result of Caylus' influence. On his death in 1777, the position was given to his student Augustin de Saint-Aubin. Fessard executed a considerable number of plates, but his efforts to resume the engraving of the King's paintings did not obtain the support of the Acadmie royale and resulted in only two plates: "Feste Flamande" after Rubens and "L'Empire de Flore" after Poussin.
François-Rolland Elluin was a French engraver, notoriously known for his illustrations of erotic scenes.
Nicolas-Henri Tardieu, called the "Tardieu the elder", was a prominent French engraver, known for his sensitive reproductions of Antoine Watteau's paintings. He was appointed graveur du roi to King Louis XV of France. His second wife, Marie-Anne Horthemels, came from a family that included engravers and painters. She is known as an engraver in her own right. Nicolas-Henri and Marie-Anne Tardieu had many descendants who were noted artists, most of them engravers.
Jacques-Nicolas Tardieu, called "Tardieu fils" or "Tardieu the younger", was a French engraver.
Gioacchino Giuseppe Serangeli was a Roman painter, a pupil of Jacques-Louis David, who painted in France during the period of the French Revolution and the subsequent First French Empire. For some time he was one of the more fashionable painters of portraits of the new ruling class in France. His more mature paintings, done after his return to Italy, were also well regarded.
Marie Cathérine Riollet was a French engraver.
Jean-Charles Le Vasseur was a French engraver and printmaker.