|Occupation|| Film director |
|Years active||1965 - Present|
Jacques Leduc (born November 25, 1941) is a Canadian film director and cinematographer.
Leduc began his career in 1961 working as a film critic for the magazine Objectif. The following year, at the age of 21, he was hired as a camera assistant by the NFB. Over the course of the next few years he worked under such filmmakers as Denys Arcand, Gilles Carle, and Don Owen. In 1965 he began working as both Director and Cinematographer; his first film as director was a documentary short entitled Chantal en vrac. Leduc continued his work as Director with his first feature film in 1967 entitled Nomininque, depuis qu'il existe and his first feature documentary film in 1969 entitled Cap d'espoir. The documentary film was "about the muted violence that existed [in Quebec] and the monopoly over news held by Power Corp." and became one of the most famous cases of censorship at the NFB when it was banned by NFB commissioner Hugo McPherson.
Leduc continued working on critically acclaimed films throughout the 70s and 80s such as On est loin du soleil (1970), Tendresse ordinaire (1973), and Trois pommes à côté du sommeil (1988). In 1990 he left the NFB and became a freelance filmmaker.In 1992 he directed the film La vie fantôme; the film was named Best Canadian Film at the Montreal World Film Festival and earned a Genie Award for Best Screenplay nomination. Since then he has primarily worked with other Directors as their cinematographer and in 2008 was awarded the Prix Albert-Tessier.
Gaston Louis Alfred Leroux was a French journalist and author of detective fiction.
The history of cinema in Quebec started on June 27, 1896 when the Frenchman Louis Minier inaugurated the first movie projection in North America in a Montreal theatre room. However, it would have to wait until the 1960s before a genuine Quebec cinema industry would emerge. Approximately 620 feature-length films have been produced, or partially produced by the Quebec film industry since 1943.
Claude Fournier is a Canadian film director, screenwriter, editor and cinematographer. He is one of the forerunners of the Cinema of Quebec. He is the twin brother of Guy Fournier.
Frédéric Rossif was a French film and television director who specialized primarily in documentaries, frequently using archive footage. Rossif's common themes included wildlife, 20th-century history and contemporary artists. He frequently collaborated with notable composers Maurice Jarre and Vangelis.
The 47th Cannes Film Festival was held from 12 to 23 May 1994. The Palme d'Or went to the American film Pulp Fiction directed by Quentin Tarantino.
Jean-Claude Labrecque, was a director and cinematographer who learned the basics of filmmaking at the National Film Board of Canada.
Michel Brault, OQ was a Canadian cinematographer, cameraman, film director, screenwriter, and film producer. He was a leading figure of Direct Cinema, characteristic of the French branch of the National Film Board of Canada in the 1960s. Brault was a pioneer of the hand-held camera aesthetic.
Paule Baillargeon is a Canadian actress and film director. She won the Genie Award for Best Supporting Actress for her role in the film I've Heard the Mermaids Singing, and was a nominee for Best Director for The Sex of the Stars . Her film roles have included August 32nd on Earth , Jesus of Montreal , A Woman in Transit , Réjeanne Padovani and Days of Darkness .
Denys Desjardins, is a film director, screenwriter, cinematographer, editor and film historian for more than twenty years. After completing studies in literature, film and communications, he directed several acclaimed films.
Gilles Carle, was a French Canadian director, screenwriter and painter.
Roger Frappier is a Canadian producer, director, editor, actor, and screenwriter.
Dominique Cabrera is a French film director. She has taught filmmaking at La Fémis and at Harvard University. Her film Nadia et les hippopotames was screened in the Un Certain Regard section at the 1999 Cannes Film Festival. Additionally, her work has screened in Berlin International Film Festival, the Toronto International Film Festival, the Vienna International Film Festival, the Locarno Film Festival, the Rotterdam Film Festival, and in the New York Film Festival, among others.
My Tribe Is My Life is an interactive web documentary produced in Montreal by the National Film Board of Canada (NFB), which explores how young people use the internet to forge identities and relationships within various music subcultures. Directed by Myriam Verreault, the project follows eight people from across the province of Quebec who have found virtual communities through the Web.
Fernand Dansereau is a Canadian film director and film producer.
Georges Dufaux was a Canadian documentary film director and cinematographer.
À Saint-Henri le cinq septembre is a 1962 National Film Board of Canada (NFB) documentary film directed by Hubert Aquin about the first day of school for children and their families in the working class Montreal district of Saint-Henri. As Aquin was primarily a writer, he worked with a variety of cameramen. The NFB credits 11 on the film—Guy Borremans, Michel Brault, Georges Dufaux, Claude Fournier, Bernard Gosselin, Jean Roy, Claude Jutra, Bernard Devlin, Arthur Lipsett, Don Owen and Daniel Fournier. Caroline Zéau in her book L'Office national du film et le cinéma canadien (1939-2003): éloge de la frugalité states that as many as 28 filmmakers worked on the project, including the entire French production team, with Jacques Godbout reading narration.
Marceline Loridan-Ivens was a French writer and film director who was married to Joris Ivens. Her memoir But You Did Not Come Back details her time in Auschwitz-Birkenau.
Luce Guilbeault was a Québécoise actress and director. She was one of the leading figures of Quebec repertory theatre of the 1960s and one of the most-sought actresses of Quebec cinema in the 1970s. She received a Canadian Film Award in 1975 and the first Prix Iris from the National Film Board of Canada in 1991 for her life's work.
The Prix Luc-Perreault, formerly known as the Prix L.-E.-Ouimet-Molson, is an annual Canadian film award, presented by the Association québécoise des critiques de cinéma to a film deemed to be the best film of the year from Quebec.
Phantom Life is a Canadian drama film, directed by Jacques Leduc and released in 1992. An adaptation of the novel by Danièle Sallenave, the film stars Ron Lea as Pierre, an academic at the Université de Sherbrooke who is torn between his marriage to Annie and his extramarital affair with the younger Laure.