Jamie Isaac | |
|---|---|
 Jaimie Isaac and Leah Decter with '(official denial) trade value in progress' at 180 Projects | |
| Nationality | Sagkeeng First Nation, Canadian |
| Alma mater | University of British Columbia |
Jaimie Isaac is a Winnipeg-based Anishinaabe artist and curator. [1]
Isaac is of Ojibway and British descent and is a member of Sagkeeng First Nation. [2] She holds a master's degree from the University of British Columbia and a BA in art history with an Arts and Cultural Management Certificate from the University of Winnipeg. [2] Her Masters of Arts thesis was titled, "Decolonizing curatorial practice: acknowledging Indigenous cultural praxis, mapping its agency, recognizing its aesthetic within contemporary Canadian art." [3]
Jamie is a founding member of The Ephemerals Collective, an all-female Indigenous arts collective based out of Winnipeg. [4] She has sat on the boards of numerous Canadian art organizations including the Aboriginal Curatorial Collective and the Aboriginal Manitoba Music association. [5]
In 2010, Isaac was employed as the visual arts coordinator for the Truth and Reconciliation Commission of Canada. [5] In 2016, Isaac was co-faculty with artist Duane Linklater at the Summer Institute of the Wood Land School at Plug In Institute. [6]
From 2015 to 2017, Isaac served as the Winnipeg Art Gallery's Aboriginal Curatorial Resident, a position funded by the Canada Council for the Arts. [7]
In 2017, Isaac was hired as Curator of Indigenous and Contemporary Art at the Winnipeg Art Gallery. [8] In 2021, she was appointed chief curator at the Art Gallery of Greater Victoria. [9]
In 2017, she co-curated the exhibition INSURGENCE/RESURGENCE with Indigenous artist/curator Jaimie Isaac. This was the Winnipeg Art Gallery’s largest ever exhibition of contemporary Indigenous art featuring works by 29 artists. [10] [11]
The University of Winnipeg is a public research university in Winnipeg, Manitoba, Canada. It offers undergraduate programs in art, business, economics, education, science and applied health as well as graduate programs. UWinnipeg's founding colleges were Manitoba College and Wesley College, which merged to form United College in 1938. The University of Winnipeg was established in 1967 when United College received its charter.
The Winnipeg Art Gallery (WAG) is an art museum in Winnipeg, Manitoba, Canada. Its permanent collection includes over 24,000 works from Canadian, Indigenous Canadian, and international artists. The museum also holds the world's largest collection of Inuit art. In addition to exhibits for its collection, the museum has organized and hosted a number of travelling arts exhibitions. Its building complex consists of a main building that includes 11,000 square metres (120,000 sq ft) of indoor space and the adjacent 3,700-square-metre (40,000 sq ft) Qaumajuq building.
The Sagkeeng First Nation is a Treaty-1 First Nation in the Eastman Region of Manitoba, Canada, that is composed of the Anishinaabe people indigenous to the area at or near the Fort Alexander Indian Reserve #3 located along the Winnipeg River and Traverse Bay. Today, Sagkeeng holds territory in the southern part of Lake Winnipeg, 120 kilometres (75 mi) north of the city of Winnipeg, and on the mainland.
Robert Houle is a Saulteaux First Nations Canadian artist, curator, critic, and educator. Houle has had an active curatorial and artistic practice since the mid-1970s. He played an important role in bridging the gap between contemporary First Nations artists and the broader Canadian art scene through his writing and involvement in early important high-profile exhibitions such as Land, Spirit, Power: First Nations at the National Gallery of Canada. As an artist, Houle has shown both nationally and internationally. He is predominantly a painter working in the tradition of Abstraction, yet he has also embraced a pop sensibility by incorporating everyday images and text into his works. His work addresses lingering aspects of colonialism and their effects on First Nation peoples. Houle often appropriates historical photographs and texts, repurposing and combining them with Anishnaabe language and traditionally used materials such as porcupine quills within his works.
KC Adams is a Cree, Ojibway, and British artist and educator based in Winnipeg, Manitoba.
Joi T. Arcand is a nehiyaw photo-based artist from Muskeg Lake Cree Nation, Saskatchewan, who currently resides in Ottawa, Ontario. In addition to art, Arcand focuses on publishing, art books, zines, collage and accessibility to art.
Lita Fontaine is an interdisciplinary artist based in Winnipeg, Manitoba. Often, her work explores the role of women in past and present Indigenous societies. She describes herself as tri-cultural: Dakota, Anishinaabe and Metis.
Sherry Farrell Racette is a First Nations feminist scholar, author, curator, and artist. She is best known for her contributions to Indigenous and Canadian art histories. She is currently an associate professor of Visual Arts at the University of Regina.
Raven Davis is a multimedia Indigenous artist, curator, activist, and community organizer of the Anishinaabe (Ojibway) Nation in Manitoba. Davis's work centers themes of culture, colonization, sexuality, and gender and racial justice. Davis currently lives in Halifax, Nova Scotia and works between Halifax and Toronto, Ontario. Davis is also a traditional dancer, singer, and drummer.
Michelle LaVallee is a Canadian curator, artist, and educator. She is Ojibway and a member of the Chippewas of Nawash Unceded First Nation in Cape Croker, Ontario. She has BFA (2000) and BEd (2004) degrees from York University in Toronto.
Heather L. Igloliorte is an Inuk scholar, independent curator and art historian from Nunatsiavut.
Tanya Lukin Linklater is an artist-choreographer of Alutiiq descent. Her work consists of performance collaborations, videos, photographs, and installations.
Jordan Bennett is Canadian multi-disciplinary artist and member of the Qalipu First Nation from Stephenville Crossing, Newfoundland, also known as Ktaqamkuk. He is married to Métis visual artist Amy Malbeuf.
Barry Ace is a First Nations sculptor, installation artist, photographer, multimedia artist, and curator from Sudbury, Ontario, who lives in Ottawa. He is Odawa, an Anishinaabe people, and belongs to the M'Chigeeng First Nation.
Elisapee Ishulutaq was a self-taught Inuk artist, specialising in drawing and printmaking. Ishulutaq participated in the rise of print and tapestry making in Pangnirtung and was a co-founder of the Uqqurmiut Centre for Arts & Crafts, which is both an economic and cultural mainstay in Pangnirtung. Ishulutaq was also a community elder in the town of Pangnirtung. Ishulutaq's work has been shown in numerous institutions, including the Marion Scott Gallery in Vancouver, the Winnipeg Art Gallery and the National Gallery of Canada.
Daina Warren is a Canadian contemporary artist and curator. She is a member of the Montana Akamihk Cree Nation in Maskwacis, Alberta. Her interest in curating Aboriginal art and work with Indigenous artists is at the forefront of her research.
Tsēma Igharas, formerly known as Tamara Skubovius, is an interdisciplinary artist and member of the Tāłtān First Nation based in Vancouver, British Columbia. Igharas uses Potlatch methodology in making art, to assert the relationships between bodies and the world, and to challenge colonial systems of value and measurement of land and resources.
Jade Nasogaluak Carpenter is an Inuvialuk artist and curator based in Calgary, Alberta, Canada. They serve on the Indigenous Advisory Circle at the Winnipeg Art Gallery and is a guest curator tasked with programming the inaugural exhibitions of the WAG Inuit Art Centre, opening in 2020. They create soap stone carvings of every day and unexpected items to challenge the traditional ideas of Inuit art.
Maureen Gruben is a Canadian Inuvialuk artist who works in sculpture, installation and public art.
Dr. Julie Nagam is a scholar, artist, and curator based in Winnipeg, Canada.
{{cite news}}: CS1 maint: numeric names: authors list (link)