"Jamaica Say You Will" | |
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Song by Jackson Browne | |
from the album Jackson Browne | |
Released | 1972 |
Length | 3:23 |
Label | Asylum Records |
Songwriter(s) | Jackson Browne |
Producer(s) | Richard Sanford Orshoff |
"Jamaica Say You Will" (alternately "Jamaica, Say You Will"[ citation needed ]) is a song written and performed by American singer-songwriter Jackson Browne. It is the first song on his 1972 self-titled debut album.
Browne wrote "Jamaica Say You Will" in the fall of 1969. [1] [2] In February 1970 he recorded a demo of the song, with Glenn Frey, Ned Doheny and JD Souther backing him. [1] This demo led to David Geffen signing Browne as a client. [1] [3] The song was first released by The Byrds on their Byrdmaniax album the year before Browne's version came out, so many people were familiar with it before ever hearing Browne's recording. [2]
Allmusic critic William Ruhlmann described the song as "a subtle depiction of a relationship in which a man finds comfort with a woman, Jamaica, but then is forced to follow her if he wants them to stay together." [2] Browne has referred to the song as a "fable," but one based in real experience. "I thought I was kind of writing it for this girl I knew that worked in a garden in Zuma Beach, across the street from the Pacific Ocean, and she worked in this organic food orchard," Browne said in an interview, "like the Garden of Eden, and she was the kind of Eden-like girl, too." He continues: "When I created the fable of this girl who lived by the sea and whose father is a captain, and eventually she would be taken away and go sailing off, I wanted to hide in the relationship. I wanted to sort of have the cocoon of this relationship to just stay sort of insulated from the world. And she was ready to move out into the world and was... you know, the relationship had broken up. That's the ... reality that was going on in my life. I just think it's odd that that's exactly how songs come into being, but if you feel it, it's about something." [4]
"Jamaica Say You Will" fits into Browne's concern with water-based lyric themes and explores the dichotomy between wet and dry, an issue Browne would continue to return to. [2] The song ends with the singer singing that he and Jamaica will sail together "until our waters have run dry." [2]
The song seemingly is a more straightforwardly traditional and conventional narrative than much of Browne's other early works, but the lyrics about a lost love can be read dually as a period piece - with its references to Jamaica as "daughter of a captain on the rolling seas" and to her sister ringing the "evening bell" - and, as Browne seems to confirm, as a memory of a lost young love from Browne's past near the California coast. [5]
The narrator wants her to stay to "help me find a way to fill these empty hours; say you will come again tomorrow," but "next thing I knew, we had brought her things down to the bay -- what could I do." [5]
Browne performed the song on The Old Grey Whistle Test in 1972. [6]
Calling it an "exquisite love song," in 1972, Bud Scoppa in Rolling Stone spent a large part of his review discussing and gushing about "Jamaica Say You Will," explaining how he felt the song "perfectly embodies Browne's writing and performing approach:"
"A full-chorded grand piano gives the song a rolling, even motion and a certain austerity of mood. Browne plays his voice off the piano's restrained tone, soaring up from his own basically understated vocal in mid-verse and chorus. This underplaying of mood lights Jackson's simple but evocative images with a muted radiance that aurally captures the look of McCabe and Mrs. Miller. While the music sets the tone, Browne deftly tells the tale, his imagery charged with vivid suggestion. ... Much of the dramatic force of "Jamaica" derives from its gorgeous choruses. Each chorus builds tension by offsetting its lyrical meter from the movement of the music, so that the first part of each line is packed tightly and the second part is stretched out, as here, in the second chorus:
Harmonies enter at the "Sayyy" section of each of the first three lines, accenting the rush of words that precedes them. All the tension built up by the struggle for balance between the lyrical and musical structures resolves itself gracefully in the even last line. Naturally, Browne's single-minded delivery drives the tension to even greater heights, and the song soars. It's as moving a love song as I've ever heard." [7]
Clarence White played lead acoustic guitar on the song. [8]
Glide critic Lee Zimmerman rated it as one of 10 Jackson Browne songs that should have been a hit, saying that it "provided a universal connection, dwelling on memories of times well-spent, when trouble and turmoil were displaced by idyllic innocence" and that "few [songs from Browne's debut album] equalled it as far as those longing sentiments were concerned." [9]
"Jamaica Say You Will" | |
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Song by The Byrds | |
from the album Byrdmaniax | |
Released | 1971 |
Length | 3:27 |
Label | Columbia Records |
Songwriter(s) | Jackson Browne |
Producer(s) | Terry Melcher |
The Byrds released a version of "Jamaica Say You Will" on Byrdmaniax in 1971, before Browne's version was released. [8] The Byrds first recorded the song on January 17, 1971, with Browne in the studio. [8] Browne played piano on one take but the take was not used. [8] According to Byrds' bassist Skip Battin:
We had done one dynamite cut of "Jamaica Say You Will", which Jackson Browne had played piano on, and it was not even used. He had come in and taught us the song and Gene [Parsons], Clarence [White], Jackson and I laid down this beautiful track, which was really hot and very tasty, but for some reason it was considered the demo. [8]
Many critics regarded it as the best song on the album. [10] The band was unhappy with the production by Terry Melcher, such as the addition of strings and horns. [10] Drummer Gene Parsons claimed that Melcher did not use the best take of the song. [10] Lead singer Clarence White said:
On "Jamaica" I tried to do an excellent recording because I knew Jackson Browne was going to be known as a great singer and incredible songwriter. We did a good track underneath there, but when they added the strings there were almost 40 people in the studio, and they had to listen to the track because we don't always tune on pitch. Instead of tuning to the piano, they had to tune from the earphones. So the whole orchestra is a little sharp and I'm flat. I was embarrassed when I heard it. [10]
Melcher defended himself saying that:
Clarence wasn't that great a singer in technical terms. I just chose the version that I thought was the best. [Byrd guitarist Roger McGuinn's ex-wife] Linda Carradine later told me that there was some friction in the group because Roger didn't like the idea of Clarence singing that song and wanted it for himself. [10]
Allmusic critic Matthew Greenwald called it "a love song with an aching, searching quality" and saying that "the song has a true California pop/folk quality, and it's not surprising that the Byrds would record it." [11] Greenwald praised the vocal arrangement and production, and said that "although the band wasn't happy with producer Terry Melcher's decision to add strings and horns to the track, it has aged quite well." [11] Uncut critic Jason Anderson felt it was one of the strongest cuts on Byrdmaniax, particularly noting the "familiar vocal harmonies." [12] Andy McArthur found the released take to be "uninspired" and criticized the fact that the vocal was buried in the mix, but praised McGuinn's guitar and the vocal harmonies. [13]
Music critic Johnny Rogan agreed with the band that the production was odd, noting that Parsons' drumming was sometimes inaudible, the lead guitar sounded sharp, the vocal sounded weak, and the strings "created an unusual, but not unpleasant, effect." [10]
The Byrds also included the song on their live album Live at Royal Albert Hall 1971 , released in 2008. [14]
"Jamaica Say You Will" was also covered by the Nitty Gritty Dirt Band on All the Good Times in 1972, Tom Rush on Merrimack County in 1972 and Joe Cocker on Jamaica Say You Will in 1975.
Allmusic critic William Ruhlmann criticized Joe Cocker's version, saying that "though the Jackson Browne song was a strong piece of material, it worked originally because of its restraint, not in the overwrought way Cocker treated it." [15]
The song is heard playing on the radio at the end of The Wonder Years episode "The Lake" from Season 5. However, the episode is set in August 1971, several months before the album was released.
The Byrds were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential.
Jackson Browne is the debut album of American singer Jackson Browne, released in 1972. It peaked on the Billboard 200 chart at number 53. Two singles were released with "Doctor, My Eyes", which peaked at number 8 on the Pop Singles chart, and "Rock Me on the Water", which reached number 48.
Clarence White was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne among others.
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(Untitled) is the ninth album by the American rock band the Byrds and was released in September 1970 on Columbia Records. It is a double album, with the first LP featuring live concert recordings from early 1970, and a second disc consisting of new studio recordings. The album represented the first official release of any live recordings by the band, as well as the first appearance on a Byrds' record of new recruit Skip Battin, who had replaced the band's previous bass player, John York, in late 1969.
Byrdmaniax is the tenth studio album by the American rock band the Byrds. It was released in June 1971 on Columbia Records at a time of renewed commercial and critical success for the band, due to the positive reception that their two previous albums, Ballad of Easy Rider and (Untitled), had received. The album was the second by the Byrds to feature the Roger McGuinn, Clarence White, Gene Parsons, and Skip Battin line-up of the band and was mostly recorded in early 1971, while the band were in the midst of an exhausting tour schedule. As a result, the band had little time to hone their new songs before recording commenced and thus, much of the material on the album is underdeveloped. Byrdmaniax was poorly received upon release, particularly in the United States, and did much to undermine the Byrds' new-found popularity.
Farther Along is the eleventh studio album by the American rock band the Byrds and was released in November 1971 on Columbia Records. For the most part, the album was recorded and produced by the Byrds themselves in London, England, over the course of five work-intensive days in July 1971. It was quickly released as a reaction to the commercial failure of the Byrds' previous album, Byrdmaniax, and as an attempt to stem the criticism that album was receiving in the music press.
Roger McGuinn is the first full-length solo album by Roger McGuinn, released in 1973.
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"Full Circle Song" is a country rock-style song written by Gene Clark. For the lyrics, he used an allegorical wheel of fortune motif to comment on the unpredictable nature of fame and fortune. Recorded in Los Angeles in 1972, the song was originally released on Clark's Roadmaster, which was only issued in the Netherlands in January 1973.
"Rock Me on the Water" is a song written and performed by American singer-songwriter Jackson Browne, released as the second single from his 1972 debut album, Jackson Browne, following the No. 7 success of Browne's debut single, "Doctor, My Eyes". Browne's version reached No. 48 on Billboard's September 23, 1972, Hot 100 chart, spending nine weeks on that chart after debuting at No. 73 on August 5, 1972. It was also released as a single in Canada, Germany and Japan, and as a promotional single in the United Kingdom.
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