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Donald E. Camp is an American artist, photographer, and professor emeritus of photography at Ursinus College in Collegeville, Pennsylvania. Camp holds both a Bachelor of Fine Arts and a Master of Fine Arts from Tyler School of Art in Philadelphia. Camp is notable for his portraits that explore the dignity and nobility that can be found in the human face, particularly those of African American men. Camp's unique printing methods are based on early 19th Century non-silver photographic processes.
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Allan Randall Freelon Sr., a native of Philadelphia, US, was an African American artist, educator and civil rights activist. He is best known as an African American Impressionist-style painter during the time of the Harlem Renaissance and as the first African American to be appointed art supervisor of the Philadelphia School District.
Raymond Steth, born Raymond Ryles, was a Philadelphia-based graphic artist recognized for his paintings and lithographs on the African-American condition in the mid-20th century, often through scenes of rural life and poverty. Working under the Works Progress Administration's graphics division in the 1930s and 1940s, Steth's art covered a range of topics and emotions from pleasurable farm life to protest and despair.
Ethel V. Ashton was an American artist who primarily worked in Philadelphia, Pennsylvania. She was both a subject of noted artist Alice Neel and a portraitist of Neel. Her early works reflect the influence of Ashcan realism focused primarily on portrait painting. She was commissioned to work on the Works Progress Administration's post office mural project and has works hanging in the permanent collections of several prominent museums. By the mid-1950s she worked with abstract concepts and through the end of the civil rights era, her works synthesize both abstract and realism. She also served as the librarian of the Pennsylvania Academy of the Fine Arts from 1957 into the early 1970s.
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Richard J. Watson is an American artist. He was born in Badin, North Carolina. He attended the Pennsylvania Academy of the Fine Arts. In the 1970s, he collaborated with Walter Edmonds to create murals for the Church of the Advocate in Philadelphia, which was a center of activity for the civil rights movement in North Philadelphia. The church commissioned them to paint murals for the interior. They were requested to portray a combination of Black history and themes from the Bible. They were active in the Church of the Advocate and they donated their time to create the murals. 14 murals were completed from 1973 to 1976. Titles include "Creation", "I Have a Dream", "The Lord smote the firstborn in the land of Egypt" and "God has chosen the weak to confound the strong".
References
- ↑ "James Brantley". AskArt. Retrieved 14 June 2022.
- ↑ "James Brantley". Art in Embassies. U.S. Department of State. Retrieved 14 June 2022.
- ↑ "James Brantley". Petrucci Family Foundation Collection of African American Art. Retrieved 14 June 2022.
- ↑ "James Brantley". Pennsylvania Academy of the Fine Arts. Retrieved 14 June 2022.
- ↑ "James Brantley". Philadelphia Museum of Art. Retrieved 14 June 2022.
- ↑ Gold, Sylviane (26 February 2011). "An Alchemy of Color and Craft". The New York Times. Retrieved 14 June 2022.
- ↑ "We Speak: Black Artists in Philadelphia, 1920s-1970s". Woodmere Art Museum. Retrieved 14 June 2022.
