James Claussen | |
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Born | |
Alma mater | Kansas City Art Institute, B.F.A. University of Washington, M.F.A. |
Occupation(s) | Lithographer, Painter, Professor |
Known for | Lithography, Abstract Painting |
James Claussen is a contemporary American lithographer and abstract painter. His lithography is distinguished by the technique of drawing directly on the stone surface as a second drawing process. His paintings combine surrealism with abstraction. [1] [2]
Born in Iowa City, Iowa, Claussen received a bachelor’s in fine arts in painting and printmaking from the Kansas City Art Institute where he was a student of William Wind McKim who was a student of Thomas Hart Benton. [3] Claussen also holds a master’s in fine arts in painting and printmaking from the University of Washington School of Art + Art History + Design where he studied with Jacob Lawrence and Glen Alps. Lawrence was Claussen’s graduate advisor. [3] Claussen has lectured widely on lithography and is currently a professor at the San Francisco Art Institute and the Academy of Art University in San Francisco. Claussen’s lithographs appear as illustrations in books including The Sea Within Us by Lawrence Ferlinghetti and the California Society of Printmakers: One Hundred Years, 1913-2013 [4] [5] and on magazine covers including New Letters: A Magazine of Fine Writing. [6] His work is included in collections of corporations and numerous museums globally. [7] These include the Victoria & Albert Museum in London, the Nelson-Atkins Museum of Art, the Ackland Art Museum, the University of Iowa Stanley Museum of Art, the Smithsonian Institution, Pratt Institute, the University of Wisconsin Chazen Museum of Art, the deCordova Museum in Boston, and the National Museum of Fine Arts in Rio de Janeiro, Brazil. [8] [9] [10] Claussen’s shows have included 19 solo exhibitions and 76 group exhibitions. [11] His solo exhibitions include shows at the Peninsula Museum of Art, Cedar Rapids Museum of Art, Albrecht-Kemper Museum of Art, Gary Francis Fine Art in Alameda, California, and the George Krevsky Gallery in San Francisco. Claussen’s work is also displayed in the Oakes-Wood House in Iowa City which is the former home of lithographer and painter Grant Wood. [3] Claussen is a former vice president of the California Society of Printmakers. [12]
The Seattle Times calls Claussen’s lithographs “great precision of line and texturing and an imagery markedly different from the abstract images of most contemporary printmakers.” [13] According to the Kansas City Star, Claussen operates at “a high level of care and craft.” The Star describes Claussen’s work as “gentle surrealism” which means “pictures formed of accumulated and disparate images that seem to float through a field of ether.” [14] New Letters: a Magazine of Fine Writing quotes Claussen as saying “as objective as the realism of drawn objects may seem, their meaning is ruled by the imaginative eye.” [15] Claussen’s lithographs have been reproduced in numerous media outlets including San Francisco magazine,San Jose Mercury News, Oakland Tribune, Iowa Press-Citizen, Saint Joseph Gazette and Artslant magazine. [16] [17] [18] [19]
Lawrence Monsanto Ferlinghetti was an American poet, painter, social activist, and co-founder of City Lights Booksellers & Publishers. An author of poetry, translations, fiction, theatre, art criticism, and film narration, Ferlinghetti was best known for his second collection of poems, A Coney Island of the Mind (1958), which has been translated into nine languages and sold over a million copies. When Ferlinghetti turned 100 in March 2019, the city of San Francisco turned his birthday, March 24, into "Lawrence Ferlinghetti Day".
The Kansas City Art Institute (KCAI) is a private art school in Kansas City, Missouri. The college was founded in 1885 and is an accredited by the National Association of Schools of Art and Design and Higher Learning Commission. The institute has approximately 75 faculty members and 700 students, and offers a Bachelor of Fine Arts degree.
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Karl Albert Kasten was an American painter, printmaker, and educator, from the San Francisco Bay Area.
The California Society of Printmakers (CSP) is the oldest continuously operating association of printmakers and friends of printmakers in the United States. CSP is a 501(c)(3) non-profit arts organization with an international membership of print artists and supporters of the art of fine printmaking. CSP promotes professional development and opportunity for printmakers, and educates artists and the public about printmaking. New members are admitted by portfolio review. Friends, Institutional and Business members are admitted by fee. CSP is based in the San Francisco Bay Area, California.
Glen Alps (1914-1996) was a printmaker and educator who is credited with having developed the collagraph. A collagraph is a print whose plate is a board or other substrate onto which textured materials are glued. The plate may be inked for printing in either the intaglio or the relief manner and then printed onto paper. Although the inventor of the process is not known, Alps made collagraphy his primary art form and coined the word "collagraph" in 1956. He disseminated the techniques he developed for making collagraphs during his long career as both an artist and a teacher.
Frank Lobdell (1921–2013) was an American painter, often associated with the Bay Area Figurative Movement and Bay Area Abstract Expressionism.
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The Oakes-Wood House, also known as the Grant Wood House, is a historic building located in Iowa City, Iowa, United States. Nicholas Oakes, who established one of the first brickyards in town, built this house in 1858. The two-story brick Italianate structure features a T-shape floor plan, low gable roof, bracketed eaves, and three brick chimneys.
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Marguerite Redman Dorgeloh (1890–1944) was an American printmaker. She took part in the Works Progress Administration's Federal Art Project.
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“Profile of James Claussen,” Artslant magazine, accessed January 25, 2019
James Claussen: Selected Artist, Prints: CA, LA and Beyond, Part 2, juried by Michelle Murillo, California Society of Printmakers, February 13 – 28th, 2015, accessed March 3, 2019.
Artist's Website