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James Cudjoe (born 7 September 1971) is a Ghanaian painter. He is one of Ghana's most successful contemporary artists[ citation needed ] and has been growing in popularity since the start of his career.
James Cudjoe was born on 7 September 1971, in Takoradi, Ghana.[ citation needed ] He graduated from Ghana's private art college Ghanatta in 1996,[ citation needed ] and has since participated in seven highly successful national group and solo exhibitions. Cudjoe operates his own galleries in Accra and Takoradi, Ghana.[ citation needed ]
Cudjoe's work draws on images from everyday life. He is known for his cityscapes, which range from vibrant, colourful and energetic, such as Hot Day (in Osu), to calm, placid and subdued, such as New Beginnings I. He is also known to depict the African market woman, a figure he says represents his own mother, in scenes of labour or rest, such as Dancer, or the working woman of Good Returns III. Fans of his work find these paintings evocative, emotional and relatable.[ citation needed ] His growing popularity and success in Europe and the United States, as well as many other locations across the globe, is a testament to his skill and importance as an artist.
In May 2007, Cudjoe was featured in an exhibition at the San Diego Museum of Man, Artists Speak: Contemporary art from Ghana and Zimbabwe. His work is considered to be illustrative of third-generation Ghanaian artists, who freely express themselves as artists in a modern world, without succumbing to restrictive notions of African Art.[ citation needed ]
Accra is the capital and largest city of Ghana, located on the southern coast at the Gulf of Guinea, which is part of the Atlantic Ocean. As of 2021 census, the Accra Metropolitan District, 20.4 km2 (7.9 sq mi), had a population of 284,124 inhabitants, and the larger Greater Accra Region, 3,245 km2 (1,253 sq mi), had a population of 5,455,692 inhabitants. In common usage, the name "Accra" often refers to the territory of the Accra Metropolitan District as it existed before 2008, when it covered 199.4 km2 (77.0 sq mi). This territory has since been split into 13 local government districts: 12 independent municipal districts and the reduced Accra Metropolitan District (20.4 km2), which is the only district within the capital to be granted city status. This territory of 199.4 km2 contained 1,782,150 inhabitants at the 2021 census, and serves as the capital of Ghana, while the district under the jurisdiction of the Accra Metropolitan Assembly proper (20.4 km2) is distinguished from the rest of the capital as the "City of Accra".
Kobina Nyarko is one of Ghana's premier young contemporary artists. Born March 14, 1972 in Takoradi, Ghana, much of Nyarko's recent work explores the symbolism of fish in paintings that feature numerous tiny fish on often large-scale canvases. This "trademark" theme makes his work easy to recognize.
Articles related to Ghana include:
The Foundation for Contemporary Art (FCA) is a Ghanaian visual arts foundation that aims to create an active network of artists and provide a critical forum for the development of contemporary art in Ghana. Based in Accra, the FCA was founded in 2004 by Professor Joe Nkrumah and Australian/Italian artist Virginia Ryan, along with 12 founding members. The FCA office is located in the W.E.B. DuBois Memorial Centre for Pan-African Culture in the Cantonments neighborhood of Accra.
Prostitution in Ghana is illegal but widespread, so much so that many Ghanaians are unaware that it is prohibited. There are growing sex tourism, child prostitution and human trafficking. High rates of unemployment and poverty in Ghana are believed to be causing a drastic growth in the sex industry. Unemployment is a reason the teenage engage in sex trade. A high percentage of sex workers are vulnerable to HIV.
Ataa Oko Addo was a Ghanaian builder of figurative palanquins and figurative coffins, and at over 80 years of age he became a painter of Art Brut.
James Barnor Hon. FRPS, OV is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolis. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Ama Ampofo is a Ghanaian actress and model. The third of four children, Ama was born in Accra on 22 June 1991. In 2014, she starred as "Claudia" in Shirley Frimpong-Manso's film, Devil in the Detail, a role that earned her an Africa Movie Academy Award for Best Supporting Actress nomination and a Golden Movie award. Prior to her impressive movie debut, Ama featured in TV commercials and music videos in Ghana.
Bright Tetteh Ackwerh is a Ghanaian satirical artist who employs the domains of popular art, street art, painting, and illustration to voice and document his persuasions. He has exhibited widely in Ghana and West Africa, building a niche as an emerging contemporary Ghanaian artist on the West African art scene.
Zohra Opoku is a German-born Ghanaian textile artist and photographer. She used textile patterns to inform her photographed portraits. She was born in Altdöbern, Germany, and she lives in Accra. She is known for her installations, performances, textile designs, photographs and videos.
A Ghanaian film poster is a film poster hand-painted in Ghana used to advertise films produced in Ghana as well as world cinema. Ghanaian film posters, particularly hand-painted posters from the 1980s and 1990s, have become noted for their imaginative and unique artistry. They have been exhibited around the world in galleries and museums in Los Angeles, New York, Hong Kong, San Francisco, Chicago, and across Europe.
Joseph Nana Kwame Awuah-Darko, also known as Okuntakinte, is a Ghanaian social entrepreneur, artist, and philanthropist. He started his music career professionally in late 2015 when he was signed with Meister Music Management which also manages artists like Mr. Eazi. He released his major hit Melanin Girls in January 2016, which was received with controversy as much as with appreciation.
Gold Coast Euro-Africans were a historical demographic based in coastal urban settlements in colonial Ghana, that arose from unions between European men and African women from the late 15th century – the decade between 1471 and 1482, until the mid-20th century, circa 1957, when Ghana attained its independence. In this period, different geographic areas of the Gold Coast were politically controlled at various times by the Portuguese, Germans, Swedes, Danes, Dutch and the British. There are also records of merchants of other European nationalities such as the Spaniards, French, Italians and Irish, operating along the coast, in addition to American sailors and traders from New York, Massachusetts and Rhode Island. Euro-Africans were influential in intellectual, technocratic, artisanal, commercial and public life in general, actively participating in multiple fields of scholarly and civic importance. Scholars have referred to this Euro-African population of the Gold Coast as "mulattos", "mulatofoi" and "owulai" among other descriptions. The term, owula conveys contemporary notions of "gentlemanliness, learning and urbanity" or "a salaried big man" in the Ga language. The cross-cultural interactions between Europeans and Africans were mercantile-driven and an avenue to boost social capital for economic and political gain i.e. "wealth and power." The growth and development of Christianity during the colonial period also instituted motifs of modernity vis-à-vis Euro-African identity. This model created a spectrum of practices, ranging from a full celebration of native African customs to a total embrace and acculturation of European culture.
Felicia Ewuraesi Abban was Ghana's first female professional photographer. She worked as a photographer for the country's first president, Kwame Nkrumah, for a number of years during the 1960s.
Serge Attukwei Clottey is a Ghanaian artist who works across installation, performance, photography and sculpture. He is the creator of Afrogallonism, an artistic concept, which he describes as 'an artistic concept to explore the relationship between the prevalence of the yellow oil gallons in regards to consumption and necessity in the life of the modern African.' As the founder of Ghana's GoLokal, Clottey tries to transform society through art.
Samuel Prophask Asamoah is a Ghanaian painter. Brush name "Prophask", his works have been exhibited widely, locally and internationally with several in art collections. Asamoah reportedly sits comfortably in the field of painting with his inspirations for his themes from proverbs, daily activities and dreams. His motivation is finding joy while painting and experiencing pain when not painting.
Mike Eghan is a Ghanaian broadcaster, also known as "The Magnificent Emperor". In a career as a disc jockey and radio presenter spanning six decades, Eghan hosted programmes for the Ghana Broadcasting Corporation (GBC) and for the BBC World Service in London. He was the master of ceremonies for the historic concert in Ghana Soul to Soul, which took place in Black Star Square in 1971 and showcased many prominent African-American artists alongside Ghanaian musicians.
Oscar Korbla Mawuli Awuku, better known as Yonga Arts, the name of his artistic brand, is a Ghanaian body artist, painter, and sculptor.
Kobina Bucknor (1925–1975) was a Ghanaian animal scientist and painter.
Gallery 1957 is a contemporary art gallery located in Accra, Ghana. The gallery intends to present artists of West Africa and the diaspora. It was established in March 2016 by British construction company owner Marwan Zakhem. As of 2018, the gallery has shown artists including Serge Attukwei Clottey, Gideon Appah, Modupeola Fadugba, Godfried Donkor, Yaw Owusu, and Zohra Opoku.