James Francis Danby (1816-1875) was an English landscape painter who excelled in depicting sunrise and sunset.
Danby was born at Bristol in 1816, the son of Francis Danby, A.R.A.
His works appeared at the Royal Academy, and at the Society of British Artists, of which he was a member of the latter. Amongst his best works are:
He died of apoplexy in London in 1875 and was buried on the eastern side of Highgate Cemetery. The inscription on the headstone above his plot (no.20952) has completely worn away.
Edward Bird was an English genre painter who spent most of his working life in Bristol, where the Bristol School of artists formed around him. He enjoyed a few years of popularity in London, where he challenged the dominance of Sir David Wilkie in the genre painting field, before moving on to history painting, specialising in battle scenes.
Francis Danby was an Irish painter of the Romantic era. His imaginative, dramatic landscapes were comparable to those of John Martin. Danby initially developed his imaginative style while he was the central figure in a group of artists who have come to be known as the Bristol School. His period of greatest success was in London in the 1820s.
William James Müller, also spelt Muller, was a British landscape and figure painter, the best-known artist of the Bristol School.
Michael Bryan was an English art historian, art dealer and connoisseur. He was involved in the purchase and resale of the great French Orleans Collection of art, selling it on to a British syndicate, and owned a fashionable art gallery in Savile Row, London. His book, Biographical and Critical Dictionary of Painters and Engravers, first published in 1813–1816, was a standard reference work throughout the 19th century, and was last republished in 1920; however it is now badly outdated.
John Samuel Agar (1773–1858) was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He did not exhibit again until 1836. He had been declared bankrupt in February of the previous year.
Thomas Baxter Jnr. was an English porcelain painter, and a watercolour painter and illustrator.
August von Bayer (1803–1875) was a German painter of architectural subjects
Thomas Danby was a British landscape painter.
Edward Villiers Rippingille (c. 1790–1859) was an English oil painter and watercolourist who was a member of the informal group of artists which has come to be known as the Bristol School. In that group he was a particularly close associate of both Edward Bird and Francis Danby.
James Baker Pyne was an English landscape painter who became a successful follower of Turner, after having been in his earlier years a member of the Bristol School of artists and a follower of Francis Danby.
James M. Burnet was a Scottish painter of rural scenes, based in the London area for most of his career.
Alexandre-Marie Colin was a French painter of historical and genre subjects.
Henry Dawson (1811–1878) was a British landscape painter.
Willem Frederik de Haas was a Dutch-born American painter.
Buono de' Buoni was an Italian painter of the Quattrocento, active in his native Naples, Italy.
Heinrich Dreber, known as Franz-Dreber, was a German landscape painter.
Léon-Victor Dupré, a French landscape painter, was born at Limoges in 1816, and studied under his brother, Jules Dupré. He died in 1879, after a long and painful illness. Amongst his works are:
Danby is a surname. Notable people with the surname include:
Roeland van Eynden was a Dutch painter. He was born at Nymegen in 1747, and died at Dordrecht in 1819. Like his brother he devoted but a portion of his time to painting, and is principally known by his works on art and artists, of which the most important is the Geschiedenis der Vaderlandsche Schilderkunst, written in conjunction with Van der Willigen, and published in 1816–1842.
John Gibbons was a South Staffordshire ironmaster and art patron.