 | This article relies largely or entirely on a single source .(October 2019) |
Jan van Ravenswaay | |
|---|---|
 Self-portrait of Jan van Ravenswaay | |
| Born | 1789 |
| Died | Hilversum |
| Nationality | Dutch |
Jan van Ravenswaay (28 November 1789, Hilversum - 2 March 1869, Hilversum) was a 19th-century landscape painter from the Netherlands. He was born in the town of Hilversum
Ravenswaay was the son of a cotton mill owner in Hilversum. He studied drawing with Jordanus Hoorn in Amstersfoort, before following lessons from Pieter Gerardus van Os. [1] He traveled in Belgium, Germany and Switzerland before becoming a member of the Royal Academy of Art in Amsterdam. [1] He won an honorable mention for a landscape in a competition at Felix Meritis in 1818. [1] In 1832, Jan became a member of the artist society Arti Sacrum in Rotterdam. [1]
Noteworthy among his pupils were Jacobus Theodorus Abels and Remigius Adrianus Haanen. [1] [nb 1] His niece Adriana van Ravenswaay also became a painter.
Nicolaes Pieterszoon Berchem was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces.
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
Amsterdam Impressionism was an art movement in late 19th-century Holland. It is associated especially with George Hendrik Breitner and is also known as the School of Allebé.
Remigius Adrianus Haanen or Remigius (Remy) van Haanen, was a 19th-century painter from the Northern Netherlands. He was the son of the papercutter Casparis Haanen and was the brother of the painters George Gillis Haanen, Elisabeth Alida Haanen and Adriana Johanna Haanen. After learning his trade from his father and at the Academy of Utrecht, he moved in 1837 from the Netherlands to Austria, where he was active in Vienna.
Pieter Pietersz Barbiers was a 19th-century painter from the Northern Netherlands.
Pieter van Bloemen, also known as Standaart, first name also spelled Peter or Peeter, was a Flemish painter, draughtsman and printmaker. He was a gifted landscape and animal artist and was very successful with his compositions depicting Italian landscapes with figures, equestrian battles, animals and genre and market scenes.
Jan Abrahamsz Beerstraaten or Johannes was a Dutch painter of marine art, particularly of events of the First Anglo-Dutch War and Dutch-Swedish War. Van Beerstraten depicted ports (Civitavecchia) and cityscapes of Amsterdam, as well as many cities and villages in the Netherlands. He captured castles, churches and other buildings that no longer exist.
Hendrik (Hendrikus) van de Sande Bakhuyzen was a Dutch landscape painter and art teacher. He was a prominent contributor to the Romantic period in Dutch art and his students and children founded the art movement known as the Hague School. Like his contemporaries Edward Williams, Jacob Maris, and Jozef Israëls, he was part of a family of prominent painters, including son Julius van de Sande Bakhuyzen, daughter Gerardina Jacoba van de Sande Bakhuyzen, and nephew Alexander Hieronymus Bakhuyzen.
Jacobus Theodorus "Jacob" Abels (1803–1866) was a Dutch painter.
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Elisabeth Alida Haanen, was a 19th-century painter from the Northern Netherlands.
August Allebé was an artist and teacher from the Northern Netherlands. His early paintings were in a romantic style, but in his later work he was an exponent of realism and impressionism. He was a major initiator and promoter of Amsterdam Impressionism, the artist's association St. Lucas, and the movement of the Amsterdamse Joffers. Amsterdam Impressionism – sometimes referred to by art historians as the School of Allebé – was the counterflow to the very strong Hague School in the movement of Dutch Impressionism. As a professor at the Royal Academy of Amsterdam he fostered a cosmopolitan attitude toward art and the promotion and motivation of his students, and provided a significant stimulus to developments in modern art.
Georgius Jacobus Johannes van Os, was a 19th-century painter from the Northern Netherlands.
The Eerste Schilderijenzaal, or Painting Gallery I, is one of two art gallery rooms in Teylers Museum and is the oldest art gallery for contemporary Dutch art in the Netherlands. It was built onto the back of Teylers Oval Room in 1838. It was the young museum's first exhibition space for paintings and could be entered through the Oval Room, which was itself located behind the Fundatiehuis, the former home of Pieter Teyler van der Hulst.
George Gillis Haanen was a 19th-century landscape painter from Netherlands.
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The Laren School is the name of an art colony located in the Dutch village, Laren, in the Gooi near Hilversum. The artists of this offshoot of the Hague School chose the inhabitants of Laren and the surrounding landscape as the subject of their art.
Bantam Residency, sometimes spelled Banten Residency, was an administrative division (Residency) of the Dutch East Indies which existed from 1817 to 1942; it was located at the western point of Java and its capital was at Serang. Its borders largely correspond to the present-day Indonesian province of Banten.
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