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The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
The Australian Ballet is the largest classical ballet company in Australia. It was founded by J. C. Williamson Theatres Ltd and the Australian Elizabethan Theatre Trust in 1962, with the English-born dancer, teacher, repetiteur and director Dame Peggy van Praagh as founding artistic director. Today, it is recognised as one of the world's major international ballet companies.
Ross Stretton was an Australian ballet dancer and artistic director. As a dancer, he performed with the Australian Ballet, the Joffrey Ballet and the American Ballet Theatre. He was later Artistic Director of the Australian Ballet (1997–2001) and the Royal Ballet (2001–2002).
Dame Catherine Margaret Mary Scott, was a South African-born pioneering ballet dancer who found fame as a teacher, choreographer, and school administrator in Australia. As the first director of the Australian Ballet School, she is recognised as one of the founders of the strong ballet tradition of her adopted country.
Dame Margaret van Praagh was a British ballet dancer, choreographer, teacher, repetiteur, producer, advocate and director, who spent much of her later career in Australia.
Garth de Burgh Welch is an Australian dancer and choreographer.
Garry Stewart is an Australian dancer and choreographer. He was the longest-serving artistic director of the Australian Dance Theatre, taking over from Meryl Tankard in 1999 and finishing his term at the end of 2021. He is renowned for his unusual, post-modern interpretations of classical ballets.
Kathleen Ann "Kathy" Gorham was an Australian ballerina.
Vassilie Trunoff was an Australian ballet dancer. He was born of Russian emigre parents and began dancing in his mother's folk dancing troupe. His dancing was noticed by Edouard Borovansky who offered him classes at the Borovansky school. He soon became a member of the fledgling Borovansky Ballet. He performed a wide variety of roles in the Borovansky repertoire and in 1946 created the part of the Aborigine in Borovansky's Terra Australis. At the end of the 1947 Borovansky season Trunoff joined Ballet Rambert for its Australian tour and performed with the company under the name of Basil Truro. He performed in a season of the musical Oklahoma! and subsequently married fellow dancer Joan Potter. In 1950, Trunoff left Australia for London. He joined the London Festival Ballet as a soloist and he was soon promoted to principal, gaining a reputation for his virtuosity of technique. At Borovansky's invitation, Trunoff and his wife returned to Australia in 1954, however in 1958 they both rejoined the London Festival Ballet as ballet master and ballet mistress respectively. As ballet master, Trunoff toured to Australia in 1975 and 1977 with Festival Ballet productions that included Romeo and Juliet and Giselle. He returned again in 1980 to produce Scheherazade and Graduation Ball for the Australian Ballet's special tribute season in honour of Edouard Borovansky. Trunoff died in London in 1985.
Edouard Borovansky was a Czech-born Australian ballet dancer, choreographer and director. After touring with Anna Pavlova's company, he and his wife, Xenia, settled in Australia where they established the Borovansky Ballet company. This company provided the foundation for modern ballet in Australia and was subsequently used as the basis for the first national Australian ballet company, The Australian Ballet which was established in 1962.
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The Vienna Festival Ballet, is a classical ballet company founded in 1980 by Peter Mallek. Based in the United Kingdom, they typically spend eight months of the year touring small and medium venues around the country, with the occasional foreign trip.
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The Australian Archives of the Dance is Australia’s oldest specialist dance archive. Established by The Australian Ballet in 1972, the Archive was transferred to the Performing Arts Collection of the Melbourne Arts Centre in 1998.
Rambert is a leading British dance company. Formed at the start of the 20th century as a classical ballet company, it exerted a great deal of influence on the development of dance in the United Kingdom, and today, as a contemporary dance company, continues to be one of the world's most renowned dance companies. It has previously been known as the Ballet Club, and the Ballet Rambert.
Roma Jean Egan was a child actress on Australian television, and an Australian ballet dancer and teacher. She was notably a senior soloist for The Australian Ballet, and variously performed for the Queensland Ballet, Basel Ballet, Ballet Victoria and Royal New Zealand Ballet.
Michelle Potter is an Australian dance writer, critic, archivist, and curator of historical materials. Her research and writing have focused on but have not been restricted to Australian dance history. She is known internationally for the extent of her knowledge and expertise.
Elaine Fifield was an Australian ballerina, perhaps best known for creating the title role in John Cranko's comic ballet Pineapple Poll in 1951.
Xenia Nikolaeva Smirnova Krüger Borovansky was a Russian-born dancer and choreographer, based in Australia after 1939. She was principal teacher at the Melbourne Academy of Russian Ballet, and active in running the Borovansky Ballet.
Rachel Cameron was an Australian ballet dancer and teacher. She was one of the leading dancers in early Australian ballet in the 1940s, performing with the Borovansky and Kirsova ballet companies, and was one of the first ballet dancers in Australia to reach the rank of principal. After emigrating to Great Britain she was an inspirational educator of ballet teachers at the Royal Academy of Dance in London for over forty years. In 2010, she received the Royal Academy of Dance's prestigious Queen Elizabeth II Coronation Award in recognition of her outstanding services to ballet.
References
- Dictionary of Performing Arts Volume 2: opera, dance, music. Ann Atkinson, Linsay Knight, Margaret McPhee. Allen & Unwin 1996. ISBN 1-86373-898-3, ISBN 978-1-86373-898-9
- http://www.natdance.org
- Article title [Usurped!]
- http://laurelmartyndance.com
