Japanese Architecture and Art Net Users System, or JAANUS, is an online dictionary of Japanese architecture and art terms compiled by Dr. Mary Neighbour Parent. It contains approximately eight thousand entries. [1] [2] It is searchable in both English and romaji and contains many hyperlinks and illustrations. [3]
My Neighbor Totoro is a 1988 Japanese animated fantasy film that was written and directed by Hayao Miyazaki and animated by Studio Ghibli for Tokuma Shoten. The film stars voice actors Noriko Hidaka, Chika Sakamoto, and Hitoshi Takagi, and tells the story of a professor's young daughters Satsuki and Mei, and their interactions with friendly wood spirits in postwar rural Japan.
Japanese architecture has been typified by wooden structures, elevated slightly off the ground, with tiled or thatched roofs. Sliding doors (fusuma) and other traditional partitions were used in place of walls, allowing the internal configuration of a space to be customized for different occasions. People usually sat on cushions or otherwise on the floor, traditionally; chairs and high tables were not widely used until the 20th century. Since the 19th century, however, Japan has incorporated much of Western, modern, and post-modern architecture into construction and design, and is today a leader in cutting-edge architectural design and technology.
Kisshōten, also known as Kichijōten, Kisshoutennyo (吉祥天女), Kudokuten (功徳天) is a Japanese female deity, adapted via Buddhism from the Hindu goddess Lakshmi. Kisshoutennyo is sometimes named as one of the Seven Gods of Fortune (fukujin), replacing either Jurōjin or Fukurokuju. For example, in the 1783 edition of the Butsuzōzui compendium, Kichijōten replaces Fukurokuju as one of the seven fukujin. She is considered to be the goddess of happiness, fertility, and beauty. Kisshoutennyo's iconography is distinguished by the Nyoihōju gem (如意宝珠) in her hand, Kisshōten and the Nyoihōju gem are both represented by the symbol of the kagome.
Nikkō Tōshō-gū (日光東照宮) is a Tōshō-gū Shinto shrine located in Nikkō, Tochigi Prefecture, Japan.
Nishi Hongan-ji (西本願寺) is a Jōdo Shinshū Buddhist temple in the Shimogyō ward of Kyoto, Japan. It serves as the head temple of the sub-sect Honganji-ha.
Karahafu (唐破風) is a type of curved gable found in Japanese architecture. It is used on Japanese castles, Buddhist temples, and Shinto shrines. Roofing materials such as tile and bark may be used as coverings. The face beneath the gable may be flush with the wall below, or it may terminate on a lower roof.
The karamon or karakado (唐門) is a type of gate seen in Japanese architecture. It is characterized by the usage of karahafu, an undulating bargeboard peculiar to Japan. Karamon are often used at the entrances of Japanese castles, Buddhist temples and Shinto shrines, and have historically been a symbol of authority.
Onigawara are a type of roof ornamentation found in Japanese architecture. They are generally roof tiles or statues depicting a Japanese ogre (oni) or a fearsome beast. Prior to the Heian period, similar ornaments with floral and plant designs (hanagawara) preceded the onigawara. The present design is thought to have come from a previous architectural element, the oni-ita, which is a board painted with the face of an oni and was meant to stop roof leaks. During the Nara period the tile was decorated with other motifs, but later it acquired distinct ogre-like features and became strongly tridimensional. Onigawara are most often found on Buddhist temples. The tile's name notwithstanding, the ogre's face may be missing.
In East Asian Buddhism, the Twelve Heavenly Generals or Twelve Divine Generals are the protective deities, or yaksha, of Bhaisajyaguru, the buddha of healing. They are introduced in the Medicine Buddha Sutra or Bhaiṣajyaguruvaidūryaprabharāja Sūtra. They are collectively named as follows:
Wayō is a Buddhist architectural style developed in Japan before the Kamakura period (1185-1333), and is one of the important Buddhist architectural styles in Japan along with Daibutsuyō and the Zenshūyō, which were developed based on Chinese architectural styles from the Kamakura period. This style originated in the Asuka (538-710) and Nara period (710-794), when Japanese studied Buddhist architecture of the Tang dynasty, and was improved in the Heian period (794-1185) to suit the Japanese climate and aesthetic sense. After the Kamakura period, the Wayō developed into the Shin-wayō style by combining it with the Daibutsuyō, and further developed into the Setchūyō by combining it with the Zenshūyō, and pure Wayō architecture decreased.
Daibutsuyō is a Japanese religious architectural style which emerged in the late 12th or early 13th century. Together with Wayō and Zenshūyō, it is one of the three most significant styles developed by Japanese Buddhism on the basis of Chinese models.
Zenshūyō is a Japanese Buddhist architectural style derived from Chinese Song Dynasty architecture. Named after the Zen sect of Buddhism which brought it to Japan, it emerged in the late 12th or early 13th century. Together with Wayō and Daibutsuyō, it is one of the three most significant styles developed by Japanese Buddhism on the basis of Chinese models. Until World War II, this style was called karayō but, like the Daibutsuyō style, it was re-christened by Ōta Hirotarō, a 20th-century scholar. Its most typical features are a more or less linear layout of the garan, paneled doors hanging from hinges, intercolumnar tokyō, cusped windows, tail rafters, ornaments called kibana, and decorative pent roofs.
Niōmon is the Japanese name of a Buddhist temple gate guarded by two wooden warriors called Niō. The gate is called Heng Ha Er Jiang (哼哈二将) in China and Geumgangmun (금강문) in Korea. The two statues are inside the two posts of the gate itself, one at the left, one at the right. Structurally, it usually is either a rōmon or a nijūmon and can measure either 5x2 or 3x2 bays. It can sometimes have just one story, as in the case of Asakusa's Kaminarimon.
Tokyō is a system of supporting blocks and brackets supporting the eaves of a Japanese building, usually part of a Buddhist temple or Shinto shrine. The use of tokyō is made necessary by the extent to which the eaves protrude, a functionally essential element of Japanese Buddhist architecture. The system has however always had also an important decorative function. The system is a more refined form of the Chinese Dougong that has evolved since its arrival into several original forms.
The Ōbaku school of Zen arrived in Japan in the middle of the seventeenth century, several centuries after the other Zen schools, and as a consequence its temples typically have a different architecture, based on Chinese Ming and Qing architectures.
Nakazonae (中備・中具) is a Japanese classification of several intercolumnar struts of different origin installed in the intervals between bracket complexes (tokyō) at wooden architectures in East Asia.
The hidden roof is a type of roof widely used in Japan both at Buddhist temples and Shinto shrines. It is composed of a true roof above and a second roof beneath, permitting an outer roof of steep pitch to have eaves of shallow pitch, jutting widely from the walls but without overhanging them. The second roof is visible only from under the eaves and is therefore called a "hidden roof" while the first roof is externally visible and is called an "exposed roof" in English and "cosmetic roof" in Japanese. Invented in Japan during the 10th century, its earliest extant example is Hōryū-ji's Daikō-dō, rebuilt after a fire in 990.
The sōrin is the vertical shaft (finial) which tops a Japanese pagoda, whether made of stone or wood. The sōrin of a wooden pagoda is usually made of bronze and can be over 10 meters tall. That of a stone pagoda is also of stone and less than a meter long. The sōrin is divided in several sections possessing a symbolic meaning and, as a whole, in turn itself represents a pagoda.
Kyōzō (経蔵) in Japanese Buddhist architecture is a repository for sūtras and chronicles of the temple history. It is also called kyōko (経庫), kyō-dō (経堂), or zōden (蔵殿). In ancient times the kyōzō was placed opposite the belfry on the east–west axis of the temple. The earliest extant kyōzō is at Hōryū-ji, and it is a two-storied structure. An example of one-storied kyōzō is at Tōshōdai-ji in Nara. A kyōzō's usual size is 3 x 3 ken.
Kibitsu-zukuri (吉備津造), kibi-zukuri (吉備造) or hiyoku irimoya-zukuri is a traditional Japanese Shinto architectural style characterized by four dormer gables, two per lateral side, on the roof of a very large honden (sanctuary). The gables are set at a right angle to the main roof ridge, and the honden is part of a single complex also including a haiden. Kibitsu Shrine in Okayama, Okayama Prefecture, Japan is the sole example of the style, although the Soshi-dō of Hokekyō-ji in Chiba prefecture is believed to have been modeled on it.