Jaroslav Kyzlink, (born 21 January 1973), is a Czech conductor, who was appointed the music director of the National Theatre [1] in Prague, in August 2012.
Born in Brno, Czech Republic, he graduated from the Janacek Academy of Music and Performing Arts in chorus and orchestra conducting (1995, 1997).
Since 1992 he has worked for the Janacek Opera (National Theatre) in Brno, as a chorus master, conductor, principal conductor and artistic director (2001-2003, touring Japan twice). Since 1999 he has been a regular guest conductor at the State Opera in Prague and since 2002 also at Prague National Theatre Opera. From 2004 to 2006 he was the music director of the Slovak National Theatre (Bratislava), and now he works there as a permanent guest conductor.
He has conducted more than 30 operas, [2] including Handel´s Alcina and Britten´s Peter Grimes. He specializes in Janacek´s works and has conducted most of them.
In December 2008 he contributed to a joint production of Gluck's Orfeo and Eurydice for Slovak National Theatre and Teatr Vielki Warsawa by musical preparation.
In 2009 he prepared and conducted Tchajkovskij's Eugen Onegin in the National Theatre, Brno and the new production of Dvořák's Rusalka in the Greek National Opera in Athens. [3] In August 2010 he worked on the first Danish performance of Erich Wolfgang Korngold’s opera Die tote Stadt at the Danish National Theatre.
Recently he has prepared and conducted, among others, the new production of Rusalka at the Theatre Bonn (Germany) and at the New National Theatre inTokyo. Currently, he is working on new productions of Verdi´s Vespri Siciliani for National Theatre in Brno and Don Carlo for National Theatre in Prague (2013) and returning to NNT Tokyo with a new production of Korngold´s Die tote Stadt (2014).
Leoš Janáček was a Czech composer, musical theorist, folklorist, publicist and teacher. He was inspired by Moravian and other Slavic folk music to create an original, modern musical style.
Její pastorkyňa is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play Její pastorkyňa by Gabriela Preissová. It was first performed at the National Theatre, Brno on 21 January 1904. Composed between 1896 and 1902, it is among the first operas written in prose.
The Cunning Little Vixen is a Czech-language opera by Leoš Janáček, composed in 1921 to 1923. Its libretto was adapted by the composer from a 1920 serialized novella, Liška Bystrouška, by Rudolf Těsnohlídek, which was first published in the newspaper Lidové noviny.
The Glagolitic Mass is a composition for soloists, double chorus, organ and orchestra by Leoš Janáček. The work was completed on 15 October 1926 and premiered by the Brno Arts Society, conducted by Jaroslav Kvapil, in Brno on 5 December 1927. Janáček revised the mass the next year.
Destiny is an opera in three acts by Leoš Janáček to a Czech libretto by the composer and Fedora Bartošová. Janáček began the work in 1903 and completed it in 1907. The inspiration for the opera came from a visit by Janáček in the summer of 1903, after the death of his daughter Olga, to the spa at Luhačovice. There, Janáček met Kamila Urválková, who had been the subject of an opera by Ludvík Čelanský, Kamila, where she felt that Čelanský had falsely depicted her personality. After learning that Janáček was a composer, Urválková persuaded Janáček to write another opera to counteract Čelanský's portrait of her.
Pavel Haas was a Czech composer who was murdered during the Holocaust. He was an exponent of Leoš Janáček's school of composition, and also utilized elements of folk music and jazz. Although his output was not large, he is notable particularly for his song cycles and string quartets.
Die tote Stadt, Op. 12, is an opera in three acts by Erich Wolfgang Korngold set to a libretto by Paul Schott, a collective pseudonym for the composer and his father, Julius Korngold. It is based on the 1892 novel Bruges-la-Morte by Georges Rodenbach.
Jozef Kundlák is a Slovak tenor.
Zdeněk Chalabala was a Czech conductor. He conducted orchestras in Prague, Ostrava, Moscow.
Gabriela Beňačková also Gabriela Beňačková-Čápová is a Czech lyric soprano of Slovak origin.
Paul Mauffray is an American conductor and laureat of the 2007 Bartók International Opera Conducting Competition, The American Prize for Conductors, and 1996 Freedman Conducting Competition. He has studied at the New Orleans Center for Creative Arts, Louisiana State University, Justus Liebig University (Giessen), Masaryk University (Brno), and earned a Masters of Music degree in Orchestra Conducting as an Associate Instructor / Assistant Conductor at Indiana University's Jacobs School of Music.
David Porcelijn is a Dutch composer and conductor.
Ivo Žídek was a Czech lyric tenor, known for his vivid portrayals of character roles in the operas of Smetana, Dvořák and Janáček.
Albert Rosen was an Austrian-born and Czech/Irish-naturalised conductor associated with the National Symphony Orchestra of Ireland, the Wexford Festival, the National Theatre in Prague and J. K. Tyl Theatre in Plzeň (Pilsen). He had a strong affinity with the works of Czech composers such as Smetana, Dvořák, Martinů and Janáček.
Josef František Munclinger, also Josef František Munclingr was a Czech operatic bass and opera stage director who had an active international career from the 1910s through the 1950s. His voice is preserved on a number of recordings made for the Ultraphon and Supraphon labels.
Pavla Vykopalová is a Czech soprano.
Bohumil Gregor was a Czech conductor.
František Neumann was a Czech conductor and composer. He was particularly associated with the National Theatre in Brno, and the composer Leoš Janáček, the premieres of many of whose operas he conducted.
Heiko Mathias Förster is a German conductor. Most notable for conducting the Munich Symphony Orchestra from 1999 to 2006, since 2014, he has been the chief conductor of the Ostrava-based Janáček Philharmonic Orchestra.
Andrea Kalivodová is a Czech opera singer. A mezzo-soprano, Kalivodová has been performing as a soloist with the Prague State Opera since 2003.