Judy Chicago is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno which acted as a catalyst for feminist art and art education during the 1970s. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Her most well-known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. The Dinner Party celebrates the accomplishments of women throughout history and is widely regarded as the first epic feminist artwork. Other notable art projects by Chicago include International Honor Quilt, Birth Project, Powerplay, and The Holocaust Project. She is represented by Jessica Silverman gallery.
African-American art is a broad term describing visual art created by African Americans. The range of art they have created, and are continuing to create, over more than two centuries is as varied as the artists themselves. Some have drawn on cultural traditions in Africa, and other parts of the world where the Black diaspora is found, for inspiration. Others have found inspiration in traditional African-American plastic art forms, including basket weaving, pottery, quilting, woodcarving and painting, all of which are sometimes classified as "handicrafts" or "folk art".
The Studio Museum in Harlem is an art museum that celebrates artists of African descent. The museum is located at 144 West 125th Street between Adam Clayton Powell Jr. Boulevard and Lenox Avenue in the Harlem neighborhood of Manhattan, New York City, United States. Founded in 1968, the museum collects, preserves and interprets art created by African Americans, members of the African diaspora, and artists from the African continent. Its scope includes exhibitions, artists-in-residence programs, educational and public programming, and a permanent collection. The museum building was demolished and replaced in the 2020s; a new building on the site is to open in 2025.
Faith Ringgold was an American painter, author, mixed media sculptor, performance artist, and intersectional activist, perhaps best known for her narrative quilts.
Eleanor Antin is an American performance artist, film-maker, installation artist, conceptual artist, feminist artist, and university professor.
Claire Zeisler was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Throughout her career Zeisler sought to create "large, strong, single images" with fiber.
Richard Howard Hunt was an American sculptor. In the second half of the 20th century, he became "the foremost African-American abstract sculptor and artist of public sculpture." Hunt, the descendant of enslaved people brought from West Africa through the Port of Savannah, studied at the School of the Art Institute of Chicago in the 1950s. While there he received multiple prizes for his work. In 1971, he was the first African-American sculptor to have a retrospective at Museum of Modern Art. Hunt has created over 160 public sculpture commissions, more than any other sculptor in prominent locations in 24 states across the United States.
The Woman's Building was a non-profit arts and education center located in Los Angeles, California. The Woman's Building focused on feminist art and served as a venue for the women's movement and was spearheaded by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville and art historian Arlene Raven. The center was open from 1973 until 1991. During its existence, the Los Angeles Times called the Woman's Building a "feminist mecca."
The Getty Research Institute (GRI), located at the Getty Center in Los Angeles, California, is "dedicated to furthering knowledge and advancing understanding of the visual arts".
Sylvia Sleigh was a Welsh-born naturalised American realist painter who lived and worked in New York City. She is known for her role in the feminist art movement and especially for reversing traditional gender roles in her paintings of nude men, often using conventional female poses from historical paintings by male artists like Diego Vélazquez, Titian, and Jean-Auguste-Dominique Ingres. Her most well-known subjects were art critics, feminist artists, and her husband, Lawrence Alloway.
The Getty Conservation Institute (GCI), located in Los Angeles, California, is a program of the J. Paul Getty Trust. It is headquartered at the Getty Center but also has facilities at the Getty Villa, and commenced operation in 1985. The GCI is a private international research institution dedicated to advancing conservation practice through the creation and delivery of knowledge. It "serves the conservation community through scientific research, education and training, model field projects, and the dissemination of the results of both its own work and the work of others in the field" and "adheres to the principles that guide the work of the Getty Trust: service, philanthropy, teaching, and access." GCI has activities in both art conservation and architectural conservation.
Howardena Pindell is an American artist, curator, critic, and educator. She is known as a painter and mixed media artist who uses a wide variety of techniques and materials. She began her long arts career working with the New York Museum of Modern Art, while making work at night. She co-founded the A.I.R. gallery and worked with other groups to advocate for herself and other female artists, Black women in particular. Her work explores texture, color, structures, and the process of making art; it is often political, addressing the intersecting issues of racism, feminism, violence, slavery, and exploitation. She has created abstract paintings, collages, "video drawings," and "process art" and has exhibited around the world.
Naomi Beckwith is the deputy director and chief curator of the Solomon R. Guggenheim Museum. She joined the museum in June 2021. Previously she had been the senior curator at the Museum of Contemporary Art, Chicago. Beckwith joined the curatorial staff there in May 2011.
The Feminist Art Journal was an American magazine, published quarterly from 1972 to 1977. It was the first stable, widely read journal covering feminist art. By the time the final publication was produced, The Feminist Art Journal had a circulation of eight thousand copies, and ten thousand copies of the last edition were printed.
Candida Alvarez is an American artist and professor, known for her paintings and drawings.
Mabel Pakenham-Walsh was a British painter, sculptor and designer, and pioneering female artist in post-war European figurative art. She worked in many mediums, but is particularly well known for her colourful wooden relief sculptures. Her work was significantly influenced by primitive and outsider art, and created primarily from recycled materials, earning her recognition as an early eco artist.
PESTS was an anonymous American activist group formed in 1986 to critique racism, tokenism, and exclusion in the art world. PESTS produced newsletters, posters, and other print material highlighting examples of discrimination in gallery representation and museum exhibitions. PESTS also publicized events and exhibits featuring artists, scholars, and curators of color.
Valerie Cassel Oliver is curator of modern and contemporary art at the Virginia Museum of Fine Arts (VMFA). Previously she was senior curator at the Contemporary Arts Museum Houston (CAMH) in Texas. Cassel's work is often focused on representation, inclusivity and highlighting artists of different social and cultural backgrounds.
The Feminist Art Coalition (FAC) is a collaboration of over 100 art museums and nonprofit institutions from across the United States. The organizations are collectively creating a series of programming and exhibitions centered around feminist thought to be held beginning in the fall of 2020, during the run-up of the presidential election. The project was initially planned to occur from September through November 2020, but has been extended through the end of 2021 due to changes in exhibition schedules resulting from the COVID-19 pandemic.
Alan J. Shields was an American painter, and for a time during the 1980s, had a secondary career as a commercial boat operator, including as ferryboat captain.
