Jason and Shirley | |
---|---|
Directed by | Stephen Winter |
Written by | Stephen Winter Sarah Schulman Jack Waters |
Produced by | M. Blaine Hopkins Stephen Winter Jason Ryan Yamas Ned Stresen-Reuter Molly Epstein Bizzy Barefoot Blake Pruitt |
Starring | Jack Waters Sarah Schulman Eamon Fahey Tristan Cowen Tony Torn Peter Cramer Mike Bailey-Gates Bryan Webster Denise Dixon Orran Farmer |
Cinematography | Ned Stresen-Reuter |
Edited by | Ned Stresen-Reuter |
Music by | Drew Brody |
Release date |
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Running time | 79 minutes |
Country | United States |
Language | English |
Jason and Shirley is a 2015 drama comedy fantasy film directed by Stephen Winter. The film is a historical re-imagining that revisits the making of Shirley Clarke's 1967 documentary Portrait of Jason.
The film premiered at the 2015 BAMcinemaFest at the Brooklyn Academy of Music and went on to screen at Frameline, Outfest, Austin Gay & Lesbian International Film Festival, and New Orleans Film Festival. Jason and Shirley's NY theatrical premiere was at the MoMA in October 2015. [1]
Many artists associated with MIX NYC, including its cofounder Sarah Schulman, were involved in the creation of the film.
Director Stephen Winter was working on The Butler , his third film with Lee Daniels, when Sarah Schulman, renowned writer and activist, proposed that two of their mutual friends, performers Jack Waters and Bizzy Barefoot, had conceived a character based on Jason Holliday from the 1967 documentary Portrait of Jason by Shirley Clarke. Schulman's idea was for Winter to direct a new film about the "behind the scenes" of Portrait of Jason starring Waters as "Jason" and Schulman as "Shirley." The film would not be a remake, but a fiction that drew upon emotional truths from the point-of-view of Jason Holliday.
Production came together quickly, as did the script. Waters was in charge of writing "Jason," and Schulman was tasked with "Shirley." A team from New York's vibrant New Queer Vanguard of Brooklyn and other diverse artistic blocs was assembled. Ned Stresen-Reuter became Director of Photography and Editor. Winter met Producer Jason Ryan Yamas when he worked with Jonathan Caouette on the sequel to his internationally influential documentary Tarnation, which Winter produced. Artist and bon vivant Bizzy Barefoot was the choice for Production Design and Costumes. Bizzy also served as acting coach for Jack Waters, with Broadway veteran Schele Williams.
Winter wrote roles for the actors he wished to cast. Mike Bailey Gates is an emerging video artist, photographer and fashion muse, perfect for the mysterious spirit "Billy-Boy." Eamon Fahey, as naïf "Nico" is a New York native Winter has known since he was a teen. Bryan Webster plays 'Candy Man,' and was Winter's first friend upon moving to New York. Peter Cramer as "The Matron" is a central downtown fixture and Jack Waters' better half. Denise Dixon, "Momma," is Winter's neighbor and a Brooklyn science teacher. Tristan Cowen as "John," hardworking cameraman, is Winter's "Game of Thrones" buddy. Orran Farmer, Winter's brother-in-law, came out of actor-retirement to play handsome, authoritative "Carl." And Tony Torn as racist DP "Saul" starred in the first play Winter saw in New York, "Tight Right White" by the legendary Reza Abdoh. Torn's parents Rip Torn and Geraldine Page were present at the first screening of Portrait of Jason in 1967 – another example of the fantastic synchronicity this project experienced.
The only inspiration films Winter watched were Hitchcock's Psycho and The Trial by Orson Welles, both starring haunted gay icon Anthony Perkins. Winter writes:
I choose to shoot on S-VHS so the beauty and volatility of an antiquated format would mirror our subject's vintage intensity, but also to let go from the indie film "Tyranny-of-Video-Playback." I directed primarily with my heart and the outcome is a film that looks and feels exactly how I wanted from conception. [2]
The film received rave reviews in advance of its BAMcinemaFest premiere. Richard Brody of The New Yorker hailed it as "one of this year's finest offerings ... ingeniously conceived and acted." [3] A.O. Scott of The New York Times described the film as "self-contained drama that feels like a documentary, and a historical re-enactment that seems to be happening in the present even as it offers astute commentary on the past." [4]
Tavia Nyong'o of The Guardian wrote:
Although the burnishers of Clarke's legacy have regrettably chosen to see things otherwise, Jason and Shirley is the best possible thing that could happen to Portrait of Jason. For generations of queer men of color who have been horrified by Holliday's on-screen fate, Jason and Shirley offers a reinvention of a historical moment that sought to consign them to the roles of mascots and scapegoats. Once disposable, in Winter's able hands Holliday returns, available for reinvention. [5]
Jonas Mekas, a contemporary of Shirley Clarke and Jason Holliday, said the film was "amazing ... like being back in Shirley's apartment." [6]
Jason and Shirley also received ringing endorsements from John Cameron Mitchell, Ira Sachs, John Krokidas, and Jonathan Caouette. [7]
Amy Heller of Milestone Films, who have restored and released much of Shirley Clarke's cinematic legacy, was scathing of the film's liberally applied artistic license and many historical inaccuracies. [8]
The Brooklyn Academy of Music (BAM) is a multi-arts center in Brooklyn, New York City. It hosts progressive and avant-garde performances, with theater, dance, music, opera, film programming across multiple nearby venues.
Cinéma vérité is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth.
Jonas Mekas was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema". Mekas's work has been exhibited in museums and at festivals worldwide. Mekas was active in New York City, where he co-founded Anthology Film Archives, The Film-Makers' Cooperative, and the journal Film Culture. He was also the first film critic for The Village Voice.
Adolfas Mekas was a Lithuanian-born American filmmaker, writer, director, editor, actor and educator. With his brother Jonas Mekas, he founded the magazine Film Culture, as well as the Film-Makers' Cooperative and was associated with George Maciunas and the Fluxus art movement at its beginning. He made several short films, culminating in the feature Hallelujah the Hills in 1963, which was played at the Cannes Film Festival of that year and is now considered a classic of American film.
Sarah Miriam Schulman is an American novelist, playwright, nonfiction writer, screenwriter, gay activist, and AIDS historian. She holds an endowed chair in nonfiction at Northwestern University and is a fellow of the New York Institute for the Humanities. She is a recipient of the Bill Whitehead Award and the Lambda Literary Award.
Jonathan Caouette is an American film director, writer, editor and actor.
Shirley Clarke was an American filmmaker.
MIX NYC is a not-for-profit organization based in New York City dedicated to queer experimental film. It is also known as the "MIX festival," for its most visible program, the annual week-long New York Queer Experimental Film Festival (NYQEFF), which has featured early works by filmmakers such as Christine Vachon, Todd Haynes, Isaac Julien, Thomas Allen Harris, Barbara Hammer, Juan Carlos Zaldivar, Jonathan Caouette, Jennie Livingston, Gus Van Sant, and Matthew Mishory.
Milestone Film and Video is an independent film distribution company, founded in 1990 in the United States by Dennis Doros and Amy Heller. The company researches and distributes cinematographic material from around the world, including silent film, post-war foreign film renaissance, contemporary American independent features, documentaries and foreign films.
Lynne Sachs is an American experimental filmmaker and poet living in Brooklyn, New York. Her moving image work ranges from documentaries, to essay films, to experimental shorts, to hybrid live performances. Working from a feminist perspective, Sachs weaves together social criticism with personal subjectivity. Her films embrace a radical use of archives, performance and intricate sound work. Between 2013 and 2020, she collaborated with musician and sound artist Stephen Vitiello on five films.
The Film-Makers' Cooperative is an artist-run, non-profit organization founded in 1961 in New York City by Jonas Mekas, Andy Warhol, Shirley Clarke, Stan Brakhage, Jack Smith, Lionel Rogosin, Gregory Markopoulos, Lloyd Michael Williams, and other filmmakers, for the distribution, education, and exhibition of avant-garde films and alternative media.
Lupita Amondi Nyong'o is an actress who has received an Academy Award and a Daytime Emmy Award, and nominations for two British Academy Film Awards, a Golden Globe Award and a Tony Award.
Portrait of Jason is a 1967 documentary film directed, produced and edited by Shirley Clarke and starring Jason Holliday.
Stations of the Elevated is a 1981 documentary film by Manfred Kirchheimer about graffiti in New York City. It debuted at the New York Film Festival. It was re-released June 27, 2014, and shown at the Brooklyn Academy of Music and was re-released throughout the United States in the fall of 2014.
Barbara Rubin (1945–1980) was an American filmmaker and performance artist. She is best known for her landmark 1963 underground film Christmas on Earth.
Jason Holliday was an American hustler and nightclub performer. He is the star of Shirley Clarke's 1967 documentary Portrait of Jason.
Fraud is a 2016 conceptual documentary film directed by Dean Fleischer Camp. The film is made up of re-edited home videos uploaded to YouTube. It tells the fictional story of an average white American family of four obsessively shopping at Big Box stores until their increasing mountain of debt leads them to go to extremes in order to wipe the slate clean and keep the money flowing.
Trajal Harrell is an American dancer and choreographer. Best known for a series entitled Twenty Looks or Paris is Burning at The Judson Church, Harrell "confronts the history, construction, and interpretation of contemporary dance."
Skyscraper is a 1959 documentary film by Shirley Clarke about the construction of the 666 Fifth Avenue skyscraper.
Lana Lin is a filmmaker, artist, and scholar based in New York City. Since the early 1990s, she has made experimental films, videos, and documentaries that examine the politics of identity and cultural translation, informed by the poetic and conceptual qualities of moving image media.