Jazz standards refer to musical compositions that are an important part of the musical repertoire jazz musicians. They can also refer to:
Keith Jarrett is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications and jazz reference works offer a rough guide to which songs are considered standards.
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm. The genre emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as "Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.
"Ev'ry Time We Say Goodbye" is a popular jazz song with lyrics and music by Cole Porter. Part of the Great American Songbook, it was published by Chappell & Company and introduced by Nan Wynn and Jere McMahon in 1944 in Billy Rose's musical revue Seven Lively Arts.
"Nice Work If You Can Get It" is a popular song and jazz standard composed by George Gershwin with lyrics by Ira Gershwin.
"Embraceable You" is a jazz standard song with music by George Gershwin and lyrics by Ira Gershwin. The song was written in 1928 for an unpublished operetta named East Is West. It was published in 1930 and included in that year's Broadway musical Girl Crazy, performed by Ginger Rogers in a song and dance routine choreographed by Fred Astaire.
"There Will Never Be Another You" is a popular song with music by Harry Warren and lyrics by Mack Gordon that was written for the Twentieth Century Fox musical Iceland (1942) starring Sonja Henie and John Payne. The songs in the film featured Joan Merrill accompanied by Sammy Kaye and His Orchestra. The song was published in 1942 and is considered a jazz standard. The most popular version, a 1966 Chris Montez recording, went to #4 on the Easy Listening chart and #33 on the Hot 100.
Gypsy jazz is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed in their group the Quintette du Hot Club de France. Because its origins are in France, Reinhardt was from the Manouche clan, and the style has remained popular amongst this clan. Gypsy jazz is often called by the French name "jazz manouche", or alternatively, "manouche jazz" in English language sources.
Standard may refer to:
In music, a standard is a musical composition of established popularity, considered part of the "standard repertoire" of one or several genres. Even though the standard repertoire of a given genre consists of a dynamic and partly subjective set of songs, these can be identified by having been performed or recorded by a variety of musical acts, often with different arrangements. In addition, standards are extensively quoted by other works and commonly serve as the basis for musical improvisation. Standards may "cross over" from one genre's repertoire to another's; for example, many jazz standards have entered the pop repertoire, and many blues standards have entered the rock repertoire.
"Sophisticated Lady" is a jazz standard, composed as an instrumental in 1932 by Duke Ellington.
"Love Is Here to Stay" is a popular song and jazz standard composed by George Gershwin with lyrics by Ira Gershwin for the movie The Goldwyn Follies (1938).
"A Foggy Day" is a popular song composed by George Gershwin, with lyrics by Ira Gershwin. The song was introduced by Fred Astaire in the 1937 film A Damsel in Distress. It was originally titled "A Foggy Day " in reference to the pollution-induced pea soup fogs that were common in London during that period, and is often still referred to by the full title.
The commercial recording by Astaire for Brunswick was very popular in 1937.
"Spring Can Really Hang You Up the Most" (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, "April is the cruellest month". The song describes how somebody feels sad and depressed despite all the good things associated with spring.
Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing " (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others. Other influential bandleaders of this period were Benny Goodman and Count Basie.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
The following outline is provided as an overview of and topical guide to jazz: