Jealousy | |
---|---|
Directed by | Jean de Limur |
Written by | Garrett Fort (adaptation) Eugene Walter John D. Williams |
Based on | Monsieur Lamberthier by Louis Verneuil |
Starring | Jeanne Eagels Fredric March |
Cinematography | Alfred Gilks |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 66 minutes |
Country | United States |
Language | English |
Jealousy is a 1929 American pre-Code drama film directed by Jean de Limur and released by Paramount Pictures. It is based on the French play Monsieur Lamberthier, by Louis Verneuil. The play was translated by Eugene Walter and ran on Broadway under the title Jealousy in 1928. [1] The film version starred Jeanne Eagels and Fredric March, and is the second sound film and final motion picture featuring Eagels.
The film was initially shot with British actor Anthony Bushell as Pierre, but he was replaced by March at Eagels' insistence. [2] Supporting actress Hilda Moore died before Jealousy was released, while the film's star, Jeanne Eagels, died of an overdose of chloral hydrate one month after the film was released. [3]
This article needs a plot summary.(November 2023) |
No known prints of Jealousy are known to exist and it is now considered lost. [4] [5]
Émilie Chauchoin, professionally known as Claudette Colbert, was an American actress. Colbert began her career in Broadway productions during the late 1920s and progressed to films with the advent of talking pictures. Initially contracted to Paramount Pictures, Colbert became one of the few major actresses of the period who worked freelance; that is to say, independently of the studio system.
Fredric March was an American actor, regarded as one of Hollywood's most celebrated stars of the 1930s and 1940s. As a performer he was known for his versatility. He received numerous accolades including two Academy Awards, a Golden Globe Award, and two Tony Awards as well as nominations for three BAFTA Awards and three Emmy Awards.
Jeanne Eagels was an American stage and film actress. Eagels appeared in many Broadway productions, and in the emerging medium of sound films. She was posthumously nominated for the Academy Award for Best Actress for her 1929 role in The Letter after dying suddenly that year at the age of 39.
The Letter is an American pre-Code dramatic film directed by Jean de Limur and released by Paramount Pictures. It was the first full-sound feature shot at Astoria Studios, Queens, New York City. A silent version of the film was also released. The film stars stage actress Jeanne Eagels in her penultimate role and O.P. Heggie. The film was adapted by Garrett Fort from the 1927 play The Letter by W. Somerset Maugham. It tells the story of a jealous married woman who kills her lover and is brought to trial.
This is an overview of 1929 in film, including significant events, a list of films released and notable births and deaths.
The following is an overview of 1928 in film, including significant events, a list of films released and notable births and deaths. Although some films released in 1928 had sound, most were still silent. This year is notable for the introduction of the official mascot of The Walt Disney Company, Mickey Mouse, in the animated short Steamboat Willie, the first film to include a soundtrack completely created in post production.
The following is an overview of 1927 in film, including significant events, a list of films released and notable births and deaths.
This is an overview of 1921 in film, including significant events, a list of films released and notable births and deaths.
Pola Negri was a Polish stage and film actress and singer. She achieved worldwide fame during the silent and golden eras of Hollywood and European film for her tragedienne and femme fatale roles. She was also acknowledged as a sex symbol of her time.
Walter Wanger was an American film producer active from the 1910s, his career concluding with the turbulent production of Cleopatra, his last film, in 1963. He began at Paramount Pictures in the 1920s and eventually worked at virtually every major studio as either a contract producer or an independent. He also served as President of the Academy of Motion Picture Arts and Sciences from 1939 to October 1941 and from December 1941 to 1945. Strongly influenced by European films, Wanger developed a reputation as an intellectual and a socially conscious movie executive who produced provocative message movies and glittering romantic melodramas. He achieved notoriety when, in 1951, he shot and wounded the agent of his wife, Joan Bennett, because he suspected they were having an affair. He was convicted of the crime and served a four-month sentence, then returned to making movies.
Natalie Kingston was an American actress.
A Star Is Born is a 1937 American Technicolor drama film produced by David O. Selznick, directed by William A. Wellman from a script by Wellman, Robert Carson, Dorothy Parker, and Alan Campbell, and starring Janet Gaynor as an aspiring Hollywood actress, and Fredric March as a fading movie star who helps launch her career. The supporting cast features Adolphe Menjou, May Robson, Andy Devine, Lionel Stander, and Owen Moore. At the 10th Academy Awards, it became the first color film to be nominated for the Academy Award for Best Picture.
Garrett Elsden Fort was an American short story writer, playwright, and Hollywood screenwriter. He is mostly known for his connections with 1930s horror films, with film historian Gary Don Rhodes describing him as "one of, if not the pre-eminent horror film screenwriters of the classic era." He was a close follower of Meher Baba, and travelled to India while developing a screenplay based on Baba's philosophy.
Jeanne Eagels is a 1957 American biographical film loosely based on the life of stage star Jeanne Eagels. Distributed by Columbia Pictures, the film was produced and directed by George Sidney from a screenplay by John Fante, Daniel Fuchs and Sonya Levien, based on a story by Fuchs.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Outcast is a 1928 American synchronized sound drama film produced and distributed by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
The Laughing Lady is a 1929 sound film melodrama directed by Victor Schertzinger, starring Ruth Chatterton and produced and released by Paramount Famous Lasky Corporation. It is based on a 1922 British play, The Laughing Lady, by Alfred Sutro. The play was brought to New York in 1923 and put on Broadway starring Ethel Barrymore.
Loves of an Actress is a lost 1928 American synchronized sound romantic drama film directed by Rowland V. Lee and starring Pola Negri. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film Western Electric Sound System process. The film was produced by Adolph Zukor and Jesse Lasky with the distribution through Paramount Pictures.
Josephine Augusta Moy, known professionally as Lady Tsen Mei, was an American actress and singer. She was billed as "the screen's only Chinese star" in publicity for her first film, For the Freedom of the East (1918).
The Soul of France is a French synchronized sound black and white sound film, directed by André Dugès and Alexandre Ryder, with a screenplay by Georges Le Faure. The film was released and distributed by Paramount Pictures in 1928. The film has no audible dialogue but featured a synchronized musical score and sound effects. The soundtrack was recorded by Paramount Pictures using the Western Electric Sound System sound-on-film process. The soundtrack was also transferred to discs for those theatres that were wired with sound-on-disc sound systems.