Jean-Marc Puissant | |
---|---|
Born | Jean-Marc Guy Maxime Puissant 26 September 1969 Grenoble, France |
Education | |
Awards |
|
Website | www |
Jean-Marc Puissant (born 26 September 1969) is a stage and costume designer. [1] curator [2] and consultant [3] [4] for live arts and exhibitions. Based in London, Puissant collaborates with international brands, directors, choreographers and curators in the UK, USA, Europe, Australia and Japan.
Puissant grew up in the village of Le Bourg-d'Oisans, in the French Alps.
He moved to Grenoble, age 12, to study at Lycée Stendhal and Conservatoire de Grenoble and to Paris, age 15, to study at Lycée Racine, Conservatoire de Paris and Paris Opera Ballet School.
Puissant studied Art History at La Sorbonne, Paris, and design at Motley Theatre Design Course, London. [5]
Puissant guest tutored costume design at NYU's New York University Tisch School of the Arts and scenography and costume design London’s Royal Central School of Speech and Drama.
Puissant's career began as a professional dancer. He joined Birmingham Royal Ballet in September 1990, under the direction of Sir Peter Wright, and Stuttgart Ballet in February 1995, under the direction of Marcia Haydée. He danced and created roles classical and contemporary repertoires.
In 2002, Puissant's breakthrough came with Tryst, a ballet choreographed by Christopher Wheeldon's at The Royal Ballet.[ citation needed ] Wheeldon and Puissant have collaborated on 13 productions, [6] [7] [8] [9] [10] [11] [12] with Wheeldon's saying of their collaboration that “He’s so willing to dare (..) He doesn’t ever go for the obvious, and he often pushes me to work that way with him. It’s not always obvious to the audience what’s going into his work, and I enjoy that a lot." [12]
In 2007, Monica Mason commissioned Puissant new stage design for the Royal Opera House's first production of George Balanchine's Jewels . [13] The production won two 2008 Laurence Olivier Awards, including Best New Dance Production. [14] Judith Mackrell writes in The Guardian "The triumph of this new production is to transfer a sense of ownership to the Royal Ballet. Courtesy of designers Jean-Marc Puissant and Jennifer Tipton, the three plotless ballets that make up Jewels have been given an added theatrical resonance, which suits this company’s performing temperament". [15]
Puissant also collaborated with choreographers Karole Armitage, [16] Maina Gielgud, Marcia Haydée, Shobana Jeyasingh, [17] [18] Annie-B Parson, Arlene Phillips, [19] Lee Blakeley, [20] Arthur Pita and Alexander Whitley [21] [22] [23] amongst others. In 2010, Puissant designed the stage design for David McVicar's Verdi's Aida at The Royal Opera. [24]
In August 2019, Puissant curated a critically acclaimed program for New York’s Joyce Theater’s Festival. [2]
2008–2020: Trustee - Dance Umbrella
2021 to present: Trustee - Dancers’ Career Development [33]
Marianela Núñez is an Argentine-British ballet dancer. She is a principal dancer with The Royal Ballet, London.
Akram Hossain Khan, MBE is an English dancer and choreographer of Bangladeshi descent. His background is rooted in his classical kathak training and contemporary dance.
Jewels is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates.
Zenaida Yanowsky, Lady Keenlyside, is a French-born Spanish ballet dancer and a former principal dancer with the Royal Ballet in London.
Edward Watson MBE is a British ballet dancer. He is a principal dancer and coach with the Royal Ballet in London.
Wayne McGregor, CBE is a British choreographer and director who has won multiple awards. He is the Artistic Director of Studio Wayne McGregor and Resident Choreographer of The Royal Ballet. McGregor was appointed Commander of the Order of the British Empire (CBE) 2011 for Services to Dance.
Impressing the Czar is a four-act, award-winning, postmodern ballet choreographed by William Forsythe to music by Thom Willems, Leslie Stuck, Eva Crossman-Hecht, and Ludwig van Beethoven. It was premiered in its full-length version in 1988 in Frankfurt am Main by the Ballet Frankfurt.
Crystal Pite is a Canadian choreographer and dancer. She began her professional dance career in 1988 at Ballet BC, and in 1996 she joined Ballett Frankfurt under the tutelage of William Forsythe. After leaving Ballett Frankfurt she became the resident choreographer of Montreal company Les Ballets Jazz de Montreal from 2001 to 2004. She then returned to Vancouver where she focused on choreographing while continuing to dance in her own pieces until 2010. In 2002 she formed her own company called Kidd Pivot, which produced her original works Uncollected Work (2003), Double Story (2004), Lost Action (2006), Dark Matters (2009), The You Show (2010), The Tempest Replica (2011), Betroffenheit (2015), and Revisor (2019) to date. Throughout her career she has been commissioned by many international dance companies to create new pieces, including The Second Person (2007) for Netherlands Dans Theater and Emergence (2009) for the National Ballet of Canada, the latter of which was awarded four Dora Mavor Moore Awards.
Chroma is a one-act contemporary ballet created by Wayne McGregor for the Royal Ballet. The work received its premiere at the Royal Opera House, Covent Garden, on 17 November 2006. The ballet is performed to a combination of original music by Joby Talbot and arrangements of music by Jack White of the White Stripes, with orchestrations by Christopher Austin. The ballet was a great success, winning a number of awards, including the Laurence Olivier Award for Best New Dance Production, and led to The Royal Ballet appointing McGregor as resident choreographer.
Peter Mumford is an international lighting designer who trained at the Central School of Art in London. He won Laurence Olivier Awards for his work, in 1995 and 2003.
Mark Phillip Baldwin OBE is a contemporary dance choreographer. He was born in Fiji and raised and educated in New Zealand. He was the Artistic Director of Rambert dance company from 2002-2018.
Polyphonia is a one-act ballet choreographed by Christopher Wheeldon to music by György Ligeti, costumes designed by Holly Hynes, and was created for the New York City Ballet. It premiered on January 4, 2001 at the New York State Theater. It is regarded as Wheeldon's breakthrough, and won the Laurence Olivier Award for Best New Dance Production in 2003.
Andrée Howard, originally Louise Andréa Enriqueta Howard, was a British ballet dancer and choreographer. She created over 30 ballets.
The 2007 Laurence Olivier Awards were held in 2007 in London celebrating excellence in West End theatre by the Society of London Theatre.
The Winter's Tale is a ballet in three acts choreographed by Christopher Wheeldon to a commissioned score by Joby Talbot. The ballet is based on the play of the same name by William Shakespeare. With scenery and costumes designed by Bob Crowley, lighting designed by Natasha Katz, and special stage effects designed by Daniel Brodie and Basil Twist, it was a co-production of the Royal Ballet and the National Ballet of Canada. It was first presented at the Royal Opera House, London, on 10 April 2014. The North American premiere occurred the following year.
Stephen Jefferies is a retired ballet dancer, artistic director and choreographer. He was a senior principal dancer for The Royal Ballet and The National Ballet of Canada.
Age Oks known professionally as Agnes Oaks, is an Estonian former ballet dancer, who was a principal dancer with English National Ballet.
Woolf Works is a full-length contemporary ballet choreographed by Wayne McGregor, composed by Max Richter, and inspired by Virginia Woolf's novels, letters, essays and diaries. The premiere took place on 11 May 2015 at the Royal Opera House. It was McGregor's first full-length ballet for The Royal Ballet, and won the Laurence Olivier Award for Best New Dance Production.
Corybantic Games is a ballet choreographed by Christopher Wheeldon to Bernstein's Serenade after Plato's "Symposium", with costumes designed by Erdem Moralıoğlu and sets designed by Jean-Marc Puissant. It premiered on 15 March 2018 at the Royal Opera House, danced by The Royal Ballet.
Five Brahms Waltzes in the Manner of Isadora Duncan is a ballet solo choreographed by Frederick Ashton to music by Johannes Brahms, inspired by Isadora Duncan and created for Lynn Seymour. The first version, under the title Brahms Waltz, used only Brahms' Op. 39, No. 15, and premiered on 22 June 1975, at the Hamburg State Opera. The expanded version, which featured more Brahms waltzes, premiered on 15 June 1976, during Ballet Rambert's 50th anniversary gala, at the Sadler's Wells Theatre, London, and is dedicated to Marie Rambert.