Jean Adhémar | |
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Born | Jean Henri Jacques Adhémar 18 March 1908 17th arrondissement of Paris |
Died | 30 June 1987 (aged 79) 16th arrondissement of Paris |
Education | doctorate |
Alma mater | |
Occupation | Art historian, library curator, editor-in-chief, archivist, palaeographer |
Employer | |
Awards |
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Jean Adhémar (18 March 1908 – 30 June 1987) was a French librarian, curator, and academic. He was born in Paris, France.
Adhémar was a curator in the print department ("Cabinet Des Estampes") at the Bibliothèque Nationale de France from 1932 to 1961, and headed the department from 1961 until 1972. He introduced photography to the Bibliothèque.
Adhémar graduated from the École Nationale des Chartes and held a Doctorate ès Lettre from the Sorbonne. He was a professor at the École du Louvre and at the Université Libre de Bruxelles.
As a young scholar, Adhémar was an affiliate of the Warburg Institute in London. He introduced France to the ideas and methods of Erwin Panofsky, Meyer Schapiro, and Edgar Wind by broadening its analysis and research to widen the field of human mentality history. He published articles, books, and catalogues, and was considered one of the world's foremost experts on prints (with a predilection for the 19th century).
Adhémar was the editor of the Gazette des Beaux-Arts until his death, and was the founder, in 1963, of the Nouvelles de l'Estampe, a scholarly journal on prints.
The Bibliothèque nationale de France is the national library of France, located in Paris on two main sites known respectively as Richelieu and François-Mitterrand. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum on the Richelieu site.
Henri-Jean Martin was a leading authority on the history of the book in Europe, and an expert on the history of writing and printing. He was a leader in efforts to promote libraries in France, and the history of libraries and printing.
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