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Jean Pierre Magnet | |
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Background information | |
Birth name | Jean Pierre Magnet Vargas Prada |
Born | Lima, Peru | November 9, 1949
Genres | Rock, jazz, jazz fusion, Peruvian folk |
Occupation(s) | Musician, record producer |
Instrument | Saxophone |
Website | jeanpierremagnet |
Jean Pierre Magnet Vargas Prada (born in Lima, Peru on September 11, 1949) is a saxophonist, composer, music producer, and director.
Magnet is the oldest of three and the son of a French Basque father and Peruvian mother. He started his musical career at an early age while working with his father at Country Club Hotel in Lima, Peru. At 10 years old, he revealed his dream to become a saxophonist to his father who immediately gave him his first saxophone. [1]
During his adolescence, magnet joined Traffic Sound, a Peruvian rock band in the late 1960s. The band recorded covers of Jimi Hendrix, The Rascals, The Animals, and Iron Butterfly. Traffic Sound recorded four albums: A Bailar Go Go, Virgin, Traffic Sound and Lux, with "Meshkalina" their greatest hit between the 1970s and 1980s.
In 1972, Traffic Sound disbanded. At age 20, Magnet began his studies of music theory and flute at the National Conservatory of Buenos Aires in Argentina, followed by jazz at the University of Southern Mississippi. Afterwards, he moved to San Francisco where undertook his first gigs as street musician, striving to accomplish his greatest dream, which was to study at Berklee School of Music of Boston. [2]
In Peru, Magnet organized five jazz festivals, featuring Arturo Sandoval, Ray Barreto, Irakere, Paquito D'Rivera, and Alex Acuña for the first time in Lima, Peru. Magnet was invited to Satchmo's, a jazz club in Peru. He formed Wayruro, a band that played Andean music with other styles.
In 1984 he established the PeruJazz quartet with Manongo Mujica, Enrique Luna, and Julio "Chocolate" Algendones. PeruJazz was the first band to combine African-Peruvian and Andean rhythms with jazz. The band performed at Umbria Festival of Italy in 1987, playing after Sting. [3] PeruJazz performed for two consecutive years at the Montreal Jazz Festival in Canada (1989 and 1990). [4] In 1990, PeruJazz played at the New Music America Festival (Miami) and the Cervantino Festival in Mexico, besides London, Buenos Aires, Santiago, and Hamburg. [5]
In 1997 Magnet founded Gran Banda (Great Band), performing a 1940s big band style which he directed, built on mambo and swing music. [6] In addition to their repertoire of Glenn Miller and Damaso Perez Prado, the band added classic themes and contemporary jazz. Gran Banda provided Magnet with the opportunity to undertake an African-Peruvian and Criollo fusion project featuring Armando Manzanero, the Peruvian rock band Fragil, and Eva Ayllon.
In 2006, Magnet recorded Serenata Inkaterra in co-production with Inkaterra Hotels. This record was released two years later with 25 musicians, featuring Alex Acuña and Ramón Stagnaro. Serenata de los Andes has united musical styles from Peruvian Andes, recreating a sort of Andean symphony with 6 violins, 7 saxophones, 5 panflutes, 1 harp, 1 guitar, and percussion. The band toured in 2011 at Teatro de Bellas Artes de Bogota, Colombia [7] and Rose Hall, Home of Jazz at Lincoln Center, New York. [8]
Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments. Pre-Columbian Andean music was played on drums and string instruments, like the European pipe and tabor tradition. Andean tritonic and pentatonic scales were elaborated during the colonial period into hexatonic, and in some cases, diatonic scales.
Rock music entered the Peruvian scene in the late 1950s, through listening to performers like Elvis Presley, Buddy Holly and Bill Haley, who popularized rockabilly in the United States. The first Peruvian rock bands appeared during this time. They included Los Millonarios del Jazz, Los Stars, Conjunto Astoria, Los Incas Modernos, and Los Zodiacs.
Libido is a Peruvian rock band formed in 1996.
Música criolla, Peruvian Creole music or canción criolla is a varied genre of Peruvian music that exhibits influences from European, African and Andean music. The genre's name reflects the coastal culture of Peru, and the local evolution of the term criollo, a word originally denoting high-status people of full Spanish ancestry, into a more socially inclusive element of the nation.
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Eva María Angélica Ayllón Urbina, better known by her stage name Eva Ayllón, is a female composer and singer, one of Peru's foremost Afro-Peruvian musicians, and one of the country's most enduring living legends. She held the record for most nominations without a winning the Latin Grammy Award for Best Folk Album. In 2019, she received the Latin Grammy Lifetime Achievement Award.
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Daniel Alomía Robles was a Peruvian composer and ethnomusicologist. He is best known for composing the song "El Cóndor Pasa" in 1913 as part of a zarzuela — a musical play that alternates between spoken and sung parts — of the same name. This song was based on Andean folk songs and is possibly the best known Peruvian song, partly due to the worldwide success that the melody obtained when it was used by Simon & Garfunkel as their music for "El Cóndor Pasa ", although that song has different lyrics.
The vals criollo, or Peruvian waltz, is an adaptation of the European waltz brought to the Americas during colonial times by Spain. In the Viceroyalty of Peru, the waltz was gradually adapted to the likings of the Criollo people. In the 20th century, the genre became symbolic of the nation's culture as it gained widespread popularity in the country. It also became popular outside of Peru, particularly in Argentina, where local artists composed many notable Peruvian waltz compositions such as Amarraditos and Que nadie sepa mi sufrir.
Cecilia Bracamonte Chocano is a Peruvian singer. Her music genre is mainly Peruvian waltz which is the music heard in the main coastal cities. Her singing career spans more than four decades.
Traffic Sound was a Peruvian rock band founded in 1967 by Manuel Sanguinetti (vocals), Freddy Rizo-Patrón Buckley, Jean Pierre Magnet (sax), Willy "Wilito" Barclay Ricketts, Willy Thorne Valega and Luis "Lucho" Nevares (drums). Manuel and Freddy had met in school and played in Los Hang Ten's, with the latter and his older brother Jose originally coming up with the idea of founding "Traffic Sound". Simultaneously, Magnet joined "Los Drags" as Barclay and Thorne played in "Los Mad's" with Nevares and, a while later, Thorne again playing in the short-lived (1965-66) Peruvian band "Ides of March". As noted earlier, they all met in the summer of 1967 and created Traffic Sound
The Diablada, also known as the Danza de los Diablos, is an Andean folk dance performed in Bolivia, in the Altiplano region of South America, characterized by performers wearing masks and costumes representing the devil and other characters from pre-Columbian theology and mythology. combined with Spanish and Christian elements added during the colonial era. Many scholars have concluded that the dance is descended from the Llama llama dance in honor of the Uru god Tiw, and the Aymaran ritual to the demon Anchanchu, both originating in pre-Columbian Bolivia
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Damaris Mallma Porras. The fusion of sounds and rhythms has been the scenario where Damaris has developed her musical career as a singer, songwriter, performer and music producer. Her music is inspired by the Latin American musical tradition and the search to build bridges with new musical forms. Damaris is to date the youngest Peruvian artist to be nominated for the Latin Grammys, at 22 years old in the category of best folk album. With her song “Tusuykusun” she became the first artist to win the "Viña del Mar International Song Festival" with a song in Quechua.
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