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Jean Ven Robert Hal | |
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Born | 11 May 1970 |
Origin | Milan, Italy |
Genres | Kosmische Musik, space, electronic, instrumental, krautrock, new-age, ambient, classical, synthpop |
Occupation(s) | Composer, musician, artist, producer, synthesist |
Instrument(s) | Synthesizer, piano, organ, keyboards, Hammond organ, sequencer, drums, drum machine, percussion, sampler, vocoder, theremin |
Years active | 1994–present |
Labels | Independent |
Website | www |
Jean Ven Robert Hal (born 11 May 1970), known as his stage name Roberto D'Agostino Vendola, is an Italian musician and composer of krautrock, progressive rock, ambient, jazz, synthpop, electronic, space and orchestral music.
As a graduate of geometry, Hal also studied architecture and design. His first exposure to music was when he was given his first keyboard at the age of six. He then later started to compose music. Hal specializes on both the analog sound and digital electronic devices and the use of "vintage" synths with prestigious brands such as Moog, ARP Instruments Inc., EMS (Electronic Music Studios), Elka, Oberheim, Synclavier, Fairlight CMI, Mellotron, a precursor of today's samplers, the legendary Theremin and many others, all musical instruments that have marked the history of modern music.
Jean Ven Robert Hal is one of the few representatives in Italy and belongs to the current musical wave of the Kosmische Musik genre with many "cultural" pieces. Kosmische Musik (or krautrock) originated in Germany from various musical influences that are substantially known as the "minimalism". The psychedelic music and cultured electronic music is a consequence of post-weberian style. Currently, Kosmische Musik is filed under the genres of "ambient" and generically (even if improperly), as "new-age". Many of his musical works have been transmitted on television. Hal is an expert researcher and creator of analogical and digital sound.
His most representative work is titled Cosmic Nature, which is a journey through space, in the nature of the universe, but implicitly also of its internal state, characterized by broad melodies, sounds and "cosmic" wrap. Among the most important pieces are also the composition of a symphony of the same name that is representative of the Overture Album. Other tracks worth mentioning that have enjoyed success on TV and once again are returning to the web are:
Jean Ven Robert Hal, fascinated by the world of 3D computer graphics for over ten years, has done some studies and improvements in this area. He is currently producing a multimedia project with 3D visual and musical experimentation that will be published in a DVD (in 2011). Hal also has approached to compose music for films, music for short films, free compositions, electronic symphonies, television themes.
Hal has actively collaborated with the Italian conductors and Italian maestro/professor and European synthesist "Gian Felice Fugazza" of the electronic music divisions of the Conservatory of Bologna (Italy), as well as one of the first and extensive experts of electronic instruments and synthesizers. Hal has worked and collaborated with advertising jingles, musical interludes with various musicians in many productions, including "MTV Music", and followed the arrangements for the music of some TV networks. Hal has also collaborated with musicians and the conductor of the symphonic orchestra and for choir, among those "Adriano Bassi" in 1997– 98 for a series of concerts:
He sang as a tenor in the famous "Coro Hispano Americano" Choir in Milan at the Institute Cervantes from 1996 to 1999 founded by the great Conductor of choir "Marco Dusi", and from this work blossomed about fifty concerts.
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics in its creation. It includes both music made using electronic and electromechanical means. Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and electric guitar.
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.
The theremin is an electronic musical instrument controlled without physical contact by the performer. It is named after its inventor, Leon Theremin, who patented the device in 1928.
Space rock is a music genre characterized by loose and lengthy song structures centered on instrumental textures that typically produce a hypnotic, otherworldly sound. It may feature distorted and reverberation-laden guitars, minimal drumming, languid vocals, synthesizers, and lyrical themes of outer space and science fiction.
Krautrock is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can, Faust, Tangerine Dream, Kraftwerk, Cluster, Ash Ra Tempel, Popol Vuh, Amon Düül II and Harmonia.
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the Groupe de recherches musicales at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of elektronische Musik, and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century.
Harmonia was a West German musical "supergroup" formed in 1973 as a collaboration between members of two prominent krautrock bands: Cluster's Hans-Joachim Roedelius and Dieter Moebius joined by Neu! guitarist Michael Rother. Living and recording in the rural village of Forst, the trio released two albums—Musik von Harmonia (1974) and Deluxe (1975)—to limited sales before dissolving in 1976. AllMusic described the group as "one of the most legendary in the entire krautrock/kosmische scene."
Space music, also called spacemusic or space ambient, is a subgenre of ambient music and is described as "tranquil, hypnotic and moving". It is derived from new-age music and is associated with lounge music, easy listening, and elevator music.
Eloy Fernando Fritsch is an electronic musician, keyboard player and main composer of Brazilian progressive rock band Apocalypse. As a solo artist he creates cosmic new-age music.
Agitation Free is a German experimental krautrock band formed in 1967 by Michael "Fame" Günther, Lutz "Lüül" Ulbrich (guitar), Lutz Ludwig Kramer (guitar) and Christopher Franke (drums).
Krautrocksampler: One Head's Guide to the Great Kosmische Musik - 1968 Onwards, written by the musician and writer Julian Cope, is a book describing the underground music scene in Germany from 1968 through the 1970s. The book was first published in the United Kingdom in 1995 by Head Heritage, and was later translated into German, Italian and French. The book gives a subjective and very animated account of the phenomenon of krautrock from the perspective of the author, who states: "I wrote this short history because of the way I feel about the music, that its supreme Magic & Power has lain Unrecognised for too long."
Space-themed music is any music, from any genre or style, with lyrics or titles relating to outer space or spaceflight.
Earthstar is an electronic music group from Utica, New York. Earthstar was encouraged by Krautrock/Kosmische Musik/electronic music artist, composer, and producer Klaus Schulze to relocate to Germany where they contracted with Sky Records. Schulze inspired and produced their second album, French Skyline. Earthstar is notable as the only American band who participated in Germany's Kosmische Musik/electronic music scene while still at its height.
Cosmic Couriers / Cosmic Music was a West German experimental/space-rock label set up by Rolf-Ulrich Kaiser in 1973 following his association with Ohr and Pilz. A number of influential records in the Krautrock genre were released on Cosmic Couriers, including Klaus Schulze's Cyborg and Ash Ra Tempel/Timothy Leary's Seven Up.
Erhard Karkoschka, was a German composer, scholar and conductor. Karkoschka was born in the German linguistic enclave of Moravská Ostrava, Czechoslovakia, and subsequent to World War II became a violinist for the Bayreuth Symphony Orchestra, leading to studies in composition, musicology and conducting at the Musikhochschule in Stuttgart and the University of Tübingen, Germany. His doctoral thesis was an analysis of the compositional techniques in the early works of Anton Webern.
Gila was a psychedelic rock band from Stuttgart, Germany.
Marek Štryncl is a Czech conductor, violoncellist, choirmaster and composer. He is the founder and leader of Baroque music ensemble Musica Florea.
Edgard Victor Achille Charles Varèse was a French composer who spent the greater part of his career in the United States. Varèse's music emphasizes timbre and rhythm; he coined the term "organized sound" in reference to his own musical aesthetic. Varèse's conception of music reflected his vision of "sound as living matter" and of "musical space as open rather than bounded". He conceived the elements of his music in terms of "sound-masses", likening their organization to the natural phenomenon of crystallization. Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?"