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Jeanie Riddle (born 1969 in Montreal, Quebec) is a Montreal and Mexico City based artist. Her practice is grounded in a painting/object/installation hybrid. She was the founding director of Parisian Laundry (2005-17). Her work has been shown in NYC, Mexico City, Los Angeles, Berlin, Montreal, San Francisco, Toronto and Calgary.
Riddle was born in Montreal, Canada and lived part of her adult life in San Francisco, Ca before returning to complete her studies. Riddle obtained her MFA at Concordia University (2005) and was the recipient of the inaugural Yves Gaucher Award. She has attended residencies at El Sur, Mexico City, Casa Lü, Mexico City, Bemis Center, Omaha NB, Cite des arts Internationale, Paris,Triangle Arts, Brooklyn NY, and the Vermont Studio Center. Her work has been shown across Canada as well as in Mexico City, Brussels, Berlin, NYC and Paris. Her projects have been repeatedly supported by Canada Council for the Arts and the conseil des arts et lettres du Quebec. A professional cultural worker, Riddle was the founding director of Parisian Laundry where she established numerous artist’s careers. She has worked as a consultant, juror, educator and writer and presently, dedicates her time to her own established mid career practice. She currently lives and works in Montreal and Mexico City.
Jeanie Riddle has a background in painting. Riddle's tendency is towards minimalist abstraction; pursuing the objective of exhausting the potential in minimalist forms. [1] Architecture also has a primary importance in her artistic concerns. Since 2002, Riddle has been developing a sculptural installation practice, which has enabled her to explore her interest in spaces that women are usually left to reflect upon. Through her installation practice Riddle seeks to negate the readability of object categories. She states: "It is in the process of assembling, and of making, that I arrive at a formal composition. Trained as a painter, I was always interested in the way everything comes together through the formal compositional gesture. I am now doing this with objects instead of painting." [2] The artist creates installations in which she negotiates and reorganizes architectural space into an abstracted site by using domestic or ordinary materials to reconstitute a space.
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