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Jeanna Petyarre (b. 1950s), also known as Jeannie Petyarre, is a member of a family of artists that includes Kathleen Petyarre, Ada Bird Petyarre and Emily Kame Kngwarreye. Jeanna Petyarre is from the Utopia district of Central Australia. Her works feature in a number of collections including the National Gallery of Australia in Canberra, and the Holmes à Court Collection in Perth, as well as many private collections. [1]
Jeanna Petyarre was born c.1950s into the Petyarre artist family at Boundary Bore, an outstation on the Utopia homelands, 270km north east of Alice Springs. [1]
Jeanna began her painting career in the 1980s, with her works predominantly representing the traditional plants that her people collect and use as food sources and for medicinal purposes, specifically the Bush Yam and Bush Medicine Leaves. [1] Jeanna was encouraged by her aunt, Emily Kngawarreye to continue to paint her families 'Dreaming stories', a collection of family art works which include Bush Medicine, Bush Yam Dreaming, and Wildflower Dreaming. [2]
Originally from the Indonesian Islands, Batik textiles were introduced to Australia enmass in the early 1970s, where aboriginal artists developed it further as their own craft. [3] In 1988, Jeanna joined a group of women who would go on to produce Batik work using desert design on silk and cotton. [2]
Exhibitions include:
Emily Kame Kngwarreye was an Aboriginal Australian artist from the Utopia community in the Northern Territory. After only starting painting as a septuagenarian, Kngwarreye became one of the most prominent and successful artists in the history of Indigenous Australian art.
Dorothy Napangardi was a Warlpiri speaking contemporary Indigenous Australian artist born in the Tanami Desert and who worked in Alice Springs.
Gloria Petyarre, also known as Gloria Pitjara was born in 1942 in Utopia, Northern Territory, Australia. She was an Aboriginal Australian artist from the Anmatyerre community, just north of Alice Springs. One of her best known works is "Bush Medicine".
Minnie Pwerle was an Australian Aboriginal artist. She came from Utopia, Northern Territory, a cattle station in the Sandover area of Central Australia 300 kilometres (190 mi) northeast of Alice Springs.
Utopia, also known as Urapuntja and Amengernterneah, is an Aboriginal Australian homeland area formed in November 1978 by the amalgamation of the former Utopia pastoral lease, from which it gains its name, with a tract of unalienable land to its north. It covers an area of 3,500 km2 (1,400 sq mi), transected by the Sandover River, and lies on a traditional boundary of the Alyawarre and Anmatyerre people, the two Aboriginal language groups which predominate there today.
Kathleen Petyarre was an Australian Aboriginal artist. Her art refers directly to her country and her Dreamings. Petyarre's paintings have occasionally been compared to the works of American Abstract Expressionists Jackson Pollock and Mark Rothko, and even to those of J. M. W. Turner. She has won several awards and is considered one of the "most collectable artists in Australia". Her works are in great demand at auctions. Petyarre died on 24 November 2018, in Alice Springs, Australia.
Makinti Napanangka was a Pintupi-speaking Indigenous Australian artist from Australia's Western Desert region. She was referred to posthumously as Kumentje. The term Kumentje was used instead of her personal name as it is customary among many indigenous communities not to refer to deceased people by their original given names for some time after their deaths. She lived in the communities of Haasts Bluff, Papunya, and later at Kintore, about 50 kilometres (31 mi) north-east of the Lake MacDonald region where she was born, on the border of the Northern Territory and Western Australia.
Nancy Kunoth Petyarre was an Australian Aboriginal artist who lived in Utopia, 170 miles north east of Alice Springs. The second eldest of the famous and prolific 'seven famous Petyarre sisters' of Utopia, she was not herself a prolific artist.
Tjunkiya Napaltjarri was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Wintjiya Napaltjarri.
Wintjiya Napaltjarri, and also known as Wintjia Napaltjarri No. 1, is a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Tjunkiya Napaltjarri; both were wives of Toba Tjakamarra, with whom Wintjiya had five children.
Contemporary Indigenous Australian art is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west.
Josepha Petrick Kemarre is an Anmatyerre-speaking Indigenous Australian artist from Central Australia. Since first taking up painting around 1990, her works of contemporary Indigenous Australian art have been acquired by several major collections including Artbank and the National Gallery of Victoria. Her paintings portray bush plum "dreaming" and women’s ceremonies. One of her paintings sold at a charity auction for A$22,800. Josepha Petrick's works are strongly coloured and formalist in composition and regularly appear at commercial art auctions in Australia. Her art appears to have survived the huge contraction of the primary art market in Australia since 2008. There is no existing Catalogue raisonné of Josepha Petrick's artworks, to date, no fakes have been cited.
Kathleen Ngale is a senior Australian Aboriginal artist, born c. 1930 in the Utopia region of Central Australia. Kathleen Ngale belongs to the oldest living generation of Utopia artists and has been compared to Emily Kngwarreye, Minnie Pwerle, and Kathleen Petyarre.
Jimmy Pike (c1940-2002) was a Walmatjarri Aboriginal artist.
Imiyari "Yilpi" Adamson is an Aboriginal artist from central Australia. She is known for her work in a range of art forms, including painting, sculpture, weaving, knitting and batik.
Kudditji Kngwarreye was an Australian Aboriginal artist from the Utopia community in the Northern Territory. He was the brother of the late Emily Kame Kngwarreye. Like his skin sister Emily, he was one of the most prominent and successful artists in the history of contemporary indigenous Australian art.
Gabriella Possum Nungurrayi is a contemporary Indigenous Australian artist born in the Papunya community, she followed in her father Clifford Possum Tjapaltjarri's footsteps and became an internationally respected painter. Examples of her work are held in many gallery collections in Australia and elsewhere, including the National Gallery of Australia, the Flinders University Art Museum, the Kelton Foundation Collection, the Museum & Art Gallery of the Northern Territory and the Royal Collection.
Margaret Scobie is an Australian Aboriginal artist from the Anmatyerre community, just north of Alice Springs.
Pantjiti Mary McLean was an Australian Ngaatjajarra Aboriginal artist.
Angelina Pwerle is an Australian Indigenous artist, born c. 1946 in the Utopia region of Central Australia. Her work is held by the Metropolitan Museum of Art, the National Gallery of Australia and others.
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