Jeffery Edwards is a British artist who was born in London in 1945.
Edwards studied at Leeds College of Art (1964–67) and then at the Royal College of Art (1967–70), where he was awarded a Printmaking Prize. [1]
Edwards' most significant artistic output has been in making prints, where he typically 'adopts a bland, comic‐book style for his eerie domestic dramas'. [2]
He has participated in several international exhibitions, including the Venice Biennale in 1972, the Ljubljana Biennale of Graphic Arts in 1973, and 'New British Printmakers' at the Brooklyn Museum in 1974, among others. Edwards has also taken up teaching positions in printmaking at various art colleges, including the Royal College of Art and The Slade School of Fine Art, and has also lectured at the Chelsea College of Arts. [3]
Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a paper by pressing the two together, using a printing-press, brayer, baren or by techniques such as rubbing with the back of a wooden spoon or the fingers which allow pressure to be controlled selectively. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil or water-based. With oil-based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones.
George Claude Leon Underwood was a British artist, although primarily known as a sculptor, printmaker and painter, he was also an influential teacher and promotor of African art. His travels in Mexico and West Africa had a substantial influence on his art, particularly on the representation of the human figure in his sculptures and paintings. Underwood is best known for his sculptures cast in bronze, carvings in marble, stone and wood and his drawings. His lifetime's work includes a wide range of media and activities, with an expressive and technical mastery. Underwood did not hold modernism and abstraction in art in high regard and this led to critics often ignoring his work until the 1960s when he came to be viewed as an important figure in the development of modern sculpture in Britain.
Alice Hanratty is an Irish artist who specialises in printmaking with a preference for etching.
Stanley William Hayter was an English painter and printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez, Jackson Pollock, Mark Rothko, Wassily Kandinsky, Mauricio Lasansky, K.R.H. Sonderborg, Flora Blanc and Catherine Yarrow.
El Anatsui is a Ghanaian sculptor active for much of his career in Nigeria. He has drawn particular international attention for his "bottle-top installations". These installations consist of thousands of aluminum pieces sourced from alcohol recycling stations and sewn together with copper wire, which are then transformed into metallic cloth-like wall sculptures. Such materials, while seemingly stiff and sturdy, are actually free and flexible, which often helps with manipulation when installing his sculptures.
Christopher Orr MBE RA is an English artist and printmaker who has exhibited worldwide and published over 400 limited edition prints in lithography, etching and silkscreen.
Melvin "Mel" Edwards is an American contemporary artist, teacher, and abstract steel metal sculptor. Additionally he has worked in drawing and printmaking. His artwork has political content often referencing African-American history, as well as the exploration of themes within slavery. Visually his works are characterized by the use of straight-edged triangular and rectilinear forms in metal. He lives between Upstate New York and in Plainfield, New Jersey.
—William Michael Rothenstein was an English printmaker, painter and art teacher.
Anthony Howell is an English poet, novelist and performance artist. He was a founder of the performance company The Theatre of Mistakes, in the 1970s and 1980s.
Anne Ryan (1889–1954) was an American Abstract Expressionist artist associated with the New York School. Her first contact with the New York City avant-garde came in 1941 when she joined the Atelier 17, a famous printmaking workshop that the British artist Stanley William Hayter had established in Paris in the 1930s and then brought to New York when France fell to the Nazis. The great turning point in Ryan's development occurred after the war, in 1948. She was 57 years old when she saw the collages of Kurt Schwitters at the Rose Fried Gallery, in New York City, in 1948. She right away dedicated herself to this newly discovered medium. Since Anne Ryan was a poet, according to Deborah Solomon, in Kurt Schwitters’s collages “she recognized the visual equivalent of her sonnets – discrete images packed together in an extremely compressed space.” When six years later Ryan died, her work in this medium numbered over 400 pieces.
Jyotindra Manshankar Bhatt, better known as Jyoti Bhatt, is an Indian artist best known for his modernist work in painting and printmaking and also his photographic documentation of rural Indian culture. He studied painting under N. S. Bendre and K.G. Subramanyan at the Faculty of Fine Arts, Maharaja Sayajirao University (M.S.U.), Baroda. Later he studied fresco and mural painting at Banasthali Vidyapith in Rajasthan, and in the early 1960s went on to study at the Academia di Belle Arti in Naples, Italy, as well the Pratt Institute in New York. He was awarded the Padma Shri in 2019.
Richard John Spare is a British artist known primarily for his drypoints, etchings and oil paintings. He is based in London.
Tetsuya Noda is a contemporary artist, printmaker and educator. He is widely considered to be Japan’s most important living print-artist, and one of the most successful contemporary print artists in the world. He is a professor emeritus of the Tokyo University of the Arts. Noda is most well-known for his visual autobiographical works done as a series of woodblock, print, and silkscreened diary entries that capture moments in daily life. His innovative method of printmaking involves photographs scanned through a mimeograph machine and then printed the images over the area previously printed by traditional woodblock print techniques onto the Japanese paper. Although this mixed-media technique is quite prosaic today, Noda was the first artist to initiate this breakthrough. Noda is the nephew of Hideo Noda an oil painter and muralist.
Joanne Elizabeth Manning was a Canadian etcher, painter and author.
Donald Jay Saff is an artist, art historian, educator, and lecturer, specializing in the fields of contemporary art in addition to American and English horology.
William (Bill) Laing is a Scottish/Canadian artist based in Calgary, Alberta. He is known for his printmaking and sculpture.
Peter Jeffrey Matthews is a British printmaker, former teacher at Royal College of Art (RCA) and senior lecturer at Wimbledon School of Art. Educated at Ealing School of Art, Matthews went on to assist at Editions Alecto and editioned most of David Hockney's early etchings. Matthews has also exhibited his own work extensively including at the Royal Academy of Arts (RA), Royal Watercolour Society (RWS) Gallery, and with the Royal Society of Painter-Printmakers, being elected a Fellow and later Council Member 1984–98. His work is held in a number of public collections in the UK and overseas, including the Victoria & Albert Museum (V&A); British Council;the Ashmolean Museum; Albertina Museum, Vienna; Royal Library of Belgium and the Free Library, Philadelphia.
Merris Estelle Hillard is an Australian printmaker and photographer, born in Sydney Australia.
Kiakshuk was a Canadian Inuit artist who worked both in sculpture and printmaking. Kiakshuk began printmaking in his seventies and, is most commonly praised for creating “real Eskimo pictures” that relate traditional Inuit life and mythology.