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Jenelle Porter is an American art curator and author of numerous exhibition catalogs and essays about contemporary art and craft. She has curated important exhibitions that have helped studio craft to gain acceptance as fine arts. These include the exhibitions Dirt on Delight: Impulses That Form Clay (co-curated with Ingrid Schaffner) at the Institute of Contemporary Art, Philadelphia in 2009 and Fiber: Sculpture 1960–Present at the Institute of Contemporary Art, Boston in 2014. [1] [2]
She obtained her BA in Art history from Barnard College, Columbia University in 1994, and went on to obtain an MA in Critical and Curatorial Studies from University of California, Los Angeles in 2004. [3]
2021
Kay Sekimachi: Geometries, Berkeley Art Museum and Pacific Film Archive, California.
2019
Less is A Bore: Maximalist Art & Design, Institute of Contemporary Art Boston
Mike Kelley: Timeless Painting, Hauser & Wirth, New York
2017
A Line Can Go Anywhere, James Cohan Gallery, New York
2016
2015
2014
2013
Christina Ramberg, Institute of Contemporary Art Boston
Jeffrey Gibson, Institute of Contemporary Art Boston
Mary Reid Kelley, Institute of Contemporary Art Boston
2012
2011
2010
2009
2008
Trisha Donnelly, Institute of Contemporary Art, Philadelphia
2007
Jay Heikes, Institute of Contemporary Art, Philadelphia
2006
Gone Formalism, Institute of Contemporary Art, Philadelphia
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The Institute of Contemporary Arts (ICA) is an artistic and cultural centre on The Mall in London, just off Trafalgar Square. Located within Nash House, part of Carlton House Terrace, near the Duke of York Steps and Admiralty Arch, the ICA contains galleries, a theatre, two cinemas, a bookshop and a bar.
Jessica Jackson Hutchins is an American artist from Chicago, Illinois who is based in Portland, Oregon. Her practice consists of large scale ceramics, multi-media installations, assemblage, and paintings all of which utilize found objects such as old furniture, ceramics, worn out clothes, and newspaper clippings. She is most recognizable for her sloppy craft assemblages of furniture and ceramics. Her work was selected for the 2010: Whitney Biennial, featured in major art collections, and has been exhibited throughout the United States and internationally, in Iceland, the UK, and Germany.
Lowery Stokes Sims is an American art historian and curator of modern and contemporary art known for her expertise in the work of African, African American, Latinx, Native and Asian American artists such as Wifredo Lam, Fritz Scholder, Romare Bearden, Joyce J. Scott and others. She served on the curatorial staff of the Metropolitan Museum of Art, the Studio Museum in Harlem, and the Museum of Arts and Design. She has frequently served as a guest curator, lectured internationally and published extensively, and has received many public appointments. Sims was featured in the 2010 documentary film !Women Art Revolution.
The Institute of Contemporary Art (ICA) is an art museum and exhibition space located in Boston, Massachusetts, United States. The museum was founded as the Boston Museum of Modern Art in 1936. Since then it has gone through multiple name changes as well as moving its galleries and support spaces over 13 times. Its current home was built in 2006 in the South Boston Seaport District and designed by architects Diller Scofidio + Renfro.
Ingrid Schaffner is a curator, writer, and educator specializing in contemporary art since the mid-1980s. Schaffner work often coalesces around themes of archiving and collecting, photography, feminism, and alternate modernisms—especially Surrealism. She has curated important exhibitions that have helped studio craft to gain acceptance as fine arts, such as Dirt on Delight: Impulses That Form Clay with Jenelle Porter at the Institute of Contemporary Art, Philadelphia in 2009.
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