André Pijet is a Polish-Canadian editorial cartoonist whose satirical and humorous works have been published in Poland, Greece, Belgium, France, Great Britain, Italy, Turkey, the United States and Canada. In Quebec, he made a name for himself with a series of cartoons related to the 1992-93 hockey playoffs which he produced for a major Montreal daily newspaper.
Dominic Besner or "Besner" is a Canadian artist known for colourful and textured paintings of masked figures. His work was featured at the Canadian pavilion at Expo 2010 in Shanghai, China, and Besner has exhibited throughout Canada, in United States, Mexico and Morocco.
David Armstrong VI is a Canadian artist, living and working in Montréal, Canada. His work has been exhibited widely, including shows at White Columns (NY), The Power Plant (Toronto), Musée d'art Contemporain de Montréal, Kunsthal Nikolaj (Copenhagen), Night Gallery (LA), and the National Gallery of Canada (Ottawa). He is represented by Bradley Ertaskirin in Montreal, Quebec, Canada.
Fernand Toupin was a Québécois abstract painter best known as a first-generation member of the avant-garde movement known as Les Plasticiens. Like other members of the group, his shaped paintings drew upon the tradition of geometric abstraction, and he cited Mondrian as a forerunner. In 1959, Toupin began working with a more lyrical, though abstract, way of painting. The last decade of his career saw his return to geometric abstraction. Like Jean-Paul Mousseau, Toupin created works which lay outside the standard boundaries of art such as his stage sets for ballets.
Richard Taryn Leong is a Canadian artist working primarily in painting and drawing. He is represented by Parisian Laundry in Montreal.
Janet Werner is a Canadian artist based in Montreal. Her work is known for its incisive and playful depictions of female figures, raising questions about the nature of the subject in painting.
BGL is a Canadian artist collective composed of Jasmin Bilodeau, Sébastien Giguère and Nicolas Laverdière. The artist collective have been active since 1996 since completing their studies together at Laval University in Québec City, Canada.
Jeanie Riddle is a Montreal and Mexico City based artist. Her practice is grounded in a painting/object/installation hybrid. She was the founding director of Parisian Laundry (2005-17). Her work has been shown in NYC, Mexico City, Los Angeles, Berlin, Montreal, San Francisco, Toronto and Calgary.
Jennifer Hornyak is a Canadian artist known for her semi-figurative style. Early in her career her scenes of Montreal personalities were exhibited at the 1987 Paris World Exhibition. She is now recognized for her colourful and textured graphic still lifes.
Nancy Petry is a Canadian artist known for innovation within the field of painting, photography, film and performance art. As one of the first Canadian artists to paint in the style of lyrical abstraction, her work was featured at the Commonwealth Institute, at the Musée d'art contemporain de Montréal and in a National Gallery of Canada touring exhibition. She was also instrumental in establishing the Association des graveurs du Québec and contributed to the success of the Montreal alternative art cooperative, Véhicule Art. In 2015 the "Nancy Petry Award" was instituted.
The Contemporary Art Galleries Association (AGAC) is a non-profit organization created in 1985, whose head office is located in Montreal.
Ghitta Caiserman-Roth was a Canadian painter and printmaker. She was a founder of the Montreal Artist School and her work is in the National Gallery of Canada. Caiserman-Roth was also an associate member of the Royal Canadian Academy and the first painter to receive the Governor General's Award for Visual Media and Art.
Henri Beau was a French-Canadian Impressionist painter. He is noted for Chemin en été, La dispersion des Acadiens, L'arrivée de Champlain à Québec, and Les Noces de Cana. Beau is a largely forgotten artist due to his long absence from Canada. His widow Marie Beau worked towards establishing his reputation as an artist in Canada after his death. He was only recognized as a notable artist decades later, with major retrospectives of his paintings celebrating his career by the Galerie Bernard Desroches in Montréal in 1974, and at the Musée du Québec in Québec City in 1987.
Louis-Pierre Bougie was a Canadian painter and printmaker specialized in engraving and etching. He developed his knowledge of intaglio techniques at Atelier Lacourière-Frélaut in Paris, where he worked for fifteen years, and through travel and study in France, Portugal, Poland, Ireland, Finland, and New York. His work is regularly shown in Canadian, American, and European galleries, and is represented in major public and private collections, notably in Québec and New York. Bougie was considered Québec's foremost engraver for the depth and consistency of his work. He died from pneumonia.
The RBC Canadian Painting Competition was an open competition for emerging Canadian artists that was established in 1999. The RBC Canadian Painting Competition is supported by the Canadian Art Foundation, the publisher of Canadian Art (magazine). Initially naming three regional winners, since 2004 there were one national winner and two honourable mentions. The first two competitions had only winner and runner-up. The competition had 15 finalists, five from three regions in Canada, Eastern Canada, Central Canada (Ontario), Western Canada. Three regional juries convened to determine one national winner and two honourable mentions from the 15 finalists. The national winner received a purchase prize of $25,000, the two honourable mentions each received $15,000 and the remaining 12 finalists receive $2,500 each. The winning work and the honourable mentions became part of the RBC Corporate Art Collection which holds more than 4,500 works. In 2016, 586 works were submitted. In 2008 an exhibition at the National Gallery of Canada in Ottawa and the Musée d'art contemporain de Montréal provided an overview of the first ten years of the competition. The RBC concluded the RBC Canadian Painting Competition in 2019.
The Joe Plaskett Foundation Award also known as "The Plaskett" is an annual Canadian Arts prize, worth $30,000, awarded in partnership with the Royal Canadian Academy of the Arts (RCA) to a recent or current MFA graduate student with a specialization in painting.
Marie-Agnès Lefort was a Canadian artist, educator and gallery owner living in Quebec.
Jesús Carles de Vilallonga i Rosell was a Spanish/Canadian figurative artist who worked primarily in the medium of egg tempera. He is best known for his richly textured paintings in an intricate, highly colored style that is not easy even though everything is readily intelligible: male and females characters, beasts, forests, architectural structures and artifacts. Vilallonga's iconography draws from a broad and complex painting tradition ranging from Romanesque art, the Renaissance, and Surrealism, while maintaining his own contemporary style. His work is sometimes related to Symbolism and his production is always enhanced by the contributions of abstraction. He works with the "inner eye" which Freud described as the most profound and the most intelligent, in a sojourn through nature and man's hidden interior.
Suzanne Bergeron was a Canadian abstract painter.
Edmund Alleyn had an art career that underwent many stylistic changes. He explored various styles of painting including abstraction, narrative figuration, technology and pop art, as well as different media. Citics feel that his inability to be categorized marks him as contemporary. Even more important, they say that he helped remove excessive compartmentalization from art practice.
