The Book of Psalms, also known as the Psalms, or the Psalter, is the first book of the third section of the Hebrew Bible called Ketuvim ("Writings"), and a book of the Old Testament.
Thomas Hardy was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain such as those from his native South West England.
Song of Ascents is a title given to fifteen of the Psalms, 120–134, each starting with the superscription "Shir Hama'aloth", or, in the case of Psalm 121, Shir Lama'aloth. They are also variously called Gradual Psalms, Fifteen Psalms, Songs of Degrees, Songs of Steps, songs for going up to worship or Pilgrim Songs.
Peter Lombard was an Italian scholastic theologian, Bishop of Paris, and author of Four Books of Sentences which became the standard textbook of theology, for which he earned the accolade Magister Sententiarum.
Sir Francis Osbert Sacheverell Sitwell, 5th Baronet CH CBE was an English writer. His elder sister was Edith Sitwell and his younger brother was Sacheverell Sitwell. Like them, he devoted his life to art and literature.
The Genevan Psalter, also known as the Huguenot Psalter, is a 1539 metrical psalter in French created under the supervision of John Calvin for liturgical use by the Reformed churches of the city of Geneva in the sixteenth century.
Psalm 9 is the ninth psalm of the Book of Psalms, beginning in English in the King James Version: "I will praise thee, O LORD, with my whole heart; I will shew forth all thy marvellous works." In Latin, it is known as "Confitebor tibi, Domine". The topic of the psalm is that the success of evil is only temporary, and in the end, the righteous will endure. Psalm 10 is considered part of Psalm 9 in the Greek Septuagint and in most pre-Reformation Christian Bibles. These two consecutive psalms have the form of a single acrostic Hebrew poem.
Christopher Willcock is an Australian Jesuit priest and composer of liturgical music.
Psalm 2 is the second psalm of the Book of Psalms, beginning in English in the King James Version: "Why do the heathen rage". In Latin, it is known as "Quare fremuerunt gentes". Psalm 2 does not identify its author with a superscription, but Acts 4:24–26 in the New Testament attributes it to David. According to the Talmud, Psalm 2 is a continuation of Psalm 1.
Psalm 4 is the fourth psalm of the Book of Psalms, beginning in the English of the King James Version: "Hear me when I call, O God of my righteousness". In Latin, it is known as "Cum invocarem". The psalm is traditionally attributed to David, but his authorship is not accepted by modern scholars. The message in the psalm is that the victories of sinners are only temporary, and that only repentance can bring true happiness.
Psalm 10 is the tenth psalm of the Book of Psalms, beginning in English in the King James Version: "Why standest thou afar off, O LORD? why hidest thou thyself in times of trouble?" In the Greek Septuagint and the Latin Vulgate, it is not an individual psalm but the second part of psalm 9, "Ut quid Domine recessisti". These two consecutive psalms have the form of a single acrostic Hebrew poem. Compared to Psalm 9, Psalm 10 is focused more on the individual than the collective human condition.
Psalm 12 is the twelfth psalm of the Book of Psalms, beginning in English in the King James Version: "Help, Lord; for the godly man ceaseth; for the faithful fail from among the children of men." In the Greek Septuagint and the Latin Vulgate, it is psalm 11 in a slightly different numbering, "Salvum me fac". Its authorship is traditionally assigned to King David.
Psalm 34 is the 34th psalm of the Book of Psalms, beginning in English in the King James Version: "I will bless the LORD at all times: his praise shall continually be in my mouth." The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 33. In Latin, it is known as "Benedicam Dominum in omni tempore".
Psalm 39 is the 39th psalm of the Book of Psalms, beginning in English in the King James Version: "I said, I will take heed to my ways, that I sin not with my tongue". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 38. In Latin, it is known as "Dixi custodiam vias meas". It is a meditation on the fragility of man before God, ending in a prayer for a peaceful life.
Psalm 57 is the 57th psalm of the Book of Psalms, beginning in English in the King James Version: "Be merciful unto me, O God, be merciful unto me". In the slightly different numbering system of the Greek Septuagint version of the Bible and the Latin Vulgate, this psalm is Psalm 56. In Latin, it is known as " Miserere mei Deus". It is attributed to King David, and is described as a Michtam of David, when he fled from the face of Saul, in the cave, recalling either the cave of Adullam, or the cave in the wilderness of En-gedi, on the western shore of the Dead Sea.
Psalm 73 is the 73rd psalm of the Book of Psalms, beginning in English in the King James Version: "Truly God is good to Israel". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 72. In Latin, it is known as "Quam bonus Israhel Deus his qui recto sunt corde". Psalm 73 is the opening psalm of Book 3 of the Book of Psalms and the second of the "Psalms of Asaph". It has been categorized as one of the Wisdom Psalms", but some writers are hesitant about using this description because of its "strongly personal tone" and the references in the psalm to the temple. The psalm reflects on "the Tragedy of the Wicked, and the Blessedness of Trust in God".
Psalm 84 is the 84th psalm of the Book of Psalms, beginning in the English of the King James Version: "How amiable are thy tabernacles, O Lord of hosts!". The Book of Psalms forms part of the Ketuvim section of the Hebrew Bible and part of the Christian Old Testament. In the slightly different numbering system of the Greek Septuagint version of the bible, and in its Latin translations, the Vulgate, this psalm is Psalm 83. In Latin, the psalm is known as "Quam dilecta tabernacula tua Domine virtutum". The psalm is a hymn psalm, more specifically a pilgrimage psalm, attributed to the sons of Korah.
Psalm 85 is the 85th psalm of the Book of Psalms, one of a series of psalms attributed to the sons of Korah. In the English of the King James Version, this psalm begins: "LORD, thou hast been favourable unto thy land". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 84. In Latin, it is known as "Benedixisti Domine terram tuam". In Judaism, it is called "a psalm of returned exiles". The Jerusalem Bible describes it as a "prayer for peace".
"The Altar" is a shaped poem by the Welsh-born poet and Anglican priest George Herbert, first published in his posthumous collection The Temple (1633). The poem is founded on a Baroque metaphor with a long history of prior use of coalescing verbal and visual image. The popularity of the collection in which it appeared is attested by eleven editions during the 17th century and a musical setting of this particular poem in 1671.
Chandos Anthems, HWV 246–256, is the common name of a set of anthems written by George Frideric Handel. These sacred choral compositions number eleven; a twelfth of disputed authorship is not considered here. The texts are psalms and combined psalm verses in English. Handel wrote the anthems as composer in residence at Cannons, the court of James Brydges, who became the First Duke of Chandos in 1719. His chapel was not yet finished, and services were therefore held at St Lawrence in Whitchurch. The scoring is intimate, in keeping with the possibilities there. Some of the anthems rely on earlier works, and some were later revised for other purposes.