Jerry De La Cruz (born 1948) is an American fine artist born and raised in Denver, Colorado. He currently works out of his studio in the Santa Fe District in Denver, Colorado, and out of his studio in the Little River District in Miami, Florida.
"De La Cruz is a painter, a sculptor and a photographer. His work often combines mediums, but invariably is grounded in exquisite control and fine craftsmanship. He is among many well-known Denver artists, but is the only one whose work 'slaps you in the face and doesn't let you go.' It's definitely not safe. Realistically rendered human figures abound, as varied as reality, but rarely left in their realistic settings. They may be painted, drawn, photographed, sculpted, assembled or digitally manipulated, are most often juxtaposed against surreal settings, and always convey more than their physical characteristics. Each work is surprisingly different from the last and cannot, grouped together, be placed in any single category or style, beyond the fact that all are totally accessible, recognizable and without need for any knowledge for a meaningful interaction with the viewer.” [1]
“De La Cruz's mastery of formal and experimental techniques reflects a career dedicated to creative probing and discipline. It is rare indeed to come into contact with an artist who so successfully ranges from abstraction to surrealism in single canvases. Themes of personal identity and interpersonal responsiveness are layered into his work, allowing the viewer to share in the artist's process of questioning the relationships of his subjects to the world. The insights that develop in his works are universal in their ability to connect the reflective with the informative.” [2]
De La Cruz is listed among the three dozen most influential regional artists of the twentieth century (Denver Post survey of regional curators). [3] His is the only Spanish surname. At the first International Latino Art Auction held in Phoenix, AZ, in conjunction with Sotheby's (2003), De La Cruz proved to be the bestselling artist of the auction and drew the highest auction price for a single work. The Denver Art Museum's first purchase of a living Hispanic's work for its permanent collection was a De La Cruz. [4] Years later, he was the only artist considered when that same museum wanted to commission a contemporary digital work commemorating the opening of its new Libeskind Building (2007). He was the recipient of back-to-back artist residency grants from Colorado in his early career and also received their very last painting fellowship in 2000. For a spell in 2006, works by De La Cruz were included in three unrelated art museum exhibits in Denver (the Denver Art Museum, El Museo, and the Mizel). Other honors include the award of Best Art Event of the Year by Westword Magazine and an appointment to Denver's Commission on Arts and Culture.
De La Cruz taught one class per week in drawing or painting at the Art Students League of Denver from 1987 through 2002. He also served on its board of directors from 1999-2002 as well as the board's faculty liaison during that time. In his earlier career, he also taught at his alma mater, Rocky Mountain College of Art and Design, as well as The Art Institute of Colorado. He was also appointed to serve as the (sole) fine artist on the Denver Commission on Cultural Affairs in 2005 and continues to serve on the Board of Directors of the Marble Institute of Colorado.
Chicanismo emerged as the cultural consciousness behind the Chicano Movement. The central aspect of Chicanismo is the identification of Chicanos with their Indigenous American roots to create an affinity with the notion that they are native to the land rather than immigrants. Chicanismo brought a new sense of nationalism for Chicanos that extended the notion of family to all Chicano people. Barrios, or working-class neighborhoods, became the cultural hubs for the people. It created a symbolic connection to the ancestral ties of Mesoamerica and the Nahuatl language through the situating of Aztlán, the ancestral home of the Aztecs, in the southwestern United States. Chicanismo also rejected Americanization and assimilation as a form of cultural destruction of the Chicano people, fostering notions of Brown Pride. Xicanisma has been referred to as an extension of Chicanismo.
The Chicano Movement, also referred to as El Movimiento, was a social and political movement in the United States inspired by prior acts of resistance among people of Mexican descent, especially of Pachucos in the 1940s and 1950s, and the Black Power movement, that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation. Before this, Chicano/a had been a term of derision, adopted by some Pachucos as an expression of defiance to Anglo-American society. With the rise of Chicanismo, Chicano/a became a reclaimed term in the 1960s and 1970s, used to express political autonomy, ethnic and cultural solidarity, and pride in being of Indigenous descent, diverging from the assimilationist Mexican-American identity. Chicanos also expressed solidarity and defined their culture through the development of Chicano art during El Movimiento, and stood firm in preserving their religion.
Alberto Baltazar Urista Heredia, better known by his nom de plume Alurista, is a Chicano poet and activist. His work was influential in the Chicano Movement and is important to the field of Chicano poetry.
Chicano poetry is a subgenre of Chicano literature that stems from the cultural consciousness developed in the Chicano Movement. Chicano poetry has its roots in the reclamation of Chicana/o as an identity of empowerment rather than denigration. As a literary field, Chicano poetry emerged in the 1960s and formed its own independent literary current and voice.
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement which began in the 1960s.
Yreina Cervantez is an American artist and Chicana activist who is known for her multimedia painting, murals, and printmaking. She has exhibited nationally and internationally, and her work is in the permanent collections of the Smithsonian American Art Museum, The Mexican Museum, the Los Angeles County Museum, and the Los Angeles Museum of Contemporary Art.
Xavier Garza is an author and illustrator of children's books and professor of art at Northwest Vista College in San Antonio.
Demetria Martinez is an American activist, poet, and novelist.
Delilah Montoya is a contemporary artist and educator who was born in Fort Worth, Texas and was raised in Omaha, Nebraska by her Anglo-American father and Latina mother. She earned her BA, MA and MFA from the University of New Mexico. Her art is noted for its exploration of Chicana identity and for innovative printmaking and photographic processes. She is also noted for her use of mixed-media installations and often incorporates iconic religious symbols in her pieces. Montoya divides her time between Albuquerque and Houston. She taught at the University of New Mexico, Institute of American Indian Arts and California State University before accepting her current position at the University of Houston. She was a 2008 Artadia awardee.
Mark Sink is an American photographer best known for romantic portraiture. Some of his most recognizable images include documentation of life and work of artists such as Andy Warhol, Jean Michel Basquiat, Rene Ricard and other artists from the New York art scene of the 1980s, before returning to Denver. Mark Sink has been exhibiting his work professionally since 1978 to the present day from street art, commercial galleries, museums and other institutions.
Nicole Anona Banowetz is a Denver based artist who is known for creating giant inflatable sculpture of microscopic creatures. Her work has been shown internationally appearing in shows in the Netherlands, Russia, Sweden, Taiwan, and Poland. Her works frequently appears at festivals around the world.
Katie Taft is a Denver based artist, photographer, and teacher. Raised in Boulder, Colorado, she left the state for college, eventually earning her BFA at Marylhurst University in Oregon where she studied photography. She returned to Colorado in 2004. Taft is best known for her Imaginary Friends series of artworks featuring hybrid creature creations photographed in various locations.
Denver's Art District on Santa Fe (ADSF) is a nationally known arts and cultural district, encompassing hundreds of artists, galleries, studios, theaters, and creative businesses along Santa Fe Drive in Denver, Colorado. ADSF is a 501(c)(3), nonprofit membership organization.
Carlota D.d.R EspinoZa is an American painter, muralist, and activist in her Art. She is one of the early Latina / Chicana muralists in Denver with works in Cuba, San Francisco, Texas, Arizona, and Colorado.
Chicana art as a specific genre emerged as part of the Chicano Movement of the 1960s and used art to express political and social resistance. Through different art mediums both past and contemporary, Chicana artists explore and interrogate traditional Mexican-American values and embody feminist themes through different mediums including murals, painting, photography, and more. The momentum created from the Chicano Movement spurred a Chicano Renaissance among Chicanas and Chicanos. Political art was created by poets, writers, playwrights, and artists and used to defend against their oppression and societal marginalization. During the 1970s, Chicana feminist artists differed from their Anglo-feminist counterparts in the way they collaborated. Chicana feminist artists often utilized artistic collaborations and collectives that included men, while Anglo-feminist artists generally utilized women-only participants.
Alicia Cardenas was an Indigenous Mexican American tattoo artist and muralist in Denver's tattoo scene who was noted for being a Chicana feminist artist in a male-centric career. She owned the Sol Tribe tattoo shop, which had been a longstanding feature of Denver. She was featured in a documentary on Chicano muralism by the Chicano Murals of Colorado Project referred to as "These Storied Walls." In her community she was known as "Mama Matriarch." At the age of 44 she was murdered in a mass shooting, along with four other people.
Laura Phelps Rogers is a sculptor who works with bronze, iron, and other metal fabrication techniques, as well as photography and site-specific installations.
Sarah McKenzie is an American painter born in Greenwich, Connecticut. She has had numerous solo exhibitions, most notably with Denver's David B. Smith Gallery, New York's Jen Bekman Gallery, and the Indianapolis Museum of Contemporary Art. Her paintings have been included in group exhibitions at the Walker Art Center, the Carnegie Museum of Art, the Yale School of Architecture, the New Mexico Museum of Art, the Museum of Contemporary Art Denver, and the Aspen Art Museum.
Angélica Becerra is an activist visual artist who primarily works in watercolor and digital media.
José Esquivel was a Chicano artist and activist based in San Antonio, Texas who was known for his work in challenging Anglo-American stereotypes of Mexican Americans and life in Chicano barrios. His work was connected to the Chicano Movement and it is included in various prominent collections. Esquivel was also a co-founder of the Con Safo art group.