Jill Crossland is an English pianist, born in Yorkshire. She studied with Ryszard Bakst (a Heinrich Neuhaus pupil) at Chetham's School of Music and the Royal Northern College of Music in Manchester, [1] and with Paul Badura-Skoda in Vienna. [2] She has a preference for Baroque and Classical periods of the repertoire, [2] with a focus on the music by Johann Sebastian Bach, playing it on the piano. [1] She has performed his Well-Tempered Clavier from memory since her student years. [1]
Crossland made her Wigmore Hall solo debut in 2004. [2] She recorded in 2003 Bach's English Suite No 2, BWV 807, Partita No 1, BWV 825, and his Chromatic Fantasia and Fugue, BWV 903. [1] She also recorded his Goldberg Variations, and piano sonatas by Mozart and Beethoven. [1] In 2005, she recorded works by Bach, Handel and Scarlatti on a historic fortepiano, built by Jirikowsky in 1824, at Restoration House in Rochester. [2] She recorded Parts I and II of the Well-Tempered Clavier, and a reviewer of Gramophone noted in 2008 the "warm, rounded and perpetually singing sonority" of her playing [3] .He described her approach as "intimately scaled and sensitively nuanced". [4]
The Bach-Werke-Verzeichnis is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998.
Arthur Emil Helmut Walcha was a German organist, harpsichordist, music teacher and composer who specialized in the works of the Dutch and German baroque masters.
Klavierbüchlein für Wilhelm Friedemann Bach is a collection of keyboard music compiled by the German Baroque composer Johann Sebastian Bach for his eldest son Wilhelm Friedemann. It is frequently referred to simply as Klavierbüchlein.
Wolfgang Friedrich Rübsam is a German-American organist, pianist, composer and pedagogue.
Johann Sebastian Bach was a German composer and musician of the late Baroque period. He is known for his prolific authorship of music across a variety of instruments and forms, including orchestral music such as the Brandenburg Concertos; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and choral works such as the St Matthew Passion and the Mass in B minor. Since the 19th century Bach Revival, he has been generally regarded as one of the greatest composers in the history of Western music.
The Bach-Busoni Editions are a series of publications by the Italian pianist-composer Ferruccio Busoni (1866–1924) containing primarily piano transcriptions of keyboard music by Johann Sebastian Bach. They also include performance suggestions, practice exercises, musical analysis, an essay on the art of transcribing Bach's organ music for piano, an analysis of the fugue from Beethoven's 'Hammerklavier' sonata, and other related material. The later editions also include free adaptations and original compositions by Busoni which are based on the music of Bach.
The Well-Tempered Clavier, BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time clavier referred to a variety of keyboard instruments, namely the harpsichord, the clavichord and the organ.
Kimiko Douglass-Ishizaka is a German-Japanese composer, pianist, and former Olympic weightlifter and powerlifter.
Sergey Schepkin is an American pianist of Russian birth. He lives in Brookline, Massachusetts.
Miku Nishimoto-Neubert is a classical pianist.
The Chromatic Fantasia and Fugue in D minor, BWV 903, is a work for harpsichord by Johann Sebastian Bach. Bach probably composed it during his time in Köthen from 1717 to 1723. The piece was already regarded as a unique masterpiece during his lifetime. It is now often played on piano.
The Prelude and Fugue in G minor, BWV 861, is No. 16 in Johann Sebastian Bach's Well-Tempered Clavier Book I, keyboard music consisting of 24 preludes and fugues in every major and minor key.
Prelude and Fugue in E minor, BWV 548 is a piece of organ music written by Johann Sebastian Bach sometime between 1727 and 1736, during his time in Leipzig. The work is sometimes called "The Wedge" due to the chromatic outward motion of the fugue theme. Unlike most other organ preludes and fugues of Bach, the autograph fair copy of the score survives, though the handwriting changes twenty two measures into the fugue to the hand of Johann Peter Kellner, a likely pupil and acquaintance of Bach who played an important role in the copying of his manuscripts. Because of the work's immense scope, it has been referred to as "a two-movement symphony" for the organ.
The International Piano Competition J. S. Bach, Würzburg is a triennial piano competition that is held in Würzburg, Germany. It was founded by Walter Blankenheim, with the inaugural competition being held in 1992. With 825 competitors from 59 countries, it is the largest Bach piano competition in the world, and the only international Bach piano competition where the repertoire consists of only the works of J. S. Bach.
The Prelude and Fugue in D minor, BWV 875 is a keyboard composition written by Johann Sebastian Bach. It is the sixth prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.
The Prelude and Fugue in G-sharp minor, BWV 887, is the eighteenth prelude and fugue in the second volume of The Well-Tempered Clavier by Johann Sebastian Bach. It was written in 1738.
Benjamin Alard is a French classical organist, harpsichordist and clavichordist.