Jim Fields | |
---|---|
Born | James Wallace Fields September 1958 (age 65) Omaha, Nebraska, U.S. |
Occupation(s) | Director, Producer, Playwright, Actor, Writer |
Height | 5 ft 10 in (178 cm) |
James Wallace Fields (born September 1958) is an American film director, producer, writer, playwright and actor. Fields wrote, produced and directed the movies 416 , Saving The Indian Hills , Preserve Me A Seat , Plain Living and Bugeaters . [1] Prior to his film work, Fields wrote and directed the musical comedy Little Red and the play Scarlett Fever .
Fields is a nationally known independent filmmaker who has championed issues of concern to the Midwest and of film lovers in general. He is the owner of the independent film production company Apartment 101 Films. [2] He has also written short stories which have appeared in The Nebraska Review and The Flat Water Rises, an anthology of emerging Nebraska writers.
James Wallace Fields was born in Omaha, Nebraska, in September 1958. Fields was educated in the Omaha public schools. Starting in his childhood, Fields took an intense interest in film. An early photograph that appears in Saving The Indian Hills [3] depicts Fields at age 16, standing in front of the Indian Hills Theater , [4] which housed the largest indoor movie screen ever constructed. Designed by the architect Richard L. Crowther , the Cinerama theater was considered his greatest achievement. Its unique curved screen provided a 3-D effect that caused moviegoers to feel themselves immersed in the film—especially wide screen movies such as Lawrence of Arabia , Dr. Zhivago and Star Wars .
After graduating from the University of Nebraska, Fields wrote the play Little Red about the 'Bugeaters', a 1915 University of Nebraska football team that went on to become the Cornhuskers. Fields himself produced and directed Little Red in Omaha. The success of his first play led Fields to write, produce and direct Scarlett Fever , a dramatic play about a 76-year-old woman who wakes up one day and believes she is Scarlett O'Hara from Gone with the Wind . The success of Scarlett Fever led Fields to acquire his first digital video equipment which he used to produce and direct his first feature film: Plain Living. [5]
In 2001 Fields found himself swept up in a brewing controversy in Omaha. The aforementioned Indian Hills Theater [6] was sold to Methodist Health Systems, [7] which announced its intention to demolish the theater for a parking lot. A group of Omaha activists formed to save the Indian Hills Theater [8] and Fields was on hand, filming. The preservation fight became a cause célébre, resulting in letters from Hollywood legends pleading for the theater. Such legends included Kirk Douglas , Leonard Maltin , Charlton Heston , Janet Leigh , Ray Bradbury and Patricia Neal . Despite these pleas and a recommendation for the theater as a city landmark by the City of Omaha's Landmarks Preservation Commission, [9] Methodist Health Systems began demolition of the theater shortly after the theater had been declared a landmark.
The movie 416 is named after Initiative 416, Nebraska's referendum banning same-sex marriage. Fields takes a balanced approach to the issue as he plays the initiative's backers against Nebraskans who oppose the measure, which passed with support from 71% of Nebraska voters. 416 [10] purported to give an objective view of the issue but most reviewers suggested the film was highly critical of the religious right.
Although activists did not succeed in saving Omaha’s Indian Hills Theater, Fields captured their tumultuous efforts on film and this resulted in two films: Saving The Indian Hills and footage that later became the core of Preserve Me A Seat . [11] The later film enlarges the focus of Saving The Indian Hills to include other theaters throughout the United States. [12] It presents the story of the Indian Hills Theater Preservation Society , the Omaha group that formed to save the theater, in context with the companion stories of similar groups that formed in other cities with the intention of saving their own theater palaces from the wrecking ball. Because of the controversy surrounding certain elements of the Indian Hills Theater situation, the film's premiere faced long delays while litigation [13] was being resolved. The world premiere occurred in Grand Island, NE. A lively panel discussion followed the feature, which included the film-makers and theater developer, Paul Warshauer. The difficulty and often lack of success of the preservation efforts is a common thread throughout Preserve Me A Seat . This film has seen wide distribution at film festivals across the country.
Fields' latest work is a documentary film about the 1890 University of Nebraska football team, entitled Bugeaters. [1]
As is common with independent producer/directors, Fields has produced all of his works.
Much of Fields' oeuvre presents the struggle of the common man against entrenched power. His movies portray ordinary people engaged in extraordinary battles in which their lack of power does not equate with a lack of passion.
Fields' film 416 was chosen as Best Feature in the Central Nebraska Film Festival. [14]
Omaha is the most populous city in the U.S. state of Nebraska and the county seat of Douglas County. Omaha is in the Midwestern United States on the Missouri River, about 10 mi (15 km) north of the mouth of the Platte River. The nation's 40th-most populous city, Omaha's 2020 census population was 486,051.
The Indian Hills Theater in Omaha, Nebraska, United States, was a movie theater built in 1962 showcasing films in the Cinerama wide-screen format. Its location was at 8601 West Dodge Rd. The theater's screen was the largest of its type in the United States. Despite the protests of local citizens, Hollywood legends, and the National Trust for Historic Preservation, the theater was demolished in 2001 by Nebraska Methodist Health System for a parking lot.
Richard Layton Crowther,, was an architect and author who achieved international renown for his progressive holistic compositions, particularly his pioneering designs employing passive solar energy.
Architecture in Omaha, Nebraska, represents a range of cultural influences and social changes occurring from the late 19th century to present.
Culture in North Omaha, Nebraska, the north end of Omaha, is defined by socioeconomic, racial, ethnic and political diversity among its residents. The neighborhood's culture is largely influenced by its predominantly African American community.
The Cooper Foundation of Lincoln, Nebraska, is a charitable and educational organization established in 1934 by Joseph H. Cooper, a long-time theater owner and former partner of Paramount Pictures. It supports nonprofit organizations in Lincoln and Lancaster County, Nebraska.
The Bemis Park Landmark Heritage District is located in North Omaha, Nebraska. Situated from Cuming Street to Hawthorne Avenue, Glenwood Avenue to 33rd Street, Bemis Park was annexed into Omaha in 1887, and developed from 1889 to 1922. The district was designated an Omaha Landmark in 1983.
The Kountze Place neighborhood of Omaha, Nebraska is a historically significant community on the city's north end. Today the neighborhood is home to several buildings and homes listed on the National Register of Historic Places. It is located between North 16th Avenue on the east to North 30th Street on the west; Locust Street on the south to Pratt Street on the north. Kountze Place was annexed into Omaha in 1887. The neighborhood was built as a suburban middle and upper middle class enclave for doctors, lawyers, successful businessmen and other professional workers.
The Sherman is a historically significant apartment building located at 2501 North 16th Street in the Near North Side of Omaha, Nebraska. Built in 1897, it was designated an Omaha landmark in 1985; in 1986 it was listed on the National Register of Historic Places.
The culture of Omaha, Nebraska, has been partially defined by music and college sports, and by local cuisine and community theatre. The city has a long history of improving and expanding on its cultural offerings. In the 1920s, the Omaha Bee newspaper wrote, "The cultural future of Omaha seems as certain of greatness as the commercial future... The symphony orchestra, the Art institute, the Community Playhouse and other organizations are on firm foundations and Omaha is destined to be not only a bigger, but a better city, both financially and culturally." Reviewing Omaha's contemporary arts scene in 2007, the New York Times hailed the city as having "a kind of cultural awakening".
The Livestock Exchange Building in Omaha, Nebraska, was built in 1926 at 4920 South 30 Street in South Omaha. It was designed as the centerpiece of the Union Stockyards by architect George Prinz and built by Peter Kiewit and Sons in the Romanesque revival and Northern Italian Renaissance Revival styles. In 1999 it was designated an Omaha Landmark and listed on the National Register of Historic Places. The Union Stockyards were closed in 1999, and the Livestock Exchange Building underwent an extensive renovation over the next several years.
The Fort Omaha Guardhouse was built in 1883 to handle Native American, civilian and military prisoners of the Department of the Platte housed at Fort Omaha. Located at 5700 North 30th Street in north Omaha, Nebraska, the Guardhouse was named an Omaha Landmark by the City of Omaha Landmarks Heritage Preservation Commission in 1982. It is also a contributing property to the Fort Omaha Historic District, which is listed on the National Register of Historic Places.
Christianity in Omaha, Nebraska has been integral to the growth and development of the city since its founding in 1854. In addition to providing Christian religious and social leadership, individually and collectively the city's churches have also led a variety of political campaigns throughout the city's history.
Vinton School was built as a fourteen-room elementary school in 1908 at 2120 Deer Park Boulevard in the Deer Park neighborhood of Omaha, Nebraska, United States. Designed by Omaha architect Frederick W. Clarke, Vinton School is the earliest and most elaborate example of a Tudor Revival-style school in Omaha. Designated an Omaha Landmark in June 1990, the building was listed on the National Register of Historic Places in November 1989.
The Nash Block, also known as the McKesson-Robbins Warehouse and currently as The Greenhouse, is located at 902-912 Farnam Street in Omaha, Nebraska. Designed by Thomas R. Kimball and built in 1907, the building is the last remnant of Downtown Omaha's Jobbers Canyon. It was named an Omaha Landmark in 1978, and was listed on the National Register of Historic Places in 1985.
The Rose Blumkin Performing Arts Center or The Rose, also known as the Astro Theatre, originally opened as The Riviera. It is located in downtown Omaha, Nebraska. Built in 1926 in a combination of both Moorish and Classical styles, the building was rehabilitated in 1986.
The City of Omaha Landmarks Heritage Preservation Commission, established in 1977, is the Omaha city government's a nine-member board responsible for recommending official Omaha Landmarks to the Omaha City Council. The Landmarks Heritage Preservation Commission is that was established by ordinance in 1977 to review and recommend to the City Council on all matters pertaining to the designation of individual buildings, sites, objects, or entire districts of local historical significance. The commission is staffed by the Landmarks Division of the Omaha Planning Department.
Tourism in Omaha, Nebraska, United States offers visitors history, sports, nature and cultural experiences. Its principal tourist attractions are the Henry Doorly Zoo and the College World Series (CWS). A 2003 study by a Creighton University economist estimated that the CWS added $33.8 million to the city's economy that year. With 1.1 million visitors annually, the Henry Doorly Zoo is Nebraska's most popular tourist attraction. In 2007 Omaha hosted the USA Roller Sports National Championships, along with 10,000 people who auditioned for the American Idol television show at Qwest Center Omaha.