Johnny Dodds was an American jazz clarinetist and alto saxophonist based in New Orleans, best known for his recordings under his own name and with bands such as those of Joe "King" Oliver, Jelly Roll Morton, Lovie Austin and Louis Armstrong. Dodds was the older brother of the drummer Warren "Baby" Dodds, one of the first important jazz drummers. They worked together in the New Orleans Bootblacks in 1926. Dodds is an important figure in jazz history. He was the premier clarinetist of his era and, in recognition of his artistic contributions, he was posthumously inducted into the Jazz Hall of Fame. He has been described as "a prime architect in the creation of the Jazz Age."
Earl Rudolph "Bud" Powell was an American jazz pianist. Though Thelonious Monk was a close friend and influence, his greatest piano influence was Art Tatum.
Frank Teschemacher was an American jazz clarinetist and alto-saxophonist, associated with the "Austin High" gang. He was born in Kansas City, Missouri, but spent most of his career based in Chicago, Illinois, although gigs sometimes took him to New York City, around the U.S. Midwest, and he also took a job in Florida with Charlie Straight.
Ben Pollack was an American drummer and bandleader from the mid-1920s through the swing era. His eye for talent led him to employ musicians such as Benny Goodman, Jack Teagarden, Glenn Miller, Jimmy McPartland, and Harry James. This ability earned him the nickname the "Father of Swing".
Lawrence "Bud" Freeman was an American jazz musician, bandleader, and composer, known mainly for playing the tenor saxophone, but also able at the clarinet. He had a smooth and full tenor sax style with a heavy robust swing. He was one of the most influential and important jazz tenor saxophonists of the big band era. His major recordings were "The Eel", "Tillie's Downtown Now", "Crazeology", "The Buzzard", and "After Awhile", composed with Benny Goodman.
Money Jungle is a studio album by pianist Duke Ellington with double bassist Charles Mingus and drummer Max Roach. It was recorded on September 17, 1962, and released in February 1963 by United Artists Jazz. All but one of the compositions were written by Ellington, with four of the seven on the original LP being recorded for the first time on this album. Later releases on CD added eight tracks from the same recording session.
Austin Dean "Bud" Brisbois was a jazz and studio trumpet player. He played all styles, including big band lead, jazz soloing, pop, rock, country, Motown, and classical, but it was his high-note playing that set him apart. At his peak he was one of the most accurate and consistent of all high-note trumpeters, and his range has never been equaled.
Thelma Terry was an American bandleader and bassist during the 1920s and 1930s. She led Thelma Terry and Her Playboys and was the first American woman to lead a notable jazz orchestra as an instrumentalist.
Friar's Inn was a nightclub and speakeasy in Chicago, Illinois, a famed jazz music venue in the 1920s.
James Dugald McPartland was an American cornetist. He worked with Eddie Condon, Art Hodes, Gene Krupa, Benny Goodman, Jack Teagarden, Tommy Dorsey, often leading his own bands. He was married to pianist Marian McPartland.
Jesse Alexandria Stacy was an American jazz pianist who gained prominence during the swing era. He is perhaps best known for his years with the Benny Goodman band during the late 1930s, particularly his performance at Goodman's Carnegie Hall concert in 1938.
Dave Tough (April 26, 1907 – December 9, 1948, was an American jazz drummer associated with Dixieland and swing jazz in the 1930s and 1940s.
Michael Joseph O'Sullivan was an American jazz pianist.
The Austin High School Gang was the name given to a group of young, white musicians from the West Side of Chicago, who all attended Austin High School during the early 1920s. They rose to prominence as pioneers of the Chicago Style in the 1920s, which was modeled on a hurried version of New Orleans Jazz.
Carmell Jones was an American jazz trumpet player.
Edward Maxwell "Max" Miller was an American jazz pianist and vibraphone player. He had a forty year career that peaked in the 1940s and '50s. Many of his compositions use extended chord harmonies, polyphony, and polytonality and were influenced by Stravinsky, Bartók, and Hindemith.
McKenzie and Condon's Chicagoans was a jazz band from Chicago, led by banjo player Eddie Condon and sponsored by singer and comb player Red McKenzie. Their four recordings in December 1927 were important influences on early Chicago style jazz.
Austin College and Career Academy High School is a public 4–year high school located in the Austin neighborhood in Chicago, Illinois, United States. Operated by the Chicago Public Schools, Austin opened in 1876 and was named in honor of Henry W. Austin, a Chicago real estate developer. Austin shared its campus with two smaller schools; Austin Business & Entrepreneurship Academy High and V.O.I.S.E. Academy High School. After the 2015–2016 school year, the small schools converted into one school and was renamed Austin College and Career Academy High School.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
Husk O'Hare was an American jazz bandleader and impresario active during the 1920s and 1930s.
