Jimmy Neil Smith (born 1947 in Tennessee), is founder and president emeritus of the International Storytelling Center (ISC) in Jonesborough, Tennessee. [1] In 1973, Smith, then a local journalism teacher, hosted the first National Storytelling Festival as a way to build regional and national awareness of Jonesborough. Smith's efforts led to a revival of storytelling in the US. Jonesborough is today referred to as the Storytelling Capital of the World.
Smith was born in a pre-Civil War house on his grandparents’ farm in rural Washington County, Tennessee — just eight miles from Jonesborough. Smith and his parents, Fred Neil and Dorothy Jackson Smith, moved to Jonesborough when he was about two years old. A sister, Jill, was born into the family in 1951. Smith graduated from East Tennessee State University in nearby Johnson City, Tennessee, with a BS degree in English, history, and journalism.
During high school and college, Smith was a reporter for the weekly Herald and Tribune in Jonesborough and the daily Johnson City Press. While a journalist at the Press, he wrote Heritage in Buckskin, a weekly column featuring the history of the region. The columns were published in two small books. Upon graduation in 1969, Smith began teaching English—and later, journalism—at Science Hill High School in Johnson City. Smith also developed and directed a public information program for the Johnson City Schools to disseminate information and news about the school system, its teachers and administrators, and its students. When Smith was driving some of his journalism students to a nearby town to print the school newspaper, they were listening to comedian and storyteller Jerry Clower on the car radio tell a story about hunting in Mississippi. At that time, Smith turned to his students and suggested that Jonesborough should host a storytelling festival with storytellers, like Clower. [2] Soon thereafter, Smith began contemplating a storytelling festival. He wanted to save the old, traditional stories of the Southern Appalachians for future generations, and he wanted to join other residents of Jonesborough who wanted to save the dying town and rebuild its economy. Smith hoped a storytelling festival could help accomplish both. [3]
In 1973, Smith founded the National Storytelling Festival, the first public event dedicated exclusively to the tradition and art of storytelling anywhere in the world. Staged in Jonesborough, the Festival ignited a revival, a new appreciation, of storytelling that has spread across America and the world. Two years after the first Festival, Smith founded the National Association for the Preservation and Perpetuation, [4] the organization that would become the International Storytelling Center. [5] In 2002, ISC opened a facility in downtown Jonesborough that serves as a headquarters for the organization and a beacon for storytelling throughout the world. [6]
In 1978, Smith was elected mayor of Jonesborough [7] and served three two-year terms. Because of its ever-expanding storytelling program, Jonesborough, the oldest town in Tennessee, is being called the Storytelling Capital of the World. [8]
In 1987, Smith compiled and edited Homespun, [9] a book of stories, profiles of America’s leading storytellers, and how-to information. Following the release of Homespun, Smith compiled and edited Why the Possum’s Tail is Bare—a collection of Southern folktales, legends, and other stories. [10] As president of the International Storyteller Center (ISC), he published a series of additional books and recordings featuring the world’s stories and storytellers. Smith is a contributor to the Anthology Storytelling project as a regular reflection on storytelling. [11]
Storytelling is the social and cultural activity of sharing stories, sometimes with improvisation, theatrics or embellishment. Every culture has its own narratives, which are shared as a means of entertainment, education, cultural preservation or instilling moral values. Crucial elements of stories and storytelling include plot, characters and narrative point of view. The term "storytelling" can refer specifically to oral storytelling but also broadly to techniques used in other media to unfold or disclose the narrative of a story.
Jonesborough is a town in, and the county seat of, Washington County, Tennessee, in the Southeastern United States. Its population was 5,860 as of 2020. It is "Tennessee's oldest town".
The Moth is a nonprofit group based in New York City, dedicated to the craft of storytelling. Founded in 1997, the organization presents a wide range of theme-based storytelling events across the United States and abroad, often featuring prominent literary and cultural personalities alongside everyday people like veterans, astronauts, school teachers, and parents. The Moth offers a weekly podcast and in 2009 launched a national public radio show, The Moth Radio Hour, which won a 2010 Peabody Award. The Moth has published four books, including The Moth: 50 True Stories (2013), which reached #22 on The New York Times Paperback Nonfiction Best-Seller List; All These Wonders: True Stories about Facing the Unknown (2017); Occasional Magic: True Stories About Defying the Impossible (2019); and How to Tell a Story: The Essential Guide to Memorable Storytelling from The Moth (2022). In September 2022, The Moth published an interactive card deck, A Game of Storytelling, which debuted at #1 on Amazon's top-selling card game list.
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The National Storytelling Festival is held the first full weekend of October in Jonesborough, Tennessee at the International Storytelling Center. The National Storytelling Festival was founded by Jimmy Neil Smith, a high school journalism teacher, in 1973. It has grown over the years to become a major festival both in the United States and internationally.
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Oral storytelling is an ancient and intimate tradition between the storyteller and their audience. The storyteller and the listeners are physically close, often seated together in a circular fashion. The intimacy and connection are deepened by the flexibility of oral storytelling which allows the tale to be molded according to the needs of the audience and the location or environment of the telling. Listeners also experience the urgency of a creative process taking place in their presence and they experience the empowerment of being a part of that creative process. Storytelling creates a personal bond with the teller and the audience.
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