The Gospel of James is a second-century infancy gospel telling of the miraculous conception of the Virgin Mary, her upbringing and marriage to Joseph, the journey of the couple to Bethlehem, the birth of Jesus, and events immediately following. It is the earliest surviving assertion of the perpetual virginity of Mary, meaning her virginity not just prior to the birth of Jesus, but during and afterwards, and despite being condemned by Pope Innocent I in 405 and rejected by the Gelasian Decree around 500, became a widely influential source for Mariology.
The Immaculate Conception is the belief that the Virgin Mary was free of original sin from the moment of her conception. It is one of the four Marian dogmas of the Catholic Church. Debated by medieval theologians, it was not defined as a dogma until 1854, by Pope Pius IX in the papal bull Ineffabilis Deus. While the Immaculate Conception asserts Mary's freedom from original sin, the Council of Trent, held between 1545 and 1563, had previously affirmed her freedom from personal sin.
According to apocrypha, as well as Christian and Islamic tradition, Saint Anne was the mother of Mary, the wife of Joachim and the maternal grandmother of Jesus. Mary's mother is not named in the Bible's canonical gospels. In writing, Anne's name and that of her husband Joachim come only from New Testament apocrypha, of which the Gospel of James seems to be the earliest that mentions them. The mother of Mary is mentioned but not named in the Quran.
In the Eastern Orthodox Church, the feast of the death and Resurrection of Jesus, called Pascha (Easter), is the greatest of all holy days and as such it is called the "feast of feasts". Immediately below it in importance, there is a group of Twelve Great Feasts. Together with Pascha, these are the most significant dates on the Orthodox liturgical calendar. Eight of the great feasts are in honor of Jesus Christ, while the other four are dedicated to the Virgin Mary — the Theotokos.
Michael Wolgemut was a German painter and printmaker, who ran a workshop in Nuremberg. He is best known as having taught the young Albrecht Dürer.
The Assumption of the Virgin Mary does not appear in the New Testament, but appears in apocryphal literature of the 3rd and 4th centuries, and by 1000 was widely believed in the Western Church, though not made formal Catholic dogma until 1950. It first became a popular subject in Western Christian art in the 12th century, along with other narrative scenes from the Life of the Virgin, and the Coronation of the Virgin. These "Marian" subjects were especially promoted by the Cistercian Order and Saint Bernard of Clairvaux.
Hortus conclusus is a Latin term, meaning literally "enclosed garden". Both words in hortus conclusus refer linguistically to enclosure. It describes a type of garden that was enclosed as a practical concern, a major theme in the history of gardening, where walled gardens were and are common. The garden room is a similar feature, usually less fully enclosed.
Joachim and Anne Meeting at the Golden Gate is a 1504 woodcut by the German artist Albrecht Dürer that depicts the standard scene of Joachim and Anne Meeting at the Golden Gate. In the woodcut, the parents of the Virgin Mary, Joachim, and Anne meet at the Golden Gate of Jerusalem, upon learning that she will bear a child.
The Life of the Virgin, showing narrative scenes from the life of Mary, the mother of Jesus, is a common subject for pictorial cycles in Christian art, often complementing, or forming part of, a cycle on the Life of Christ. In both cases the number of scenes shown varies greatly with the space available. Works may be in any medium: frescoed church walls and series of old master prints have many of the fullest cycles, but panel painting, stained glass, illuminated manuscripts, tapestries, stone sculptures and ivory carvings have many examples.
Christ taking leave of his Mother is a subject in Christian art, most commonly found in Northern European art of the 15th and 16th centuries. Christ says farewell to his mother Mary, often blessing her, before leaving for his final journey to Jerusalem, which he knows will lead to his Passion and death; indeed this scene marks the beginning of his Passion. In early versions just these two figures are usually shown, at half-length or less.
The history of Catholic Mariology traces theological developments and views regarding Mary from the early Church to the 21st century. Mariology is a mainly Catholic ecclesiological study within theology, which centers on the relation of Mary, the Mother of God, and the Church. Theologically, it not only deals with her life but with her veneration in life and prayer, in art, music, and architecture, from ancient Christianity to modern times.
Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to about 1800 most from Catholic countries, have produced works, including old masters such as Michelangelo and Botticelli.
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty, and also many types of portrait or devotional subjects without a narrative element.
The Virgin and Child with Saint Anne or Madonna and Child with Saint Anne is a subject in Christian art showing Saint Anne with her daughter, the Virgin Mary, and her grandson Jesus. This depiction has been popular in Germany and neighboring countries since the 14th century.
Visitation is a 1503 woodcut by the German Renaissance artist Albrecht Dürer, from his series on the Life of the Virgin. It depicts the Visitation, an episode in the Gospel of Luke, Luke 1:39–56 when Mary, heavily pregnant, travels to see her much older cousin Elisabeth, who is now also late with child.
The Feast of the Conception of the Virgin Mary is a liturgical holiday celebrated on December 9 by the Orthodox Church and a number of Eastern Catholic Churches. It is also the name given in the Catholic Tridentine calendar for 8 December. In the present General Roman Calendar, the feast is called the Solemnity of the Immaculate Conception of the Blessed Virgin Mary. In the Eastern Orthodox Church, the holy day was once called the Feast of Conception of Saint Anne.
The Bartolini Salimbeni Chapel is a chapel in the church of Santa Trinita, Florence, central Italy. Its decoration by Lorenzo Monaco, dating to the 1420s, are one of the few surviving examples of International Gothic frescoes in Italy. The chapel has kept other original elements, such as its altarpiece, an Annunciation, also by Monaco, and the railings.
The Holy Family with the Dragonfly, also known as The Holy Family with the Mayfly, The Holy Family with the Locust, and The Holy Family with the Butterfly is an engraving by the German artist Albrecht Dürer (1471–1528) from approximately 1495. It is quite small but full of intricate detail. A very popular image, copied by other printmakers within five years of creation, it is found in most major print room collections, including the Indianapolis Museum of Art and the UK Royal Collection.
Life of the Virgin is a series of nineteen woodcuts plus a frontispiece, published in book form. It was begun by Albrecht Dürer just after 1500 and only completed 1510-1511. One of the best surviving sets is now in the Staatliche Graphische Sammlung München.
The Kinship of Christ from Prunéřov is a linden wood relief from the period 1500–1510. It is located in the permanent exhibition of the Regional Museum in Chomutov.
