The Jockey Club was a jazz club at 7 South North Carolina Avenue in Atlantic City, New Jersey, United States. [1]
Atlantic City is a resort city in Atlantic County, New Jersey, United States, known for its casinos, boardwalk, and beaches. In 2010, the city had a population of 39,558. It was incorporated on May 1, 1854, from portions of Egg Harbor Township and Galloway Township. It borders Absecon, Brigantine, Pleasantville, Ventnor City, Egg Harbor Township, and the Atlantic Ocean.
The United States of America (USA), commonly known as the United States or America, is a country comprising 50 states, a federal district, five major self-governing territories, and various possessions. At 3.8 million square miles, the United States is the world's third or fourth largest country by total area and is slightly smaller than the entire continent of Europe's 3.9 million square miles. With a population of over 327 million people, the U.S. is the third most populous country. The capital is Washington, D.C., and the most populous city is New York City. Forty-eight states and the capital's federal district are contiguous in North America between Canada and Mexico. The State of Alaska is in the northwest corner of North America, bordered by Canada to the east and across the Bering Strait from Russia to the west. The State of Hawaii is an archipelago in the mid-Pacific Ocean. The U.S. territories are scattered about the Pacific Ocean and the Caribbean Sea, stretching across nine official time zones. The extremely diverse geography, climate, and wildlife of the United States make it one of the world's 17 megadiverse countries.
It was one of the oldest jazz venues in the city, operating from the 1920s. [2] According to author Michael Pollock it was "home to mellow jazz musicians and tired prostitutes". [3] "Guitarist Pat Martino notes that Jimmy Smith and Kenny Burrell would frequently play at the club. [4] It was at the Jockey Club that he had first seen Jimmy Smith with Charles Earland. [5]
Pat Martino is a jazz guitarist and composer within the post-bop, fusion, mainstream jazz and soul jazz idioms. He is noted for his mathematical approach to the instrument and advanced knowledge of music theory.
James Oscar Smith was an American jazz musician whose albums often charted on Billboard magazine. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music.
Kenneth Earl Burrell is an American jazz guitarist known for his work on the Blue Note label. His collaborations with Jimmy Smith produced the 1965 Billboard Top Twenty hit album Organ Grinder Swing. He has cited jazz guitarists Charlie Christian and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters.
The Jockey Club was destroyed by a fire in September 1982; the club had been closed for years and was reopened in May 1982. [2]
John Leslie "Wes" Montgomery was an American jazz guitarist. Montgomery was known for an unusual technique of plucking the strings with the side of his thumb which granted him a distinctive sound. He often worked with his brothers Buddy and Monk and with organist Jimmy Smith. Montgomery's recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz.
Patrick Bruce Metheny is an American jazz guitarist and composer.
The Village Vanguard is a jazz club at Seventh Avenue South in Greenwich Village, New York City. The club was opened on February 22, 1935, by Max Gordon. At first, the club presented folk music and beat poetry, but it became a jazz venue in 1957.
Eugene McDuff, known professionally as "Brother" Jack McDuff or "Captain" Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break.
Willis "Gator" Jackson was an American jazz tenor saxophonist.
Smokin' at the Half Note is an album by Wes Montgomery and the Wynton Kelly Trio that was released in 1965. It was recorded live in June 1965 at the Half Note Club in New York City and September 22, 1965 at Van Gelder Studios in Englewood Cliffs, New Jersey. The album combines guitarist Montgomery with the Miles Davis rhythm section from 1959–1963 of Wynton Kelly, Paul Chambers, and Jimmy Cobb. The album's versions of "Unit 7" and "Four on Six" have helped to establish these songs as jazz standards.
Gil Goldstein is an American jazz pianist and accordionist.
Birdland is a jazz club started in New York City on December 15, 1949. The original Birdland, which was located at 1678 Broadway, just north of West 52nd Street in Manhattan, was closed in 1965 due to increased rents, but it re-opened for one night in 1979. A revival began in 1986 with the opening of the second nightclub by the same name that is now located in Manhattan's Theater District, not far from the original nightclub's location. The current location is in the same building as the previous New York Observer headquarters.
Bennie Ross "Hank" Crawford, Jr. was an American R&B, hard bop, jazz-funk, soul jazz alto saxophonist, arranger and songwriter. Crawford was musical director for Ray Charles before embarking on a solo career releasing many well-regarded albums on Atlantic, CTI and Milestone.
Jimmy Ponder was an American jazz guitarist.
Cobblestone Records was an American jazz record label founded by Joe Fields in New York City in 1972.
Gene Ludwig was an American jazz and rhythm and blues organist, who recorded as a leader as well as a sideman for Sonny Stitt, Arthur Prysock, Scott Hamilton, Bob DeVos, and Leslie West, and others. Ludwig received international acclaim as a Hammond organ player and was a prominent figure in the Pittsburgh, Pennsylvania jazz scene.
Smalls Jazz Club is a jazz club at 183 West 10th Street, Greenwich Village, New York City. Established in 1994, it earned a reputation in the 1990s as a "hotbed for New York's jazz talent" with a "well-deserved reputation as one of the best places in the city to see rising talent in the New York jazz scene". Its jazz musicians are noted for being "talented, though largely unknown" while its music is characterized as "modern versions of bebop and hard bop". The club's main room is in a basement with a capacity of 50 people that expanded to 60 people. Smalls Jazz Club should not be confused with Smalls Paradise in Harlem, which was founded in 1925 by Ed Smalls and closed in the 1950s.
Starbright is an album by guitarist Pat Martino which was recorded in 1976 and first released on the Warner Bros. label.
Smalls Paradise, was a nightclub in Harlem, New York City. Located in the basement of 2294 Seventh Avenue, it opened in 1925 and was owned by Ed Smalls. At the time of the Harlem Renaissance, Smalls Paradise was the only one of the well-known Harlem night clubs to be owned by an African-American and integrated. Other major Harlem night clubs admitted only white patrons unless the person was an African-American celebrity.
The 500 Club, popularly known as The Five, was a nightclub and supper club at 6 Missouri Avenue in Atlantic City, New Jersey, United States. It was owned by racketeer Paul "Skinny" D'Amato, and operated from the 1930s until the building burned down in 1973. It became one of the most popular nightspots on the East Coast, and housed the first illegal casino to be run in the city.
Club Harlem was a nightclub at 32 Kentucky Avenue in Atlantic City, New Jersey. Founded in 1935 by Leroy "Pop" Williams, it was the city's premier club for black jazz performers. Like its Harlem counterpart, the Cotton Club, many of Club Harlem's guests were white, wealthy and eager to experience a night of African-American entertainment.
Wonder Gardens was a jazz and R&B nightclub at 1601 Arctic Avenue in Atlantic City, New Jersey. Established around 1929, it was one of four black-owned nightclubs in the black entertainment district on Kentucky Avenue. Between the Wonder Gardens, Club Harlem, the Paradise Club, and Grace's Little Belmont, the music played all night and into the morning in the district's heyday in the 1940s through 1960s. Presenting both popular jazz musicians and new talent, the Wonder Gardens provided early exposure for Dan Fogel, Harvey Mason, George Benson, and the Commodores. Over the years, the music changed from jazz to rock, soul, and pop music. In 1979 the club was renovated, redecorated and renamed the Latin Wonder Gardens, featuring live Afro-Cuban musical entertainment. In 1991 it underwent a second renovation and name change to the New Wonder Gardens, featuring Latin, jazz, R&B, hiphop, and reggae acts. The club was sold in 2001 and was later demolished.
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