Joe Bennett (1889 - August 31, 1967) was an American vaudeville eccentric dancer. [1] Harland Dixon described him as "[having] legs of iron ... He only had a few routines but they were gifts from heaven - the greatest comedy dancer I ever saw." [2]
He was born in 1889 in Charleston, South Carolina. He started his dancing career with the William S. West Minstrels. He debuted in vaudeville in 1917 at the Colonial Theatre in an act with Edward Richards. The two were said to have "walked away with the entire show". The two were headliners at the Palace Theatre within the next year. Bennett performed in the 1937 movie, Something to Sing About, alongside James Cagney. [3] He died on August 31, 1967, at Our Lady of Consolation in Amityville, New York, at age 78.
Vaudeville is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent.
The cakewalk was a dance developed from the "prize walks" held in the mid-19th century, generally at get-togethers on Black slave plantations before and after emancipation in the Southern United States. Alternative names for the original form of the dance were "chalkline-walk", and the "walk-around". It was originally a processional partner dance performed with comical formality, and may have developed as a subtle mockery of the mannered dances of white slaveholders.
A humorist is an intellectual who uses humor, or wit, in writing or public speaking, but is not an artist who seeks only to elicit laughs. Humorists are distinct from comedians, who are show business entertainers whose business is to make an audience laugh. It is possible to play both roles in the course of a career. A raconteur is one who tells anecdotes in a skillful and amusing way.
Edwin Fitzgerald, known professionally as Eddie Foy and Eddie Foy Sr., was an American actor, comedian, dancer and vaudevillian.
Bill Robinson, nicknamed Bojangles, was an American tap dancer, actor, and singer, the best known and the most highly paid African-American entertainer in the United States during the first half of the 20th century. His long career mirrored changes in American entertainment tastes and technology. His career began in the age of minstrel shows and moved to vaudeville, Broadway theatre, the recording industry, Hollywood films, radio, and television.
The Palace Theatre is a Broadway theater at 1564 Broadway, facing Times Square, in the Midtown Manhattan neighborhood of New York City. Designed by Milwaukee architects Kirchhoff & Rose, the theater was funded by Martin Beck and opened in 1913. From its opening to about 1929, the Palace was considered among vaudeville performers as the flagship of Benjamin Franklin Keith and Edward Franklin Albee II's organization. The theater had 1,743 seats across three levels as of 2018.
Butterbeans and Susie were an American comedy duo comprising Jodie Edwards and Susie Edwards. They married in 1917, and performed together until the early 1960s. Their act, a combination of marital quarrels, comic dances, and racy singing, proved popular on the Theatre Owners Booking Association (TOBA) tour. They later moved to vaudeville and appeared for a time with the blackface minstrel troupe the Rabbit's Foot Company.
Pert L. Kelton was an American stage, movie, radio, and television actress. She was the original Alice Kramden in The Honeymooners with Jackie Gleason. During the 1930s, she was a prominent comedic supporting and leading actress in Hollywood films such as Gregory La Cava's Bed of Roses with Constance Bennett and Raoul Walsh's The Bowery with Wallace Beery and George Raft. She performed in a dozen Broadway productions between 1925 and 1968. However, her career was interrupted in the 1950s as a result of blacklisting, leading to her departure from The Honeymooners.
Joe Bennett may refer to:
James McIntyre was an American minstrel performer, vaudeville and theatrical actor, and a partner in the famous blackface tramp comedy duo act McIntyre and Heath.
George Michael Cohan was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and theatrical producer.
Donald Travis Stewart, known professionally as Trav S.D., is an American author, journalist, playwright and stage performer. He has been called a leading figure in the New Vaudeville and Indie Theater movements.
Salem Tutt Whitney and J. Homer Tutt, known collectively as the Tutt Brothers, were American vaudeville producers, writers, and performers of the late 19th and early 20th century. They were also known as Whitney & Tutt, Tutt & Whitney and the Whitney Brothers. They were prominent in black vaudeville and created over forty revues for black audiences.
The Lillian Booth Actors Home of The Actors Fund is an American assisted-living facility, in Englewood, New Jersey. It is operated by the Actors Fund, a nonprofit umbrella charitable organization that assists American entertainment and performing arts professionals.
William James Baskette was an American pianist and composer who wrote popular songs of the Tin Pan Alley era. He also wrote one of the most successful World War I war songs, "Good Bye Broadway, Hello France".
Sam T. Jack, a burlesque impresario, was a pioneer of the African-American vaudeville industry in the US with his Creole Burlesque Show. He was also known for staging increasingly risqué shows in Chicago, where young women appeared wearing only skin-colored tights.
Eccentric dance is a style of dance performance in which the moves are unconventional and individualistic. It developed as a genre in the United States in the late 19th and early 20th centuries as a result of the influence of African and exotic dancers on the traditional styles of clog and tap dancing. Instead of holding the body stiff and straight in the style of a jig, acrobatics such as flips and contortions were used in a more exuberant, expressive and idiosyncratic way.
The Whitman Sisters were four African-American sisters who were stars of Black Vaudeville. They ran their own performing touring company for over forty years from 1900 to 1943, becoming the longest-running and best-paid act on the T.O.B.A. circuit. They comprised Mabel (May) (b. Ohio; 1880–1942), Essie (Essie Barbara Whitman; b. Osceola, Arkansas, July 4, 1882 – May 7, 1963), Alberta "Bert" (b. Kansas; 1887–1964) and Alice (b. Georgia; 1900–December 29, 1968).
Ford Lee "Buck" Washington was an American vaudeville performer, pianist, and singer. He was best known as half of the duo Buck and Bubbles, who were the first black artists to appear on television, with John W. Bubbles, his performance partner for 40 years.
Maurice Oscar Louis Mouvet was an American dancer. Born in New York, he moved to London and Paris as a child. In Paris Mouvet began dancing in cabarets, cafés and restaurants. After learning to waltz he was offered a dancing role in Vienna where he learnt the Viennese waltz. Mouvet was also an early pioneer in dancing the Argentine tango and the Apache. He met Florence Walton whilst dancing in theatre in New York and they married in 1911. They played a key role in popularising the tango and the foxtrot and danced for European royalty. The couple divorced in 1920. Mouvet suffered from tuberculosis and, after collapsing during a performance in 1922, was advised to move to the mountains to alleviate the condition. He continued to dance and married his new dance partner, Elanor Ambrose, in 1926. He died in Switzerland from tuberculosis.