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Joe Brown (February 11, 1884 in New York City - October 13, 1965 in Hollywood, California) was an American actor. He is best remembered for roles in films such as Me, Gangster (1928), Sunny Side Up (1929), Protection (1929), Born Reckless (1930) and Charlie Chan's Chance (1932). [1]
George Randolph Scott was an American film actor whose career spanned the years from 1928 to 1962. As a leading man for all but the first three years of his cinematic career, Scott appeared in a variety of genres, including social dramas, crime dramas, comedies, musicals, adventure tales, war films, and a few horror and fantasy films. However, his most enduring image is that of the tall-in-the-saddle Western hero. Out of his more than 100 film appearances over 60 were in Westerns. According to editor Edward Boscombe, "...Of all the major stars whose name was associated with the Western, Scott [was] most closely identified with it."
Joseph Emanuel Roth is an American film executive, producer and director. He co-founded Morgan Creek Productions in 1988 and was chairman of 20th Century Fox (1989–1993), Caravan Pictures (1993–1994), and Walt Disney Studios (1994–2000) before founding Revolution Studios in 2000, then Roth Films.
Ignacio Herbert "Nacio Herb" Brown was an American writer of popular songs, movie scores and Broadway theatre music in the 1920s through the early 1950s. Amongst his most enduring work is the score for the 1952 musical film Singin' in the Rain.
Stuart Erwin was an American actor of stage, film, and television.
Joe Frank Cobb was an American child actor, most notable for appearing as the original "fat boy" in the Our Gang comedies from 1922 to 1929.
Joseph Evans Brown was an American actor and comedian, remembered for his friendly screen persona, comic timing, and enormous elastic-mouth smile. He was one of the most popular American comedians in the 1930s and 1940s, with films like A Midsummer Night's Dream (1935), Earthworm Tractors (1936), and Alibi Ike (1935). In his later career Brown starred in Some Like It Hot (1959), as Osgood Fielding III, in which he utters the film's famous punchline "Well, nobody's perfect."
Harry Akst was an American songwriter, who started out his career as a pianist in vaudeville accompanying singers such as Nora Bayes, Frank Fay and Al Jolson.
Harry Joe Brown was an American film producer, and earlier a theatre and film director.
On with the Show! is a 1929 American pre-Code musical film produced by Warner Bros. Filmed in two-color Technicolor, the film is noted as the first all-talking, all-color feature length film, and the second color film released by Warner Bros.; the first was the partly color, black-and-white musical The Desert Song (1929).
Song of the West is a 1930 American Pre-Code musical western film produced by Warner Bros., and photographed entirely in Technicolor. It was based on the 1928 Broadway musical Rainbow by Vincent Youmans (music), Oscar Hammerstein II (lyrics) and Laurence Stallings (book). It starred John Boles, Joe E. Brown and Vivienne Segal, and was the first all-color all-talking feature to be filmed entirely outdoors.
Dorothea Sally Eilers was an American actress.
Going Wild is a 1930 Warner Brothers pre-Code comedy film based on the 1910 play The Aviator by James Montgomery and directed by William A. Seiter. The film stars many musical stars along with Joe E. Brown, Frank McHugh and Johnny Arthur.
"Just You, Just Me" is a song from the 1929 musical film Marianne, composed by Jesse Greer with lyrics by Raymond Klages. It was introduced by Marion Davies and Lawrence Gray. The song has had many revisions after its first appearance and has become a jazz standard, having been recorded instrumentally by Red Norvo, Stan Tracey, Oscar Peterson and Lester Young, Buddy Rich, Artie Shaw, Les Paul, Benny Carter, Buddy Bregman, Tex Beneke, Coleman Hawkins, Harry James, Erroll Garner, Benny Goodman, Earl Hines, Joe Pass, Buddy Tate and Abdullah Ibrahim, Les Brown, Bill Evans, Bill Coleman and Duke Ellington.
Richard "Skeets" Gallagher was an American actor. He had blue eyes and his naturally blond hair was tinged with grey from the age of sixteen.
The Love Racket is a 1929 American early sound crime drama film produced and distributed by First National Pictures. It was directed by William A. Seiter and starred Dorothy Mackaill. It is based on a Broadway play, The Woman on the Jury by Bernard K. Burns, and is a remake of a 1924 silent film of the same name which starred Bessie Love. The film is now considered lost.
Lucky Boy is a 1929 American musical comedy-drama film directed by Norman Taurog and Charles C. Wilson and starring George Jessel. The film was mainly a silent film with synchronized music and sound effects, as well as some talking sequences. The film's plot bore strong similarities to that of the hit 1927 film The Jazz Singer, which had originally been intended to star Jessel before Al Jolson took over the role.
Adelbert Raymond Montgomery was an American football guard at the University of Pittsburgh. He was a consensus All-American in 1929.
Hurricane is a 1929 American adventure film directed by Ralph Ince and starring Hobart Bosworth, Johnny Mack Brown and Leila Hyams.
The California Mail is a 1929 American silent Western film directed by Albert S. Rogell and written by Marion Jackson and Leslie Mason. The film stars Ken Maynard, Dorothy Dwan, Lafe McKee, Paul Hurst, C.E. Anderson and Fred Burns. The film was released on April 7, 1929, by First National Pictures.
Señor Americano is a 1929 American western film directed by Harry Joe Brown and starring Ken Maynard, Kathryn Crawford and Frank Beal. It was distributed by Universal Pictures. Produced during the transition to sound, it was released in both sound and silent versions.
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