The Galleria dell'Accademia di Firenze, or "Gallery of the Academy of Florence", is an art museum in Florence, Italy. It is best known as the home of Michelangelo's sculpture David. It also has other sculptures by Michelangelo and a large collection of paintings by Florentine artists, mostly from the period 1300–1600. It is smaller and more specialized than the Uffizi, the main art museum in Florence. It adjoins the Accademia di Belle Arti or academy of fine arts of Florence, but despite the name has no other connection with it.
Mauro Cristofani was a linguist and researcher in Etruscan studies.
Rodolfo Siviero was an Italian secret agent, art historian and intellectual, most notable for his important work in recovering artworks stolen from Italy during the Second World War as part of the 'Nazi plunder'.
Antonio Bueno was an Italian painter of Spanish origin, who acquired Italian citizenship in 1970. He was born in Berlin while his journalist father was posted there by the newspaper ABC of Madrid.
Paolo Del Bianco, is president of the Romualdo Del Bianco Foundation, member of the ICOMOS Hungary Committee, member of the ICOMOS International Scientific Committee for Theory and Philosophy of Conservation and Restoration, honorary member of the ICOMOS International Scientific Committee for Mural Paintings, promoter and founder of Life Beyond Tourism Non Profit Portal, President of Centro Congressi al Duomo - CCAD Firenze affiliate member UNWTO.
The via dei Georgofili bombing was a terrorist attack carried out by the Sicilian Mafia in the very early morning on 27 May 1993 outside the Uffizi in Florence, Italy.
Alessandro Vezzosi is an Italian art critic, Leonardo scholar, artist, expert on interdisciplinary studies and creative museology, he is also the author of hundreds of exhibits, publications and conferences, in Italy and abroad on Leonardo da Vinci and the Renaissance, contemporary art and design. Amongst others, he was the first scholar from the Armand Hammer Centre for Leonardo Studies from the University of California in Los Angeles (1981), directed by Carlo Pedretti; he taught at the University of Progetto in Reggio Emilia; and he is honorary professor at the Accademia delle Arti del Disegno of Florence. He began as an artist from 1964 to 1971 winning more than 80 prizes in painting competitions. In the Seventies he was the founder of the "Archivio Leonardisimi" and of Strumenti-Memoria del Territorio; he coordinated "ArteCronaca", he was the historical-artistic consultant of the Municipality of Vinci and he collaborated on the publications on Tuscany and Leonardo, modern and contemporary art. In 1980 he curated the Centro di Documentazione Arti Visive of the Municipality of Florence.
Ida Botti Scifoni was an Italian painter, sculptor and designer. She was married to Felice Scifoni, and was a teacher and friend of Mathilde Bonaparte, Napoleon’s niece.
Maurizio Nannucci is an Italian contemporary artist. Lives and works in Florence and South Baden, Germany. Nannucci's work includes: photography, video, neon installations, sound installation, artist's books, and editions. Since the mid-sixties he is a protagonist of international artistic experimentation in Concrete Poetry and Conceptual Art.
Marsha Steinberg is a Florentine artist, whose works include drawings, etchings and paintings. She is Coordinator of the Studio Art Program at the California State University Program, Florence and is professor of painting at the Italian International Institute, Lorenzo de' Medici in Florence, Italy.
Luca Pignatelli is an Italian artist.
Tribute to Caesar is a 1610-1620 oil on canvas painting by Bartolomeo Manfredi, showing the Render unto Caesar episode from the New Testament.
Allegory of Happiness is an oil on copper painting by Bronzino, probably first produced for the Studiolo of Francesco I, signed BROZ. FAC. and now in the Uffizi in Florence. It is now in a fluted and gilded 17th century wooden frame. Most art historians date it to around 1567, and it is first mentioned in the Uffizi inventory in 1635/8.
Madonna and Child with Saint Catherine of Alexandria is a c.1550 oil on panel painting by the studio of Titian, now in the Galleria degli Uffizi. It was restored around the end of the 18th century, when the present carved and gilded frame was probably added.
Self-Portrait in Profile is a 1590s oil on canvas painting by Annibale Carracci, acquired by Leopoldo de' Medici and now part of the collection of artists' self-portraits in the Uffizi, which also includes another self-portrait. As of 1686 it hung alongside another portrait previously thought to be another Carracci self-portrait
Woman Searching for Fleas, The Flea or Woman Getting out of Bed is a 1710-1730 oil on copper painting by Giuseppe Maria Crespi, a painter from Bologna. The main version is now in the collection of the Uffizi in Florence, whilst variants survive, including one at the Museo nazionale di palazzo Reale in Pisa, also originating in the Guardaroba of the Grand Dukes of Tuscany.
Judith is an oil on panel painting, attributed to Palma Vecchio, and created in 1525-1528. It is held in the Uffizi, in Florence. The attribution to Palma Vecchio was questioned in the past but is now usually accepted. Art historians Giovanni Battista Cavalcaselle and Joseph Archer Crowe have attributed it to Palma Vecchio, also identifying damage from heavy-handed cleaning, especially on the head of Holofernes. This attribution has been confirmed by György Gombosi and Giovanni Mariacher, who identified it as a mature work of that artist.
Holy Family with the Infant Saint John the Baptist and Saint Mary Magdalene is a 1508-1512 oil on panel painting by Palma Vecchio. It was in archduke Leopold William of Austria's collection in Brussels from 1653 to 1662 before being moved to the Imperial Galleries in Vienna, before finally being exchanged for another work with the Uffizi in Florence in 1793, where it is now inventory number 950.
Vanitas is a 1650-1670 oil on canvas painting by Mattia Preti, now inventory number 9283 in the Uffizi in Florence, for which it was bought in 1951 from a private collection. Art historians diasgree on whether the painting is a fragment of a larger work or retains its original dimensions, as well as whether it is a general vanitas or depicts Mary Magdalene.
The Raising of Lazarus is a 1461 three-panel oil on oak panel altarpiece by the French painter Nicolas Froment, now inventory number 1065 in the Uffizi Gallery in Florence, which restored it in 2017.
