The moody, asocial composer Kreisler, Hoffmann's alter ego, is a musical genius whose creativity is stymied by an excessive sensibility. The character inspired Robert Schumann's Kreisleriana for piano, op. 16 (1838), and the first movement of György Kurtág's Hommage à R. Sch. op. 15/d (merkwürdige Pirouetten des Kapellmeisters Johannes Kreisler), for clarinet, viola, and piano. In the manuscript of Brahms's Variations on a Theme by Schumann, Op. 9, he marked each variation with a B for Brahms or a Kr for Kreisler, modeling this practice on the two alter egos Schumann created for himself, "Florestan," which for Schumann represented the passionate and outgoing side of his nature and "Eusebius," the withdrawn, reflective side.
Ernst Theodor Amadeus Hoffmann was a German Romantic author of fantasy and Gothic horror, a jurist, composer, music critic and artist. His stories form the basis of Jacques Offenbach's opera The Tales of Hoffmann, in which Hoffmann appears as the hero. He is also the author of the novella The Nutcracker and the Mouse King, on which Pyotr Ilyich Tchaikovsky's ballet The Nutcracker is based. The ballet Coppélia is based on two other stories that Hoffmann wrote, while Schumann's Kreisleriana is based on Hoffmann's character Johannes Kreisler.
Johannes Brahms was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
Robert Schumann was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Clara Josephine Schumann was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works. She also composed solo piano pieces, a piano concerto, chamber music, choral pieces, and songs.
Joseph Joachim was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century.
Henryk Szeryng was a Polish violinist.
Solomon Cutner was a British pianist known professionally as Solomon.
Robert Schumann's Fantasiestücke, Op. 12, is a set of eight pieces for piano, written in 1837. The title was inspired by the 1814–15 collection of novellas, essays, treatises, letters, and writings about music, Fantasiestücke in Callots Manier by one of his favourite authors, E. T. A. Hoffmann. Schumann dedicated the pieces to Fräulein Anna Robena Laidlaw, an accomplished 18-year-old Scottish pianist with whom Schumann had become good friends.
B-flat major is a major scale based on B♭, with pitches B♭, C, D, E♭, F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor.
Symphony No. 3 in F major, Op. 90, is a symphony by Johannes Brahms. The work was written in the summer of 1883 at Wiesbaden, nearly six years after he completed his Symphony No. 2. In the interim Brahms had written some of his greatest works, including the Violin Concerto, two overtures, and Piano Concerto No. 2.
Kreisleriana, Op. 16, is a composition in eight movements by Robert Schumann for solo piano, subtitled Phantasien für das Pianoforte. Schumann claimed to have written it in only four days in April 1838 and a revised version appeared in 1850. The work was dedicated to Frédéric Chopin, but when a copy was sent to the Polish composer, "he commented favorably only on the design of the title page".
This is a chronological list of works by E. T. A. Hoffmann.
The Life and Opinions of the Tomcat Murr together with a fragmentary Biography of Kapellmeister Johannes Kreisler on Random Sheets of Waste Paper is a complex satirical novel by Prussian Romantic-era author E. T. A. Hoffmann. It was first published in 1819–1821 as Lebens-Ansichten des Katers Murr nebst fragmentarischer Biographie des Kapellmeisters Johannes Kreisler in zufälligen Makulaturblättern, in two volumes. A planned third volume was never completed.
The Piano Trio No. 1 in B major, Op. 8, by Johannes Brahms was completed in January 1854, when the composer was only twenty years old, published in November 1854 and premiered on 13 October 1855 in Danzig. It has often been mistakenly claimed that the first performance had taken place in the United States. Brahms produced a revised version of the work in summer 1889 that shows significant alterations so that it may even be regarded as a distinct (fourth) piano trio. This "New Edition", as he called it, was premiered on 10 January 1890 in Budapest and published in February 1891.
Johannes Brahms composed his Piano Trio No. 2 in C Major, Op. 87, between 1880 and 1882. It is scored for piano, violin and cello. He wrote this piece at the age of 49.
Frédéric Chopin's Variations on "Là ci darem la mano" for piano and orchestra, Op. 2, was written in 1827, when he was aged 17. "Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in act 1 of Mozart's 1787 opera Don Giovanni. In a manuscript of this composition, dedicated to his schoolfriend Tytus Woyciechowski, the latter replied on the title page in written form „J’accepte avec plaisir“. Chopin's work inspired Robert Schumann's famous exclamation: "Hats off, gentlemen, a genius." The work is often recorded and played in concert. A typical performance lasts from 17 to 19 minutes. One autograph is held by the Österreichische Nationalbibliothek.
Carl Ernst Naumann was a German organist, composer, conductor, editor, arranger and musicologist. He is best known now as an arranger and editor of the music of J.S. Bach, Mozart and Mendelssohn. He was a friend of Schumann and Brahms, and conducted the first performance of the latter's Alto Rhapsody in 1870.
The Piano Sonata No. 3 in F minor, Op. 14, called "Concerto for piano without orchestra" by Tobias Haslinger, was composed by Robert Schumann in 1836 and dedicated to Ignaz Moscheles, to whom in a letter he comments "what crazy inspirations one can have". Liszt believed that the work was rich and powerful. In 1853 Schumann revised the work and added a Scherzo as a second movement, which the performer could choose to play, or not play. In 1861 it was released into the hands of his student Johannes Brahms.
The Three Intermezzi for piano, Op. 117, are a set of three solo piano pieces composed by Johannes Brahms in 1892. The intermezzi were described by the critic Eduard Hanslick as "monologues"... pieces of a "thoroughly personal and subjective character" striking a "pensive, graceful, dreamy, resigned, and elegiac note."
Günter Ludwig is a German pianist.
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