John Austin Clark | |
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| John Austin Clark in 2008 | |
| Born | June 26, 1982 |
| Musical career | |
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| Labels | Centaur |
| Website | Official website |
John Austin Clark (born 26 June 1982 in Louisville, Kentucky) is an American music director and keyboardist. He plays piano and historical keyboards, including harpsichord, organ and fortepiano. He is a founder and current director of Bourbon Baroque.
Clark was born in Louisville, Kentucky, where he was a choir boy before he began taking piano lessons at the age of 7. [1] [2] He continued to study the piano during his attendance of Louisville Collegiate School. [3] As highschool freshman, he was deeply influenced by singing with the Louisville Bach Society. [4] Performing in several highschool musical productions was another defining influence. [2] He enrolled in the Kentucky Center Governor's School for the Arts Vocal Music program in 2000. [5] [6] In 2001 Clark started to explore ways of using his art to give back to the community, by asking his recital audience to donate for charity. [1] He applied to Oberlin College Conservatory of Music as a voice major, and was accepted after focusing on the harpsichord as his main instrument and received his Bachelor of Music degree in music education. [2] During his time at Oberlin he envisioned to return to Louisville to start a professional baroque group, [7] but first continued his studies in Montreal at the McGill University with Luc Beauséjour [8] and earned his Master of Music degree in harpsichord performance. [2] [5]
In 2007, Clark co-founded the early music and historically informed performance ensemble Bourbon Baroque [9] with violinist and professor of French Nicolas Fortin, who he had met at McGill. [10] Together with Fortin, Clark was artistic director for Bourbon Baroque. Their biggest productions together [11] included Don Quichotte auf der Hochzeit des Comacho by Telemann with Kentucky Opera in 2008, [12] Handel's Alcina in 2010, [13] Rameau's Les Sauvages from Les Indes galantes with Squallis Puppeteers in 2012, [14] and Purcell's Dido and Aeneas in 2015. [15] Clark moved to New York City in 2015, where he explored directing musical theatre. [2] Fortin and Clark continued working together at Bourbon Baroque till Fortin's tragic death in the fall of 2016. Shortly after, Clark briefly returned to Louisville for Handel's complete Messiah , [16] an annual performance he and Fortin had established in 2013 as a Louisville holiday tradition. [11] Clark called the Messiah a wonderful piece and a universal message of love and hope that would be therapy for him and people that were touched by Nicolas Fortin. [16] In June 2017, Clark was joined by violinist Alice Culin-Ellison as Bourbon Baroque's co-artistic director, and moved back to Louisville. [2] [17]
Clark was musical director and pianist for the 2017 production of Lucas Hnath's play The Christians in Naples, Florida. [18] In the summer of 2017, he played the organ on a studio recording of choral works by Antonio Juanas. [19] The 2018 collaboration between Bourbon Baroque and Louisville Ballet for a Mozart themed ballet production had Clark performing on fortepiano. [20] Also in 2018, Clark was music director for the Commonwealth Theatre production of the musical The 25th Annual Putnam County Spelling Bee . [21] In 2019 Clark was music director for the musicals Cabaret directed by Seth Lieber, [22] and Pippin , directed by Remy Sisk. [23] Clark was music director of the 2020 production of La Cage aux Folles directed by Michael J. Drury. [24] During the COVID-19 pandemic in spring of 2020, Clark performed in a weekly variety show named #governmedaddy Cabaret. [7] In the summer of 2022, Clark began teaching in the musical theatre department at Youth Performing Arts School, [25] where he had previously been an accompanist.
Clark is the recipient of the 2017 Young Alumni Achievement Award [3] and a Kentucky Governor's School for the Arts spring 2017 Toyota Alumni Fund Grant, [6] which he used to apprentice with harpsichord builder Yves Beaupré. [7]
John Austin Clark (Vocal Music, 2000) will use funds toward an apprenticeship with harpsichord builder Yves Beaupré to learn the inner workings of the harpsichord and its maintenance.