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Theophilus Keene (1680–1718) was an Anglo-Irish stage actor and theatre manager.
Henry Giffard (1694–1772) was a British stage actor and theatre manager.
William Hamilton was an Irish stage actor of the eighteenth century.
Richard Winstone (1699-1787) was a British stage actor of the eighteenth century.
John Sowdon was an Irish stage actor, singer and theater manager in the eighteenth century.
James Rosco was a British stage actor. His name is also written as James Roscoe.
Charles Hulett (c.1700-1735) was a British stage actor. His name is sometimes written as Charles Hulet.
John Roberts was a British stage actor of the eighteenth century.
Thomas Smith was a British stage actor of the eighteenth century.
George Mattocks (1735–1804) was a British stage actor and singer.
Thomas Barry (1743–1768) was an Irish stage actor and theatre manager.
Richard Cross was a British stage actor.
Luke Sparks (1711–1768) was an Irish stage actor of the eighteenth century.
Isaac Sparks (1719–1776) was an Irish stage actor.
Henry Harris was an English stage actor and theatre manager. Initially a painter he was a founder member of the new Duke's Company in 1660 following the Restoration which established itself at the old Salisbury Court Theatre before moving to the new Lincoln's Inn Fields Theatre shortly afterwards. Due to his background Harris may have been a set designer and painter during his early years with the company. However, by 1661 he was acting, and his first recorded role was in William Davenant's The Siege of Rhodes that summer. He quickly established himself as the second actor in the troupe after Thomas Betterton.
Michael Atkins (1747-1812) was an English-born Irish actor and theatre manager. He has been described as "the single most important person in the early history of theatre in Belfast.
Thomas Robson (1737–1813) was a British stage actor and singer. Born as Thomas Robson Brownhill in Hull in 1737, he began his career in provincial theatre appearing in Norwich in the late 1760s. In 1769 he was at the Richmond Theatre and the following year made his London debut at the Theatre Royal, Haymarket then under the management of Samuel Foote. He originated roles of several of Foote's new farces, and also appeared the Orchard Street Theatre in Bath and the Smock Alley Theatre in Dublin over the next few years. In 1776 he joined the company of the Theatre Royal, Covent Garden and remained there until 1782, appearing in over a hundred roles. His last known roles in London were at the Haymarket in 1784.
William Davies (1751–1809) was an English stage actor and singer. Born in London, Davies began his career in the provinces including at Norwich before coming to Richmond Theatre in the summer of 1770. He made his London debut at the Theatre Royal, Drury Lane in September that year and joined the company which was under the management of David Garrick and later Richard Brinsley Sheridan. In 1780 he transferred to the company of the Theatre Royal, Covent Garden and remained there for the next fourteen years, interspersing it with summer appearances at the Haymarket where he continued to appear until 1799. He died in 1809 was buried at St Paul's Church in Covent Garden. His wife Elizabeth Davies also acted alongside him at Norwich and Drury Lane before her death in 1782.
George Bland (c.1758–1807) was an Irish-stage actor and singer. He was the son of the actor Francis Bland and the actress Grace Phillips and the brother of Dorothea Jordan. Abandoning planned studies at Oxford University he appeared as an actor in the provinces, was on the payroll at Theatre Royal, Drury Lane in London in 1786 but appeared in no known roles. He continued to act at in the North of England at Leeds and Liverpool while his sister lobbied the Drury Lane management to give him permanent employment. He was at last hired in 1790 and became a member of the Drury Lane company until 1795, also appearing at the Haymarket in the summer.
Robert Benson (1765–1796) was an English stage actor of the eighteenth century. The son of two actors, he made his first London appearance at the Theatre Royal, Haymarket in 1778 as a child actor playing the Duke of York in Richard III and acted occasionally at the Theatre Royal, Drury Lane over the following years. After an absence of some time, he returned to Drury Lane in November 1786 having now graduated to adult roles. He became a reliable member of the company known for his character roles as comic eccentrics and smooth young gentleman. For the summer of 1791 he took over the management of Richmond Theatre with James Thompson and William Macready. He also acted at Haymarket during the summers and authored an operatic farce Britain's Glory which premiered there in 1795. In 1783 he married the actress Susanna Satchell (1758–1814), the sister of Elizabeth Satchell.
