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Dada or Dadaism was an anti-establishment art movement that developed in 1915 in the context of the Great War and the earlier anti-art movement. Early centers for dadaism included Zürich and Berlin. Within a few years, the movement had spread to New York City and a variety of artistic centers in Europe and Asia.
Henri Émile Benoît Matisse was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter.
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or Postmodern art.
Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
The year 2002 in art involves various significant events.
Robert Motherwell was an American abstract expressionist painter, printmaker, and editor of The Dada Painters and Poets: an Anthology. He was one of the youngest of the New York School, which also included Willem de Kooning, Jackson Pollock, and Mark Rothko.
Les Demoiselles d'Avignon is a large oil painting created in 1907 by the Spanish artist Pablo Picasso. Part of the permanent collection of the Museum of Modern Art in New York, it portrays five nude female prostitutes in a brothel on Carrer d'Avinyó, a street in Barcelona, Spain. The figures are confrontational and not conventionally feminine, being rendered with angular and disjointed body shapes, some to a menacing degree. The far left figure exhibits facial features and dress of Egyptian or southern Asian style. The two adjacent figures are in an Iberian style of Picasso's Spain, while the two on the right have African mask-like features. Picasso said the ethnic primitivism evoked in these masks moved him to "liberate an utterly original artistic style of compelling, even savage force” leading him to add a shamanistic aspect to his project.
Picasso's African Period, which lasted from 1906 to 1909, was the period when Pablo Picasso painted in a style which was strongly influenced by African sculpture, particularly traditional African masks and art of ancient Egypt, in addition to non-African influences including Iberian sculpture, and the art of Paul Cézanne and El Greco. This proto-Cubist period following Picasso's Blue Period and Rose Period has also been called the Negro Period, or Black Period. Picasso collected and drew inspiration from African art during this period, but also for many years after it.
Woman with a Hat is an oil-on-canvas painting by Henri Matisse. It depicts Matisse's wife, Amélie Matisse. It was painted in 1905 and exhibited at the Salon d'Automne during the autumn of the same year, along with works by André Derain, Maurice de Vlaminck and several other artists later known as "Fauves".
Woman on a High Stool is an oil painting on canvas by the French artist Henri Matisse from early 1914. It is held in the Museum of Modern Art, in New York.
View of Notre-Dame is an oil painting by Henri Matisse from 1914. It is held in the Museum of Modern Art, in New York.
20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art. At the beginning of the 20th century, Henri Matisse and several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminck, revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Matisse's second version of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.
The Hungry Lion Throws Itself on the Antelope is a large oil-on-canvas painting created by Henri Rousseau in 1905. Following Scouts Attacked by a Tiger the previous year, The Hungry Lion was the second jungle painting to mark Rousseau's return to this genre after a 10-year hiatus caused by the generally negative reception to his 1891 painting Tiger in a Tropical Storm.
Leah Dickerman is the director of research programs at The Museum of Modern Art in New York City. She was formerly director of editorial & content strategy at MoMA. Serving previously as the museum’s first Marlene Hess Curator of Painting and Sculpture, a post endowed in 2015, Dickerman previously held the positions of curator of painting and sculpture at MoMA (2008–2015), acting head of the Department of Modern and Contemporary Art at the National Gallery of Art (NGA), Washington, D.C. (2007), and associate curator in modern and contemporary art at the NGA (2001–2007). Over the course of her career, Dickerman has organized or co-organized a series of exhibitions including One-Way Ticket: Jacob Lawrence's Migration Series and Other Works (2015), Inventing Abstraction, 1910-1925 (2012–2013), Diego Rivera: Murals for the Museum of Modern Art (2011–2012), Bauhaus: Workshops for Modernity (2009–2010), Dada (2005–2006), and Aleksandr Rodchenko (1998).
Fauvism is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves, a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.
William Stanley Rubin was an American art scholar, a distinguished curator, critic, collector, art historian and teacher of modern art.
Michael R. Taylor is a curator, author, and expert in modern and contemporary art with a focus on Dada, Surrealism, and the work of Marcel Duchamp. With a Ph.D in Art History from the Courtauld Institute of Art in London, he was a Curator of Modern Art at the Philadelphia Museum of Art from 1997 until 2011, and Director of the Hood Museum of Art at Dartmouth College in Hanover, New Hampshire from 2011 until 2015 In May 2015, the Virginia Museum of Fine Arts announced its appointment of Dr. Taylor as Chief Curator and Deputy Director for Art and Education.
Elizabeth A. T. Smith is an American art historian, museum curator, writer, and presently the executive director of the Helen Frankenthaler Foundation. She has formerly held positions as a curator at the Los Angeles Museum of Contemporary Art (MoCA), the chief curator and deputy director of programs at the Museum of Contemporary Art, Chicago, and the executive director, curatorial affairs, at the Art Gallery of Ontario. She is the author of numerous books on art and architecture, including Blueprints for Modern Living: History and Legacy of the Case Study Houses; Lee Bontecou: A Retrospective, Helen Frankenthaler: Composing with Color, 1962–63, and many others.
References
- 1 2 3 Who’s Who 2011, A&C Black, 2011
- ↑ "News at Princeton: Princeton University Art Museum names Elderfield distinguished curator, lecturer". www.princeton.edu. December 22, 2014. Retrieved April 17, 2015.
- ↑ "John Elderfield, Former Chief Curator at Museum of Modern Art, to Join the Princeton University Art Museum". artmuseum.princeton.edu. December 19, 2014. Retrieved April 17, 2015.
- ↑ "People | Department of Art and Archaeology".
- ↑ Battersby, Matilda (September 2, 2010). "Bob Dylan paintings at Danish National Gallery". The Independent. London. Retrieved September 9, 2010.
- ↑ "Bob Dylan. The Brazil Series". Statens Museum for Kunst.dk. September 1, 2010. Archived from the original on July 9, 2011. Retrieved April 23, 2011.
- ↑ John Elderfield Archived 2012-01-31 at the Wayback Machine Dedalus Foundation, New York.
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