Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
Charles Willson Peale was an American painter, soldier, scientist, inventor, politician and naturalist. He is best remembered for his portrait paintings of leading figures of the American Revolution, and for establishing one of the first museums in the United States.
Benjamin West, was a British-American artist who painted famous historical scenes such as The Death of Nelson, The Death of General Wolfe, the Treaty of Paris, and Benjamin Franklin Drawing Electricity from the Sky.
A portrait miniature is a miniature portrait painting, usually executed in gouache, watercolor, or enamel. Portrait miniatures developed out of the techniques of the miniatures in illuminated manuscripts, and were popular among 16th-century elites, mainly in England and France, and spread across the rest of Europe from the middle of the 18th century, remaining highly popular until the development of daguerreotypes and photography in the mid-19th century. They were usually intimate gifts given within the family, or by hopeful males in courtship, but some rulers, such as James I of England, gave large numbers as diplomatic or political gifts. They were especially likely to be painted when a family member was going to be absent for significant periods, whether a husband or son going to war or emigrating, or a daughter getting married.
Nicholas Hilliard was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about 10 inches tall, and at least two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years. His paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays."
John Raphael Smith was a British painter and mezzotinter. He was the son of Thomas Smith of Derby, the landscape painter, and father of John Rubens Smith, a painter who emigrated to the United States.
John Smart, was an English painter of portrait miniatures. He was a contemporary of Richard Cosway, George Engleheart, William Wood and Richard Crosse.
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
Sir William Charles Ross was an English portrait and portrait miniature painter of Scottish descent; early in his career, he was known for historical paintings. He became a member of the Royal Academy in 1842.
Marcus Gheeraerts was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and van Dyck" He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee. He introduced a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the late 1610s.
Rowland Lockey was an English painter and goldsmith, and was the son of Leonard Lockey, a crossbow maker of the parish of St Bride's, Fleet Street, London. Lockey was apprenticed to Queen Elizabeth's miniaturist and goldsmith Nicholas Hilliard for eight years beginning Michaelmas 1581 and was made a freeman or master of the Worshipful Company of Goldsmiths by 1600.
A Muraqqa is an album in book form containing Islamic miniature paintings and specimens of Islamic calligraphy, normally from several different sources, and perhaps other matter. The album was popular among collectors in the Islamic world, and by the later 16th century became the predominant format for miniature painting in the Persian Safavid, Mughal and Ottoman empires, greatly affecting the direction taken by the painting traditions of the Persian miniature, Ottoman miniature and Mughal miniature. The album largely replaced the full-scale illustrated manuscript of classics of Persian poetry, which had been the typical vehicle for the finest miniature painters up to that time. The great cost and delay of commissioning a top-quality example of such a work essentially restricted them to the ruler and a handful of other great figures, who usually had to maintain a whole workshop of calligraphers, artists and other craftsmen, with a librarian to manage the whole process.
Catherine Howard, also spelled Katheryn Howard, was Queen of England from 1540 until 1542 as the fifth wife of Henry VIII. She was the daughter of Lord Edmund Howard and Joyce Culpeper, a cousin to Anne Boleyn, and the niece of Thomas Howard, 3rd Duke of Norfolk. Thomas Howard was a prominent politician at Henry's court, and he secured her a place in the household of Henry's fourth wife, Anne of Cleves, where she caught the King's interest. She married him on 28 July 1540 at Oatlands Palace in Surrey, just 19 days after the annulment of his marriage to Anne. He was 49, and she was between 15 and 21 years old.
Gerlach Flicke, Latin name Gerbarus Fleccius, anglicised in the 16th century as "Garlicke", was a German portrait painter who is known for his work in London as an artist of the Tudor court. Flicke was imprisoned in London and he made a portrait miniature whilst there. This painting is the earliest self-portrait in oils made in England.
Sir Nicholas Trott was an 18th-century British judge, legal scholar and writer. He had a lengthy legal and political career in Charleston, South Carolina and served as the colonial chief justice from 1703 until 1719. He came from a prosperous English family; his grandfather Perient Trott having been a husband of the Somers Isles Company and his uncle Sir Nicholas Trott served as the governor of the Bahamas. Sir Nicholas, like his nephew, was also involved in dealings with pirates and, to avoid confusion, is often referred to as Nicholas the Elder.
Ralph Eleaser Whiteside Earl, also known as Ralph E. W. Earl or Ralph Eleazer Whiteside Earl, was an American painter known as the "court painter" to President Andrew Jackson. He also painted the portrait of Rachel Jackson.
Verdmont, located at 6 Verdmont Lane, off Sayle Road, at the top of Collector’s Hill, in Smith's Parish, Bermuda is a historic house built c. 1710, now operated as a museum by the Bermuda National Trust. It is essentially structurally unchanged since it was built and it became a museum in 1956. The house is listed as part of England's "African Diaspora Heritage Trail", part of UNESCO's Slave Route Project.
Rufus Hathaway (1770–1822) was an American physician and folk art painter. He lived in southern Massachusetts, where he painted numerous portraits between 1790 and 1795. He later studied medicine and established himself as a doctor at Duxbury.
Felton Hervey was an aristocratic English politician from Bury St Edmunds in Suffolk, and a member of the British royal household. He took his son and daughter on a grand tour of Italy where he met Johann Zoffany and Pope Clement XIV.
Charles Bridges was an English painter and missionary active in Virginia from 1735 to 1744. He is the first documented painter known to have worked in Virginia.
