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John James | |
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 James on stage in Greenwich, England, 1982 | |
| Background information | |
| Born | 1947 (age 75–76) Lampeter, Wales |
| Genres | Folk, pop, rock, jazz, blues |
| Occupation(s) | Musician |
| Instrument(s) | Guitar |
| Years active | 1968–present |
| Labels | Transatlantic, Kicking Mule |
| Website | johnjamesguitarist |
John James is known, primarily, as a solo acoustic fingerstyle guitarist, composer and entertainer.
Born and raised in the hills of West Wales, the first live music James was in the chapel: congregational hymn singing with an emphasis on harmony. When he bought his first record (Little Richard's Tutti Frutti/Long Tall Sally) at 10 years old, he was already two years into classical piano study. After dabbling with different musical instruments including the drums and chromatic harmonica, by his 12th birthday the piano was forsaken for the guitar.
First public performance was in a skiffle cum rock'n'roll group at the local Cymru Groes youth club. The following year the beat group Dave and the Diamonds was formed which later became the Roadrunners. In 1965, JJ moved to Aberystwyth and joined the Xenons, playing a more pop based repertoire. Playing lead guitar, his on-stage gear was first a Futurama guitar into a Watkins Dominator amp and Watkins Copycat echo combination, later upgrading to a Burns Jazz solid and Vox Supertwin amp. But in 1966, fingerstyle was taking over with the help of the studies of Sor & BMG Magazine, the electric gear was replaced by a Levin Goliath (LN-26). A dreadnought shaped guitar with maple back and sides.
In 1967, John James left for London with a head full of such diverse guitar sounds as Seqovia, Lonnie Johnson, Charlie Byrd, Django Reinhardt, Ida Presti, Wes Montgomery, Hank Marvin and Duane Eddy. Arriving in London in the Spring of 1967, JJ did the rounds of the city's folk clubs playing floor spots with an acoustic guitar. Then various gigs at venues such as Middle Earth (Round House) opening for Led Zeppelin and Blue Cheer. The Klooks Kleek club, opening for Junior's Eyes, Brian Auger's Trinity (Julie Driscoll). Then through a friendship with John Martyn, JJ was taken up by the Sandy Glennon Agency. Other artistes on Sandy's books at the time, included Cliff Aungier, Gerry Lockran, Hamish Imlach, Alex Campbell, John Martyn, Sandy Denny, Johnny Silvo & Diz Disley. JJ joined the prestigious roster and started running round the folk clubs and colleges of Britain. One of the rites of passage for musicians at the time was recording a session for John Peel's BBC Radio programme Nightride, John James was on the show in 1969. First solo acoustic guitar recordings were made in Bob Hall's front room in South London and released on the Saydisc label on the compilation album Blues like Showers of Rain, featuring Joanne Kelly, Dave Kelly, Francis McGillivray and Mike Cooper.
A contract with Transatlantic records followed. However the first tracks by John James that Transatlantic released were on the Contemporary Guitar Sampler, a budget album that also featured Bert Jansch, John Renbourn, Gordon Giltrap and Mike Rogers. JJ's track And the Dog was Sleeping in the Corner was recorded at Bill Leader's house in North London. JJ's first solo release was the album “Morning brings the Light” and followed by “John James” both of which were made up of mostly own songs and guitar instrumentals.
At the end of 1970, John James left London to live in Cornwall and join the Famous Jug Band, replacing Clive Palmer who, after his short time with the Incredible String Band, had formed the Famous Jug Band with Jill Johnson, Henry the Jug (Mick Barlett) and Pete Berryman. The gig in Berryman and James making an album of acoustic guitar instrumentals. The album Sky in my Pie, released on Transatlantic, was recorded in Sound Techniques, Chelsea and produced by Stefan Grossman.
In 1974 through Transatlantic and Polyvideo (Leeds), John James presented the first guitar instruction video, playing a guitar made by John Bailey, borrowed from Bert Jansch. The project was shot on film, then transferred to video, but due to the high expenses of such an exercise at the time, Transatlantic got cold feet and put it on the back burner, where it stayed. A booklet to accompany the video was produced, First Steps in Folk Guitar, with a guitar notation system devised by Bob Bater, a journalist from Bristol, entitled Unitab. JJ had to wait for technology to develop and eventually a new guitar instruction video was recorded and released by Virgin Vision in the Music Makers series presented by Jools Holland.
Recordings made at Chipping Norton Studios in 1974 with Danny Thompson bass and Jim Cuomo saxophone/clarinet, mostly featuring JJ's compositions were not released. But further sessions at Chipping Norton produced the guitar instrumental album Head in The Clouds released in 1975. This featured three tracks with John Renbourn: Wormwood Tangle, Stranger in The World and Georgemass Junction. These were the first recordings of John Renbourn and John James together.
In 1976, John James & John Renbourn collaborated again on JJ's album Guitar Jump (working title) released on Kicking Mule Records as Descriptive Guitar Instrumentals. The three tracks were New Nothing, Guitar Jump and From the Bridge. James played a Fylde Oberon & JR a Guild D55. Also on this record were a couple of tracks with American guitarist Duck Baker making his UK recording debut. The album was recorded at Livingston Studios, North London.
The album Descriptive Guitar Instrumentals won Best Contemporary Instrumental Album 1977 (Acoustic News). This followed John James guesting on Renbourn's album The Hermit. Duetting on the early music pieces A Toye and Lord Willoughby's Welcome Home, also recorded with Nic Kinsey at Livingston. JJ's next release was again on Kicking Mule Records (a label put together by Ed Denson and Stefan Grossman) Live in Concert album recorded over 3 nights at Studio Theatre, The Round House in London. The Stranglers were on in the main auditorium at the same time. Chris Billings (the multi talented Chris Billings) joined JJ on the Round House stage, playing guitar parts formerly recorded by John Renbourn & Pete Berryman. James met New Yorker Happy Traum through the Kicking Mule guitar shows. It sparked a touring partnership and enduring friendship.
Through the association with Happy Traum and Homespun Tapes, JJ toured the US several times during the late 1970s and early 1980s. Though mostly playing venues on the East Coast such as The Other End (New York), Joyous Lake (Woodstock), Passim's (Boston), and on the West Coast such as McCabes (Santa Monica, LA), The Catalyst (Santa Cruz), Freight & Salvage (San Francisco), etc. In association with Kicking Mule records, JJ also toured in the US with Bert Jansch and Martin Jenkins.
1981 saw the release of the album With a Suitcase Shaped like that on 12th Street records featuring a repertoire of international guitar music from South America and Europe including arrangements of harp tune's from Wales. The next year John formed Stoptime Recordings in partnership with Paul Perlin. The first album release was Flamenco Horizons featuring flamenco guitarist Marcos. This album was recorded at Dave Pegg's Woodworm studios in Oxfordshire.
In 1984 JJ was in Woodworm Studios again to record the album Acoustica Eclectica. From these sessions with Chris Billings (bass, flute vocals) and Dick Heckstall-Smith (saxophone) the band 3 Space was born. The album also had two tracks with Pete Berryman- Rain on the Window and Dangling, the first time the two guitarists had recorded together since Sky in my Pie (1971)
After opening for blues legends such as Mississippi Fred McDowell, Doctor Ross, John Lee Hooker along the way, a highlight came in 1981 when John toured the UK with Sonny Terry & Brownie McGhee. It was the final tour for the duo in the Britain.
John James had befriended Dick Heckstall-Smith down in Devon, where they both lived at the time. JJ was playing a gig in Exeter Arts Centre with poet Roger McGough and Dick came along with some mutual friends. Chris Billings joined Dick and John and the group became a trio. Chris a music graduate from St Lukes, Exeter played electric, acoustic and bass guitars also flute & keyboards. The line up was suggested by the Jimmy Guiffre drummer less groups, known for classics such as Train and the River. The working idea of the repertoire was the music of Monk, Mingus, Mose Allison and some be-bop standards, plus all three musicians were composers.
There was a slight quandary of how to work in Dick's penchant of playing Jimi Hendrix guitar tunes on the saxophone. Dick put his tenor through a wah-wah pedal, but played baritone straight. Thankfully. DHS's trademark of blowing two sax's at once, tenor and soprano was heard to maximum effect in this intimate line-up. When Chris left to pursue a life as a luthier (guitar construction and repair,) Dave Moore (keyboards) joined. Dave was in Mainsqueeze with Dick. Mainsqueeze was a blues rock band whose members included John O'Leary, Keith Tillman, Diana Wood, Victor Brox, Eric Bell and the late great Keef Hartley. It was during this period that JJ acquired the Epiphone Emperor. The 3 Space lineup of John James, Dick Heckstall-Smith & Dave Moore played Cropredy Festival. The band lived 1984-86.
After three years in 3 Space improvising in an ensemble lineup using mainly the chromatic system, the recording of the album Guitar Music in 1987 (produced by Dave Ahern in Plymouth) marked for JJ a return to solo guitar instrumentals. The Guitar Music album was issued on audio cassette only, & featured transcriptions of great piano pieces, such as Grace & Beauty, Calliope Rag, (James Scott) Carolina Shout, (James P Johnson) Smokey Mokes (Abe Holzmann). Also old favourites e.g. Orange Blossom Special as a fingerstyle guitar solo.
In 1988 John James together with Eddie Walker formed the duo Carolina Shout. Over the next 8 years or so, they played extensively in Europe and all over the UK, including in 1991 the Cambridge Folk Festival. In 1992, under the patronage of Gordon Simpson Music, the duo presented a daylong guitar seminar at the Edinburgh Folk Festival, followed by a headline concert the same night.
An expansive repertoire of western swing, blues and folk nowadays referred to as “Americana”, enabled the duo to play a varied tour schedule. Playing venues in Germany, Holland, Austria, Switzerland, Italy etc. where bands with bigger line-ups were the norm. Eddie who took on the role of lead vocalist and acoustic rhythm guitar, was widely known on the UK folk scene as a solo singer guitarist/songwriter. He had composed the great love song Stolen My Heart Away. The pairing produced two albums Carolina Shout and Side Steppin' (Stoptime Records).
In 2013, a reunion concert was held at The Acoustic Music Centre on the Edinburgh Fringe.
The release of the album Guitar Greats in 1999 saw a change from composing and transposing to featuring music from other guitar players who attained greatness for their contribution to the instrument rather than popularity from commercial success, including such players as:
Among the guitars used on the album, as well as the Fylde Oberon and Epiphone Emperor, was a 1949Gibson LG1 which JJ had bought from a music shop run by two session musicians (Terry Walsh and Bobby Kevin) in Tooting, London on his 21st birthday in 1968
Over a decade passed before the recording of the CD album Cafe Vienna. Released on Stoptime in 2013, it featured all James compositions, played on two Fylde 6 strings and a Fylde custom made 9 string. Acoustic guitar instrumentals make up most of the album. Though the title song Cafe Vienna is about life on the road as a soloist, the venue in the song is not necessarily in Vienna but anywhere, a montage of every gig and hundreds of after hours jam sessions. Other songs featured were What a Way To Go written in the early 1970s with Pete Berryman in mind. New recordings of One Long Happy Night & I Used To Live by the Sea both off the first album Morning brings the Light & written in London in 1969.
Broadsides was a BBC TV series presented by John James produced in Cardiff 1978/9. The programme featured top acts from the UK & Irish folk scene, such as The Bothy Band, The Hennessey's, MacCalmans, June Tabor & Martin Simpson, Saffron Summerfield. The programme aired on Saturday nights usually after Match of the Day or Parkinson.
George Clinton first published Guitar Magazine in August 1972 with John Williams on the cover. The original idea was to encompass all forms of the instrument, but as other publications started up better suited to cover electric guitar and rock & pop, Clinton changed editorial policy and moved to more classical, flamenco, some folk and blues & jazz. Generally concentrating on fingerstyle guitar, Clinton also changed the title to Guitar International. In 1983, John James became a contributor to the magazine and started a series on the history of ragtime music. Each month submitting a feature article plus a transcription of a section from a piece of Joplin or James Scott etc. The idea that the transcriptions, being in staff notation & tab. would appeal to the classical guitarist as well. After three years, JJ changed the series to feature more blues pickers such as Muddy Waters, Big Bill Broonzy, Lonnie Johnson, etc. George Clinton had a serious illness in the 1990s and did not recover, and the magazine, without his dynamism and energy, closed.
John James featured in the Guitar Festival in Denmark. With Dave Laibman, Peter Finger, Woody Mann, Duck Baker, Nick Katzman, Ton Engels and Lasse Johannson amongst the artistes on the bill, it became a de facto Kicking Mule Re-union. One of the most favoured gigs for acoustic guitar players in Europe is the Six Bars Jail in Florence, Italy. JJ made it there in 2012. Another coveted booking is the Guitar Fest in Douai, France. JJ featured there with Ian Melrose in 2015.
The BMG convention Edinburgh cancelled in 2020 due to Covid will now be held in April 2022.
Pentangle are a British folk band, formed in London in 1967. The original band was active in the late 1960s and early 1970s, and a later version has been active since the early 1980s. The original line-up, which was unchanged throughout the band's first incarnation (1967–1973), was Jacqui McShee (vocals); John Renbourn ; Bert Jansch ; Danny Thompson ; and Terry Cox (drums).
Herbert Jansch was a Scottish folk musician and founding member of the band Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded more than 28 albums and toured extensively from the 1960s to the 21st century.
John Renbourn was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973). He worked later in a duo with Stefan Grossman.
Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking. The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" are also applied to similar string instruments such as the banjo.
Takoma Records was a small but influential record label founded by guitarist John Fahey in the late 1950s. It was named after Fahey's hometown, Takoma Park, Maryland, a suburb of Washington, D.C.
William Boazman, known as Sonny Black, is an acoustic guitarist based in the UK, who plays blues, rags and original compositions usually fingerstyle or slide. "Sonny Black" is a pseudonym adopted when he began the first Sonny Black's Blues Band. He previously became well known as Bill Boazman on the folk club circuit and at college gigs during the 1970s as a singer, songwriter and acoustic guitarist. He has been credited with accompanying J. J. Cale, but this is a fallacy arising from a typographic error involving an American musician with a similar name, Bob Brozman.
David Michael Gordon "Davey" Graham was a British guitarist and one of the most influential figures in the 1960s British folk revival. He inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, Wizz Jones, John Renbourn, Martin Carthy, John Martyn, Paul Simon and Jimmy Page, who based his solo "White Summer" on Graham's "She Moved Through the Fair". Graham is probably best known for his acoustic instrumental "Anji" and for popularizing DADGAD tuning, later widely adopted by acoustic guitarists.
Stefan Grossman is an American acoustic fingerstyle guitarist and singer, music producer and educator, and co-founder of Kicking Mule records. He is known for his instructional videos and Vestapol line of videos and DVDs.
Raymond Ronald Jones, better-known as Wizz Jones, is an English acoustic guitarist, singer and songwriter. He was born in Thornton Heath, Surrey, England and has been performing since the late 1950s and recording from 1965 to the present. He has worked with many of the notable guitarists of the British folk revival, such as John Renbourn and Bert Jansch.
Tim Sparks is an American acoustic guitar player, singer, arranger and composer.
The Pentangle is the 1968 debut album of the band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson. It brought together their separate influences of folk, jazz, blues, early music and contemporary songwriting. One of the band's most commercially successful albums, it reached number 21 in the British charts.
Reflection is an album recorded in 1971 by folk-rock band Pentangle.
Richard Royall "Duck" Baker IV is an American acoustic fingerstyle guitarist who plays in a variety of styles: jazz, blues, gospel, ragtime, folk, and Irish and Scottish music. He has written many instruction books for guitar.
"Anji" is an acoustic fingerstyle guitar piece composed and recorded by noted folk guitarist Davy Graham in 1961 and originally released as part of his EP debut 3/4 AD. The piece is one of the best-known acoustic blues-folk guitar pieces ever composed, with many notable artists covering it, such as Bert Jansch, John Renbourn, Lillebjørn Nilsen, Paul Simon, and Harry Sacksioni. The song is in the key of A minor and is notable for its trademark descending bassline. However, the original recording by Davy Graham is in the key of C minor with a capo at the third fret.
Folk baroque or baroque guitar, is a distinctive and influential guitar fingerstyle developed in Britain in the 1960s, which combined elements of American folk, blues, jazz and ragtime with British folk music to produce a new and elaborate form of accompaniment. It has been highly important in folk music, folk rock and British folk rock playing, particularly in Britain, Ireland, North America and France.
Bert Jansch was a Scottish folk musician. His discography consists of 21 studio albums, 8 live albums, 36 compilations, 5 videos, 2 EPs, and 12 singles. In addition, his compositions and guitar work have been featured on a number of albums by other artists.
John Renbourn was an English guitarist and composer. His discography consists of 20 studio albums, 5 live albums, 19 compilations, and 2 videos. In addition, his compositions and guitar work have been featured on a number of albums by other artists.
Stefan Grossman is an American acoustic fingerstyle guitarist and singer. His discography consists of 22 studio albums, 2 live albums, 12 compilations, 22 videos, and 14 collaborations with other artists. In addition, his production, compositions and guitar work have been featured on a number of albums by other artists.
Terry Robb is a Canadian fingerstyle guitarist, composer, arranger and record producer living in the United States. He plays electric and acoustic guitar, and is associated with the American Primitive Guitar genre through his collaboration with steel string guitarist John Fahey. He is a member of the Oregon Music Hall of Fame and Cascade Blues Association Hall of Fame, and was honored with the eponymous "Terry Robb" Muddy Award for Best Acoustic Guitar in 2011. His original compositions draw on the Delta blues, ragtime, folk music, country music and jazz traditions.
Michael Cooper is an English guitarist and singer-songwriter. Initially coming to attention as a country blues performer, his later work also straddles jazz, Polynesian, ambient, and various experimental and improvisational styles.
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