Biography
Originally a percussionist who was trained at the Oberlin Conservatory and Northwestern University, Kennedy lived in New York City from 1984 to 1999. Kennedy co-founded and led the new music ensemble Essential Music, a group of flexible instrumentation which from 1987 to 2001 led a broad traversal of the American Experimental Tradition and presented over 100 concerts. During this period Kennedy had an association with John Cage, reviving a number of Cage's early works, including restoring the Kenneth Patchen radio play The City Wears a Slouch Hat. Kennedy also led the rediscoveries of the music of Johanna M. Beyer and William Russell in performances and recordings by Essential Music.
Kennedy lived in Santa Fe from 1999 to 2012, where he founded Santa Fe New Music. From 2002-2005, he served as artist President/Chair of the American Music Center.
Kennedy has had a long association with Spoleto Festival USA, leading the contemporary music component since 1990 and over time, assuming a wider role in the orchestra and opera programs. His curation featured many underrepresented composers before they were more widely performed. Since 2010, he has been the festival's chief conductor and established the festival as a unique outpost in the U.S. for international opera, leading the American premieres of operas by Pascal Dusapin, Luca Francesconi, Philip Glass, Helmut Lachenmann, Liza Lim, Wolfgang Rihm, Kaija Saariaho, Toshio Hosokawa, and others. He conducted the World Premiere productions of Paradise Interrupted (2015) by Huang Ruo as well as Omar (2022) by Rhiannon Giddens and Michael Abels. Under his leadership, the Spoleto Festival Orchestra came to be regarded as the most august summer orchestra fellowship in the U.S. for developing musicians.
As a conductor, he has led over 300 World and U.S. premieres, and conducted opera, orchestra, ballet, and new music projects with numerous organizations and festivals, throughout the U.S., Europe, and Asia. Kennedy has written and spoken widely on contemporary music and advocated audience development through its relevance and accessibility to general audiences. His work at Spoleto and in Santa Fe has been noted for great audience loyalty.
As a composer, Kennedy's works have been performed worldwide, including at San Francisco's Other Minds Festival, Paris Festival d’Automne, Aspekte Salzburg, the Zurich June Festival, London’s Wigmore Hall Piano Fest, the Singapore Arts Festival, and the Kanagawa Arts Festival. He has been commissioned by many organizations including the Santa Fe Opera and the Sarasota Opera.
Select works
Chant (1998) for three percussion
Collective Sentiments (1998) for variable instrumentation
Fanfare for the Common Gun (1994) for the Brady Bill for handguns
Nostalgic Patterns (1995) for variable instrumentation
Animals in Distress (1995) for animal distress calls
Exigencies of Inner Rhythm (1998) for four percussion
One Body (1998) chamber cantata for countertenor/baritone, string quartet, two percussion
Someday (2000) for a cappella choir
Guadalupe (2000) musicdrama for soprano, chorus, small orchestra
The Language of Birds (2004) opera with libretto by Peter M. Krask
Storm and Stress (2005) for orchestra
First Deconstruction (in plastic) (2006) for two percussion
Recession and Procession (2006) for brass quintet
Trinity (2007) chamber opera with libretto by Andrea Fellows Walters
Horn Concerto (2007) solo horn with large orchestra
BAGHDAD (2007) variations on B-A-G-H-D-A-D for string orchestra
Garden Winds (2011) for chamber orchestra
Island in Time (2012) for chamber ensemble
iPhone 4tet (2012) for four smartphones
Passages (2013) for chamber orchestra
Open Share (2015) for orchestra
blessing the boats (2016) for choir and orchestra
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