Liza LimAM (born 30 August 1966) is an Australian composer. Lim writes concert music (chamber and orchestral works) as well as music theatre and has collaborated with artists on installation and video projects. Her work reflects her interests in Chinese culture and the aesthetics of Aboriginal art and shows the influence of non-Western music performance practice.[1]
In February 2017, she was appointed to the composition unit at the Sydney Conservatorium of Music,[6] where she is the Sculthorpe Chair of Australian Music.[7]
Selected works
Stage works
1991–93 The Oresteia. A Memory Theatre, opera
1994–95 Bar-do'i-thos-grol, 7-night installation performance based on The Tibetan Book of the Dead, artist Domenico de Clario
1991–99 Yuè Lìng Jié (Moon Spirit Feasting), A Chinese ritual street opera, libretto by Beth Yahp
2005 Glass House Mountains, installation work with artist Judy Watson
2008 The Navigator, opera for 5 singers, 16 instruments and electronics, libretto by Patricia Sykes
Orchestra works
1994–95 Sri-Vidya, Utterances of Adoration for choir and orchestra
1996 The Alchemical Wedding for orchestra (22 instruments)
2001–02 Ecstatic Architecture, commissioned for the inaugural season at the Walt Disney Concert Hall
2004 Immer Fliessender (Ever Flowing), a companion-piece for Gustav Mahler's Ninth Symphony
2005 Flying Banner, "Fanfare" for orchestra, after Wang To
2005–06 The Compass for orchestra with flute and didgeridoo soloists
2010 Pearl, Ochre, Hair String for orchestra
2010 The Guest for orchestra with recorder soloist
Ensemble works
1988–89 Garden of Earthly Desire for flute, oboe, clarinet, electric guitar, mandolin, harp, violin, viola, violoncello, contrabass, percussion
1993 Li Shang Yin for coloratura soprano, 15 instruments
1995 Street of Crocodiles for flute, oboe, alto saxophone, alto trombone, cimbalom/cymbal, violin, viola, violoncello, baroque violoncello
1999 Veil for flute/bass flute, bass clarinet, trumpet in C, percussion, piano, violin, violoncello
2001 Machine for Contacting the Dead for twenty-seven instruments
2005 Songs Found in Dream for oboe, bass clarinet, alto sax, trumpet, 2 percussion, viola, cello
2005 Mother Tongue for soprano and 15 instruments, poems by Patricia Sykes[8]
2006 Shimmer Songs for string quartet, harp, 3 percussion
2006 City of Falling Angels for 12 percussion
2007 Sensorium for soprano, C-tenor recorders, baroque harp, viola d'amore
2010–11 Tongue of the Invisible, a work for improvising pianist, baritone and 16 musicians
2014 Winding Bodies: 3 Knots for alto flute, bass clarinet, piano, percussion, violin, viola, violoncello and double bass
Chamber music
1996 Inguz (Fertility) for clarinet in A, violoncello
1997 The Heart's Ear for flute/piccolo, clarinet, violin I, violin II, viola, violoncello
1999 Sonorous Bodies for koto and voice solo, in collaboration with video artist Judith Wright
2004 In the Shadow's Light for string quartet, commissioned by Festival d'automne à Paris for the Kairos Quartett
2004–05 The Quickening for soprano and qin, commissioned by the Festival d'Automne à Paris
2008 Ochred String for oboe, viola, cello, double bass
2013–14 The Weaver's Knot for string quartet
Solo works
1992 Amulet for viola solo
1997 Philtre for Hardanger fiddle solo or retuned violin
2007 Wild Winged–one for solo trumpet
2007 Weaver–of–Fictions for alto Ganassi recorder
2007 The Long Forgetting for tenor Ganassi recorder
2008 Well of Dreams for solo alto trombone
2008 Sonorous Body for solo B♭ clarinet
2011 Love Letter for solo instrument
Awards and nominations
In 2007, Lim's Sydney Symphony Composer Residency was nominated for an APRA Classical Music Award for Outstanding Contribution by an Individual, her piece Mother Tongue was nominated for Best Composition by an Australian Composer, and her piece Flying Banner (After Wang To) won the Orchestral Work of the Year Award.[9]
In 2018, Lim won the Don Banks Music Award, which honours a senior artist of high distinction who has made an outstanding and sustained contribution to music in Australia.[10]
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