John Kerrigan, FBA (born 1956) is a British literary scholar, with interests including the works of Shakespeare and Wordsworth, along with Irish studies. In 2001, he was elected Professor of English 2000 in the Faculty of English, University of Cambridge. [1]
John Kerrigan was born in Liverpool; he was educated there at St. Edward's College followed by Oxford, where he went to Keble, later becoming a Junior Research Fellow at Merton.
Since 1982 he has taught at Cambridge where he is a fellow of St. John's College. He has lectured extensively in Europe, North and South America, Australia, New Zealand and Japan, and his publications on Shakespeare, early modern literature, and modern British and Irish poetry are internationally acclaimed. In 2013 he was elected a Fellow of the British Academy. Visiting positions include UCLA, [2] Auckland [3] and Princeton. [4]
During the 1980s Kerrigan established himself as one of a group of scholars who revolutionised the editing of Shakespeare by discrediting the practice of 'conflating' variant early texts of such plays as Hamlet and King Lear, though his position, like that of others, has become more complicated over time. His own editions include Love's Labour's Lost (1982) and Shakespeare's Sonnets and A Lover's Complaint (1986). He did further work on A Lover's Complaint recovering its sources and analogues in Motives of Woe (1991). His recent Shakespearean output includes essays on 'The Phoenix and Turtle' (2013), an extensive analysis of the question 'How Celtic was Shakespeare?', and Shakespeare's Binding Language (2016). [5] His 2016 Oxford Wells Shakespeare Lectures were published in 2018 as Shakespeare's Originality. [6]
He won the Truman Capote Award for Literary Criticism in 1998 for Revenge Tragedy: Aeschylus to Armageddon, an ambitious study in comparative literature, and in 2001 published a book of essays On Shakespeare and Early Modern Literature.
His Archipelagic English: Literature, History, and Politics 1603-1707 (2008) seeks to correct the traditional Anglocentric account of seventeenth-century English Literature by showing how much remarkable writing was produced in Wales, Scotland, and Ireland, and how preoccupied such English authors as Shakespeare, Milton, and Marvell were with the often fraught interactions between ethnic, religious, and national groups around Britain and Ireland. [7]
Over the last couple of decades John Kerrigan has published numerous essays on modern poetry, including Louis MacNeice, Seamus Heaney, Roy Fisher, Geoffrey Hill, Denise Riley, Eiléan Ní Chuilleanáin and Paul Muldoon. [8] . Among the topics he has recently addressed are poetry and the migrant crisis [9] and environmentalism. [10]
He has written extensively for the Times Literary Supplement (London) and the London Review of Books. [11]
Samuel Daniel (1562–1619) was an English poet, playwright and historian in the late-Elizabethan and early-Jacobean eras. He was an innovator in a wide range of literary genres. His best-known works are the sonnet cycle Delia, the epic poem The Civil Wars Between the Houses of Lancaster and York, the dialogue in verse Musophilus, and the essay on English poetry A Defense of Rhyme. He was considered one of the preeminent authors of his time and his works had a significant influence on contemporary writers, including William Shakespeare. Daniel's writings continued to influence authors for centuries after his death, especially the Romantic poets Samuel Taylor Coleridge and William Wordsworth. C. S. Lewis called Daniel "the most interesting man of letters" whom the sixteenth century produced in England.
Paul Muldoon is an Irish poet. He has published more than thirty collections and won a Pulitzer Prize for Poetry and the T. S. Eliot Prize. At Princeton University he is currently both the Howard G. B. Clark '21 University Professor in the Humanities and Founding Chair of the Lewis Center for the Arts. He held the post of Oxford Professor of Poetry from 1999 to 2004 and has also served as president of the Poetry Society (UK) and Poetry Editor at The New Yorker.
The revenge tragedy, or revenge play, is a dramatic genre in which the protagonist seeks revenge for an imagined or actual injury. The term revenge tragedy was first introduced in 1900 by A. H. Thorndike to label a class of plays written in the late Elizabethan and early Jacobean eras.
George Richard Wilson Knight (1897–1985) was an English literary critic and academic, known particularly for his interpretation of mythic content in literature, and The Wheel of Fire, a collection of essays on Shakespeare's plays. He was also an actor and theatrical director, and considered an outstanding lecturer.
Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature. In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first English novels. Major writers include William Shakespeare, Edmund Spenser, Christopher Marlowe, Richard Hooker, Ben Jonson, Philip Sidney and Thomas Kyd.
"A Lover's Complaint" is a narrative poem written by William Shakespeare, and published as part of the 1609 quarto of Shakespeare's Sonnets. It was published by Thomas Thorpe.
Sonnet 2 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence.
"Sonnet 18" is one of the best-known of the 154 sonnets written by the English playwright and poet William Shakespeare.
Sonnet 153 is a sonnet by William Shakespeare.
Sonnet 9 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence.
Sonnet 10 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence.
Sonnet 15 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It forms a diptych with Sonnet 16, as Sonnet 16 starts with "But...", and is thus fully part of the procreation sonnets, even though it does not contain an encouragement to procreate. The sonnet is within the Fair Youth sequence.
Sonnet 22 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.
Sonnet 23 is one of a sequence of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.
Sonnet 24 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.
Sonnet 25 is one of 154 sonnets published by the English playwright and poet William Shakespeare in the Quarto of 1609. It is a part of the Fair Youth sequence.
Sonnet 31 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a sonnet within the Fair Youth sequence. Developing an idea introduced at the end of Sonnet 30, this poem figures the young man's superiority in terms of the possession of all the love the speaker has ever experienced.
Shakespeare's Sonnet 47 is one of the Fair Youth sequence, addressed to a well-born young man. More locally, it is a thematic continuation of Sonnet 46.
Sonnet 127 of Shakespeare's sonnets (1609) is the first of the Dark Lady sequence, called so because the poems make it clear that the speaker's mistress has black hair and eyes and dark skin. In this poem the speaker finds himself attracted to a woman who is not beautiful in the conventional sense, and explains it by declaring that because of cosmetics one can no longer discern between true and false beauties, so that the true beauties have been denigrated and out of favour.
Sir Brian William Vickers is a British academic, now Emeritus Professor at ETH Zurich. He is known for his work on the history of rhetoric, Shakespeare, John Ford, and Francis Bacon. He joined the English department at University College London as a visiting professor in 2012.
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