Bill Viola is an American contemporary video artist whose artistic expression depends upon electronic, sound, and image technology in new media. His works focus on the ideas behind fundamental human experiences such as birth, death and aspects of consciousness.
Sheffield Hallam University (SHU) is a public research university in Sheffield, South Yorkshire, England. The university is based on two sites; the City Campus is located in the city centre near Sheffield railway station, while the Collegiate Crescent Campus is about two miles away in the Broomhall Estate off Ecclesall Road in south-west Sheffield. A third campus at Brent Cross Town in the London Borough of Barnet is expected to open for the 2025-26 academic year.
Laurie Spiegel is an American composer. She has worked at Bell Laboratories, in computer graphics, and is known primarily for her electronic-music compositions and her algorithmic composition software Music Mouse. She also plays the guitar and lute.
Johannes Birringer is an independent media choreographer and artistic director of AlienNation Co., a multimedia ensemble that has collaborated on various site-specific and cross-cultural performance and installation projects since 1993. He lives and works in Houston and London.
David Hall was an English artist, whose pioneering work contributed much to establishing video as an art form.
The ZKM | Center for Art and Media Karlsruhe, a cultural institution, was founded in 1989. and, since 1997, is located in a listed industrial building in Karlsruhe, Germany, a former munitions factory. The ZKM organizes special exhibitions and thematic events, conducts research and produces works on the effects of media, digitization, and globalization, and offers public as well as individualized communications and educational programs.
The London Film-makers' Co-op, or LFMC, was a British film-making workshop founded in 1966. It ceased to exist in 1999 when it merged with London Video Arts to form LUX.
Alex McDowell is a British narrative designer and creative director working in narrative media. He is a strong advocate of world building and immersive design and integrates digital technology and traditional design technique in his work. He has created a holistic design process that incorporates ideation, inception, prototyping, and production for tangible story worlds.
Experiments in Art and Technology (E.A.T.), a non-profit and tax-exempt organization, was established in 1967 to develop collaborations between artists and engineers. The group operated by facilitating person-to-person contacts between artists and engineers, rather than defining a formal process for cooperation. E.A.T. initiated and carried out projects that expanded the role of the artist in contemporary society and helped explore the separation of the individual from technological change.
The Telluride Institute (TI) was founded in 1984 in the resort town of Telluride, Colorado, by John Lifton, Pamela Zoline, John Clute, John Naisbitt and Patricia Aburdene, authors of the Megatrends books, and Amory and Hunter Lovins of the Rocky Mountain Institute.
Ali Hossaini is an American artist, philosopher, theatrical producer, television producer, and businessperson. In 2010, The New York Times described him as a "biochemist turned philosopher turned television producer turned visual poet". In 2017 Hossaini published the Manual of Digital Museum Planning and subsequently became co-director of National Gallery X, a King's College London partnership that explores the future of art and cultural institutions. Prior to National Gallery X Hossaini worked with King's College to develop Connected Culture, an action research programme that tested cultural applications for 5G supported by Ericsson. As a working artist and producer, Hossaini's genre-spanning career includes installations, performances and hundreds of media projects. Since 2018 Hossaini has worked with security think tank Royal United Services Institute and, in a 2019 special edition of its journal, he assessed the threat from AI from the perspective of biology.
The Institute for Research in Art and Technology was founded in London in 1969 by a group of artists and activists including painter/author Pamela Zoline, video Pioneer John Hopkins, painter Biddy Peppin, film enthusiast David Curtis, arts theorist John Lifton composer Hugh Davies. Its early focus was on video, film, theatre and new media but this was subsequently expanded to include experimental literature, drama, sculpture and multimedia all based on art/technology crossovers.
The Van Eyck – Multiform Institute for Fine Art, Design, and Reflection is a post-academic institute for research and production in the fields of fine art, design and art theory, based in Maastricht, Netherlands. The academy was established in 1948 and was named after the painter Jan van Eyck. In 2013, 39 researches from countries around the world were working and studying at the institutes premises in Jekerkwartier. In 2012, the Hubert van Eyck Academie / Caterina van Hemessen Academie was established as a ‘teaching bridge,’ linking the Jan van Eyck Academie / Margaret van Eyck Academie with Maastricht University and other Maastricht art schools.
BAVC Media, previously known as the Bay Area Video Coalition (BAVC), is a nonprofit organization that works to connect independent producers and underrepresented communities to emerging media technologies. It was founded in 1976 in San Francisco.
Hybrid art is a contemporary art movement in which artists work with frontier areas of science and emerging technologies. Artists work with fields such as biology, robotics, physical sciences, experimental interface technologies, artificial intelligence, and information visualization. They address the research in many ways such as undertaking new research agendas, visualizing results in new ways, or critiquing the social implications of the research. The worldwide community has developed new kinds of art festivals, information sources, organizations, and university programs to explore these new arts.
The Arts Lab was an alternative arts centre, founded in 1967 by Jim Haynes at 182 Drury Lane, London. Although only active for two years, it was influential in inspiring many similar centres in the UK, continental Europe and Australia, including the expanded Institute of Contemporary Arts (ICA) in London, the Milky Way/Melkweg in Amsterdam, the Entrepôt in Paris and the Yellow House Artist Collective founded by Martin Sharp in Sydney.
Stephen Partridge is an English video artist who studied under David Hall and his career as an artist, academic and researcher, helped to establish video as an art form in the UK.
Mark Kidel is a documentary filmmaker, writer and critic, working mostly in France and the UK.
His award-winning films include portraits of Cary Grant, John Adams (composer), Elvis Costello, Boy George, Ravi Shankar, Rod Stewart, Bill Viola, Iannis Xenakis, pianists Alfred Brendel and Leon Fleisher, Derek Jarman, Brian Clarke Balthus, Tricky, Robert Wyatt and American theatre and opera director Peter Sellars.
Generative Systems was a program founded by Sonia Landy Sheridan at the School of the Art Institute of Chicago in 1969 to help integrate art with new technologies.
Barbara Sykes into a family of artists, designers and inventors. Since childhood, she has produced work in a variety of different art forms. In 1974, she became one of Chicago’s pioneering video and new media artists and, later to include, independent video producer, exhibition curator and teacher. Sykes is a Chicago based experimental video artist who explores themes of spirituality, ritual and indigeneity from a feminist perspective. Sykes is known for her pioneering experimentation with computer graphics in her video work, utilizing the Electronic Visualization Laboratory at the University of Illinois, Chicago, at a time when this technology was just emerging. Her early works broke new grounds in Chicago’s emerging New Media Art scene, and continue to inspire women to explore experimental realms. With a passion for community, she fostered significant collaborations with many institutions that include but are not limited to University of Illinois, School of the Art Institute of Chicago, Columbia College, Center for New Television, and (art)n laboratory. These collaborations became exemplary for the showcasing of new media work. The wave of video, new media and computer art that she pioneered alongside many other seminal early Chicago New Media artists persists as a major influence for artists and educators today. Her work has been exhibited internationally, at institutions such as Moderna Museet (Stockholm), Ny Carlsberg Glyptotek (Copenhagen), Musée d'Art Moderne de la Ville de Paris, Museum of Contemporary Art San Diego, Metropolitan Museum of Art , Museum of the Art Institute (Chicago), The Metropolitan Museum of Art and SIGGRAPH. Sykes’s tapes have been broadcast in Sweden, Italy, Puerto Rico and extensively throughout in the USA, including “The Independents,” PBS national broadcast, 1985, and national cablecast, 1984. Media Burn has a selection of her tapes online and over 200 of her raw footage, master edits, dubs and compilation tapes in their archives. Select grants include a National Endowment for the Arts and American Film Institute Regional Fellowship, Evanston Art Council Cultural Arts Fund and several Illinois Arts Council grants.
